History of Langlade County, Wisconsin

History of Langlade County, Wisconsin
Author: Robert M. Dessureau
Publisher: Forgotten Books
Total Pages: 374
Release: 2018-10-09
Genre: Reference
ISBN: 9780365865599
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Excerpt from History of Langlade County, Wisconsin: From U. S. Government Survey to Present Time, With Biographical Sketches Time passes swiftly. There is approaching that hour when the last pioneer will pass to his reward, and with this thought as his inspiring motive, the writer began the task of setting down, while yet there are a few from whose lips the story can be told, the deeds, trials, tribulations and monumental efforts of that vanguard of mor tal souls who first trod the soil of Langlade County. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Negro Year Book: An Annual Encyclopedia of the Negro 1931-1932

Negro Year Book: An Annual Encyclopedia of the Negro 1931-1932
Author: Monroe Nathan Work
Publisher: Franklin Classics Trade Press
Total Pages: 562
Release: 2018-11-10
Genre: History
ISBN: 9780353058989
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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Phonetics, Theory and Application

Phonetics, Theory and Application
Author: William R. Tiffany
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
Total Pages: 456
Release: 1977
Genre: Language Arts & Disciplines
ISBN:
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Hollywood Highbrow

Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
Total Pages: 242
Release: 2018-06-05
Genre: Performing Arts
ISBN: 0691187282
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Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.