Britains Forgotten Film Factory
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Author | : Ed Harris |
Publisher | : Amberley Publishing Limited |
Total Pages | : 381 |
Release | : 2012-11-15 |
Genre | : Performing Arts |
ISBN | : 1445611872 |
From the first Sherlock Holmes film to the African Queen, the only full account of this important film studio
Author | : Alan Burton |
Publisher | : Scarecrow Press |
Total Pages | : 586 |
Release | : 2013-07-11 |
Genre | : Performing Arts |
ISBN | : 0810880261 |
British cinema has been around from the very birth of motion pictures, from black-and-white to color, from talkies to sound, and now 3D, it has been making a major contribution to world cinema. Many of its actors and directors have stayed at home but others ventured abroad, like Charlie Chaplin and Alfred Hitchcock. Today it is still going strong, the only real competition to Hollywood, turning out films which appeal not only to Brits, just think of Bridget Jones, while busily adding to franchises like James Bond and Harry Potter. So this Historical Dictionary of British Cinema has a lot of ground to cover. This it does with over 300 dictionary entries informing us about significant actors, producers and directors, outstanding films and serials, organizations and studios, different films genres from comedy to horror, and memorable films, among other things. Two appendixes provide lists of award-winners. Meanwhile, the chronology covers over a century of history. These parts provide the details, countless details, while the introduction offers the big story. And the extensive bibliography points toward other sources of information.
Author | : Stephen Glynn |
Publisher | : Springer |
Total Pages | : 166 |
Release | : 2019-01-05 |
Genre | : Performing Arts |
ISBN | : 3030051803 |
This book constitutes the first full volume dedicated to an academic analysis of horseracing in British cinema. Through comprehensive contextual histories of film production and reception, together with detailed textual analysis, this book explores the aesthetic and emotive power of the enduringly popular horseracing genre, its ideologically-inflected landscape and the ways in which horse owners and riders, bookmakers and punters have been represented on British screen. The films discussed span from the 1890s to the present day and include silent shorts, quota quickies and big-budget biopics. A work of social and film history, The British Horseracing Film demonstrates how the so-called “sport of kings” functions as an accessible institutional structure through which to explore cinematic discussions about the British nation—but also, and equally, national approaches to British cinema.
Author | : Michael Ingham |
Publisher | : Taylor & Francis |
Total Pages | : 239 |
Release | : 2016-12-08 |
Genre | : Performing Arts |
ISBN | : 131755521X |
Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined. Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media. Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.
Author | : Carol Dyhouse |
Publisher | : Oxford University Press |
Total Pages | : 272 |
Release | : 2017-02-09 |
Genre | : History |
ISBN | : 0191078395 |
From dreams of Prince Charming or dashing military heroes, to the lure of dark strangers and vampire lovers; from rock stars and rebels to soulmates, dependable family types, or simply good companions, female fantasies about men tell us a great deal about the history of women. In Heartthrobs, Carol Dyhouse draws upon literature, cinema, and popular romance to show how the changing cultural and economic position of women has shaped their dreams about men. When girls were supposed to be shrinking violets, passionate females risked being seen as 'unbridled', or dangerously out of control. Change came slowly, and young women remained trapped in a double-bind: you may have needed a husband in order to survive, but you had to avoid looking like a gold-digger. Show attraction too openly and you might be judged 'fast' and undesirable. Education and wage-earning brought independence and a widening of horizons for women. These new economic beings showed a sustained appetite for novel-reading, cinema-going, and the dancehall. They sighed over Rudolph Valentino's screen performances as tango-dancer or Arab tribesman and desert lover. Women may have been ridiculed for these obsessions, but, as consumers, they had new clout. This book reveals changing patterns of desire, and looks at men through the eyes of women.
Author | : Patricia Warren |
Publisher | : Trafalgar Square Publishing |
Total Pages | : 204 |
Release | : 1995 |
Genre | : Performing Arts |
ISBN | : |
The first 100 years of British film studies, covering over 90 studios.
Author | : Margaret Butler |
Publisher | : Bloomsbury Publishing |
Total Pages | : 265 |
Release | : 2004-08-27 |
Genre | : History |
ISBN | : 0857712640 |
Relations between France and Britain have always been uneasy and ambivelant. But in cinema, WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and division. She also draws on contemporary debates and offers a perceptive reading of key films, to reveal the meaning and appeal of French classics like "Les Enfants du Paradis" and notable British productions like "Waterloo Road".
Author | : Robert Sellers |
Publisher | : Aurum |
Total Pages | : 363 |
Release | : 2015-10-01 |
Genre | : Photography |
ISBN | : 1781314837 |
A behind-the-scenes account of life at Ealing Studios – one of the great cinematic success stories of post-war Britain, and a byword for a particular strain of comic filmmaking that continues to inspire imitators over half a century on. This will be the first full narrative history of the studio, focusing on its output in the 1940s and '50s, when the movies made there were in astonishing (and revealing) synchronicity with the national mood. Told through the memories of the people who worked and performed there, The Secret Life of Ealing Studios will explore how a small group of maverick filmmakers, some of Britain’s most fondly remembered movie stars, and a lot of unsung backroom boys and girls created pictures that presented a unique and enduring view of British identity, and which have since become classics. Particular emphasis will be placed on the filming of Hue and Cry (1947), Passport to Pimlico (1949), Kind Hearts and Coronets (1949), Whisky Galore (1949), The Lavender Hill Mob (1951), The Man in the White Suit (1951) and The Ladykillers (1955), along with war films such as The Cruel Sea (1953). At the heart of the story will be the figure of Michael Balcon - perhaps the closest Britain has ever come to producing a movie mogul in the Hollywood mould - and iconic actors such as Peter Sellers, Alec Guinness, Margaret Rutherford and Sid James. The author is one of Britain's leading entertainment biographers and has a number of successful and critically lauded titles under his belt (his recent book on Oliver Reed, What Fresh Lunacy Is This?, was selected for Books of the Year round-ups in both the Sunday Times and Mail on Sunday). Robert has a track record of securing original testimony from first-hand witnesses and has already begun interviewing people who worked at Ealing.
Author | : Vanessa Toulmin |
Publisher | : Bloomsbury Publishing |
Total Pages | : 490 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838715517 |
Electric Edwardians presents a stunning visual record of the films of Sagar Mitchell and James Kenyon, combined with an illuminating discussion of the films and the social context of their production by Vanessa Toulmin, a leading authority on the collection. Advertised as 'local films for local people', the films of Mitchell and Kenyon were commissioned by travelling exhibitors in the early twentieth century for screening in town halls, village fetes and local fairs. Audiences paid to see their neighbours, families and themselves on the screen, glimpsed at work and at play. This attractive volume includes over 200 illustrations drawn from the Mitchell and Kenyon collection, as well as contemporary posters and handbills from the National Fairground Archive. Vanessa Toulmin's lucid accompanying text provides an introduction to the work of the M&K company, the showmen who commissioned their films, and their place in early British cinema. Focusing on major themes, such as Leisure and Recreation, Sport, Industry, the Boer War and the City, Toulmin explores how the M&K collection deepens our understanding of these key aspects of Edwardian life.
Author | : Paul Bevan |
Publisher | : Hong Kong University Press |
Total Pages | : 438 |
Release | : 2022-04-13 |
Genre | : History |
ISBN | : 9888754130 |
This book, Chiang Yee and His Circle: Chinese Artistic and Intellectual Life in Britain, 1930–1950, celebrates the life and work of Chiang Yee (1903–1977), a Chinese writer, poet, and painter who made his home in London, England during the 1930s and 1940s. It examines Chiang’s relationship with his circle of friends and colleagues in the English capital, and assesses the work he produced during his sojourn there. This edited volume, with contributions from eleven distinguished scholars, tells a story of a Chinese intellectual community in London that up to now has been largely overlooked. It portrays a dynamic picture of the London-based émigré life during the years that led up to the war and during the conflict that was the catalyst for many of them moving on. In addition, the book broadens our understanding of cultural interactions between China and the West in Hampstead, one of the most vibrant artistic communities in London. ‘The collected essays convey a striking portrait of a community of Chinese intellectuals in England during World War II and how it interacted with cultural elites in London and elsewhere both as artists and as anti-fascist activists. As a whole, the volume makes significant points about how people claim status as “authentic” interpreters of a cultural tradition, a process that can pit friends against each other.’ —Kristin Stapleton, The University at Buffalo, SUNY ‘In this delightful collection of essays, a team of experts in literature, history, and the arts bring to light a world of literary interconnectedness and wartime collaboration seldom explored in scholarship. The perfect resource for anyone who values the humanistic common ground between the East and the West.’ —Jenny H. Day, Skidmore College