Brief Van Gerardus Johannes Vossius 1577 1649
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Author | : R. Po-Chia Hsia |
Publisher | : Cambridge University Press |
Total Pages | : 197 |
Release | : 2002-08-01 |
Genre | : History |
ISBN | : 1139433903 |
Dutch society has enjoyed a reputation, or notoriety, for permissiveness from the sixteenth century to present times. The Dutch Republic in the Golden Age was the only society that tolerated religious dissenters of all persuasions in early modern Europe, despite being committed to a strictly Calvinist public Church. Professors R. Po-chia Hsia and Henk van Nierop have brought together a group of leading historians from the US, the UK and the Netherlands to probe the history and myth of this Dutch tradition of religious tolerance. This 2002 collection of outstanding essays reconsiders and revises contemporary views of Dutch tolerance. Taken as a whole, the volume's innovative scholarship offers unexpected insights into this important topic in religious and cultural history.
Author | : Judith Pollmann |
Publisher | : Manchester University Press |
Total Pages | : 312 |
Release | : 1999 |
Genre | : History |
ISBN | : 9780719056802 |
How did people learn their Bibles in the Middle Ages? Did church murals, biblical manuscripts, sermons or liturgical processions transmit the Bible in the same way?This book unveils the dynamics of biblical knowledge and dissemination in thirteenth- and fourteenth-century England. An extensive and interdisciplinary survey of biblical manuscripts and visual images, sermons and chants, reveals how the unique qualities of each medium became part of the way the Bible was known and recalled; how oral, textual, performative and visual means of transmission joined to present a surprisingly complex biblical worldview. This study of liturgy and preaching, manuscript culture and talismanic use introduces the concept of biblical mediation, a new way to explore Scriptures and society. It challenges the lay-clerical divide by demonstrating that biblical exegesis was presented to the laity in non-textual means, while the 'naked text' of the Bible remained elusive even for the educated clergy.
Author | : Ilana Zinguer |
Publisher | : BRILL |
Total Pages | : 308 |
Release | : 2011-08-25 |
Genre | : Religion |
ISBN | : 9004212566 |
Christian Hebraism came to its full fruition in the seventeenth century. However, interest in Jewish and Hebraic sources had already increased during the early Renaissance, as an integral part of the renewed attention to ancient cultures, mostly Greek and Roman, as well as eastern cultures – from Egypt to India. This volume presents a selection of papers from the international conference Hebraic Aspects of the Renaissance (University of Haifa, May, 2009), that trace the humanist encounter with Hebrew and Jewish sources during that period. The chapters included in this volume not only illuminate the ways in which Christian scholars encountered Hebraic sources and integrated them into their general worldview, but also present the encounters of Jewish scholars with humanist culture.
Author | : Thijs Weststeijn |
Publisher | : BRILL |
Total Pages | : 476 |
Release | : 2015-03-20 |
Genre | : Art |
ISBN | : 9004283994 |
How did the classical tradition survive on the North Sea shores? This richly illustrated book explores the interplay between art and erudition in the seventeenth century. It analyses the sources, editions, and reception of Franciscus Junius’s writings to chart how ideas about Northern European painting, from Van Dyck to Rembrandt, developed as a counterweight to the Italian tradition. Thus the language of art in Junius’s The Painting of the Ancients appears to be related to his seminal work in the field of Germanic linguistics and his discovery of the shared pre-Christian civilization of Holland and England. Junius’s innovative pairing of scholarship to the painter’s practice illuminates the reception of antiquity and the creation of an Anglo-Dutch artistic Arcadia.
Author | : Jan Bloemendal |
Publisher | : BRILL |
Total Pages | : 2215 |
Release | : 2010-05-31 |
Genre | : Literary Criticism |
ISBN | : 9004184090 |
This is a new critical edition (in two volumes) of Vossius' Latin Poeticae institutiones, with a translation in English, an introduction, annotations and a commentary. In 1647 the Amsterdam professor Gerardus Vossius published his main work on poetics, Poeticarum institutionum libri III, which can be considered as an important result of the Dutch Golden Age. In the same year two shorter works appeared, De artis poeticae natura ac constitutione, which is an introduction to the main work, and De imitatione, which elaborates on two aspects of poetics: imitation and recitation. These are added in appendices, also with a translation, but without a commentary. Now this important early modern work on the making of poetry (labeled by Sellin as 'The last of the Renaissance monsters') is made available also for readers without Latin.
Author | : Henry Smith Williams |
Publisher | : |
Total Pages | : 710 |
Release | : 1907 |
Genre | : World history |
ISBN | : |
Author | : Henry Smith Williams |
Publisher | : |
Total Pages | : 704 |
Release | : 1904 |
Genre | : World History |
ISBN | : |
Author | : Henry Smith Williams |
Publisher | : |
Total Pages | : 1376 |
Release | : 1926 |
Genre | : |
ISBN | : |
Author | : Leo van Santen |
Publisher | : BRILL |
Total Pages | : 477 |
Release | : 2014-10-16 |
Genre | : Religion |
ISBN | : 9004281037 |
InBremen als Brennpunkt reformierter Irenik zeigt Leo van Santen anhand der Biografie von Ludwig Crocius (1586-1655), wie dessen irenische Theologie zur Verständigung von Reformierten und Lutheranern nicht so sehr dogmatisch bedingt war, als vielmehr vom Bremer Stadtrat veranlasst wurde, der an guten Beziehungen mit dem lutherischen Umland Interesse hatte. Mit seiner Irenik kollidierte Crocius jedoch, zunächst 1618-1619 als Bremer Delegierter während der Dordrechter Synode, mit der von den calvinistischen Niederlanden geforderten strengen Orthodoxie, die 1636 einen Kirchenstreit verursachte. Die von Santen erstmals ausgewerteten Korrespondenzen, die Crocius aus diesem Anlass und als Prorektor des Gymnasium Illustre zur Empfehlung von Studenten mit bedeutenden Reformierten wie Vossius in den Niederlanden führte, bezeugen Bremens bislang wenig wahrgenommene vollwertige Stellung im frühneuzeitlichen europäischen Reformiertentum. In Bremen als Brennpunkt reformierter Irenik, Leo van Santen demonstrates how Ludovicus Crocius’s irenical theology, meant to mediate between the Reformed and the Lutheran Churches, was instigated by the Bremen municipal authorities who had an interest in good relations with the Lutheran surrounding area. Van Santen bases himself on the life of Crocius (1586-1655). With his irenicism, however, in 1618-1619 as Bremen delegate at the Synod of Dordt, Crocius for the first time collided with the strict orthodoxy insisted upon by the Dutch Calvinists, which led to an ecclesiastical conflict in 1636. The correspondence that Crocius, as pro-rector of the Gymnasium Illustre, conducted on this subject with Reformed scholars such as Vossius in the Dutch Republic, testify to Bremen’s hitherto insufficiently recognized position in Europe’s early modern Reformed world.
Author | : Jan Bloemendal |
Publisher | : BRILL |
Total Pages | : 454 |
Release | : 2016-08-01 |
Genre | : History |
ISBN | : 9004323422 |
Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigating European tragedy in the seventeenth century, comparing Shakespeare, Vondel, Gryphius, Racine and several other vernacular tragedians, together with consideration of neo-Latin dramas by Jesuits and other playwrights. To what extent were similar themes, plots, structures and styles elaborated? How is difference as well as similarity to be accounted for? European drama is beginning to be considered outside of the singular vernacular frameworks in which it has been largely confined (as instanced in the conferences and volumes of essays held in the Universities of Munich and Berlin 2010-12), but up-to-date secondary material is sparse and difficult to obtain. This volume intends to help remedy that deficit by addressing the drama in a full political, religious, legal and social context, and by considering the plays as interventions in those contexts. Contributors are: Christian Biet, Jan Bloemendal, Helmer J. Helmers, Blair Hoxby, Sarah M. Knight, Tatiana Korneeva, Frans-Willem Korsten, Joel B. Lande, Russell J. Leo, Howard B. Norland, Kirill Ospovat, James A. Parente, Jr., Freya Sierhuis, Nienke Tjoelker and Emily Vasiliauskas.