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| Author | : Walter Frisch |
| Publisher | : Univ of California Press |
| Total Pages | : 244 |
| Release | : 1990-04-20 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780520069589 |
This volume is an analytical study of 18 works by Brahms, making skillful use of Schoenberg's provocative concept of developing variation. It traces a genuine evolution through Brahm's compositions, considering their relationship to each other.
| Author | : Walter Miller Frisch |
| Publisher | : |
| Total Pages | : 666 |
| Release | : 1981 |
| Genre | : Composition (Music) |
| ISBN | : |
"...By developing variation Schoenberg means the construction of a theme by continuous modification of one or more features (intervals, rhythms) of a basic idea, according to certain recognized procedures, such as inversion, fragmentation, extension, and displacement." (p. 13).
| Author | : Heather Platt |
| Publisher | : Routledge |
| Total Pages | : 578 |
| Release | : 2012-07-26 |
| Genre | : Music |
| ISBN | : 1135847088 |
First published in 2011. Johannes Brahms: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition will include research published since the publication of the first edition and provide electronic resources.
| Author | : Joel Lester |
| Publisher | : Oxford University Press |
| Total Pages | : 352 |
| Release | : 2020-08-21 |
| Genre | : Music |
| ISBN | : 0190087064 |
Notation in Johannes Brahms's sonata scores tells violinists and pianists far more than merely what pitches to play and how long to play them--if read carefully, these scores reveal an immense amount of expression, both of musical and human essences. Joel Lester's Brahms's Violin Sonatas magnifies key passages from these scores, revealing in clear and accessible language how the composer built his themes and musical narratives and how, ultimately, Brahms's music came to sound Brahmsian. Through close readings and annotated musical examples, Brahms's Violin Sonatas guides practitioners to read scores with care and to develop their own informed interpretation of the pieces, eschewing the notion of a single "correct" interpretation of the historical score. By exploring not only the sonatas' musical elements, but also their relationship to important events in the composer's life, Lester shows how subtle components can communicate the gestures, moods, personalities, and emotions that make Brahms's music so compelling. A companion volume to the author's award-winning 1999 study Bach's Works for Solo Violin: Style, Structure, and Performance (OUP), Brahms's Violin Sonatas is a clear and practical guide to understanding and performing Brahms's music in the present.
| Author | : Peter H. Smith |
| Publisher | : Indiana University Press |
| Total Pages | : 337 |
| Release | : 2005-07-07 |
| Genre | : Music |
| ISBN | : 0253023556 |
"This book is a substantial and timely contribution to Brahms studies. Its strategy is to focus on a single critical work, the C-Minor Piano Quartet, analyzing and interpreting it in great detail, but also using it as a stepping-stone to connect it to other central Brahms works in order to reach a new understanding of the composer's technical language and expressive intent. It is an original and worthy contribution on the music of a major composer." —Patrick McCreless Expressive Forms in Brahms's Instrumental Music integrates a wide variety of analytical methods into a broader study of theoretical approaches, using a single work by Brahms as a case study. On the basis of his findings, Smith considers how Brahms's approach in this piano quartet informs analyses of similar works by Brahms as well as by Beethoven and Mozart. Musical Meaning and Interpretation—Robert S. Hatten, editor
| Author | : Andrew Davis |
| Publisher | : Indiana University Press |
| Total Pages | : 223 |
| Release | : 2017-08-21 |
| Genre | : Music |
| ISBN | : 0253025451 |
“An effort to expand sonata theory more solidly into the nineteenth-century repertoire.” —Notes In Sonata Fragments, Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad constellation of Romantic aesthetic values. This claim runs contrary to conventional theories of the Romantic sonata that place this nineteenth-century musical form squarely outside inherited Classical sonata procedures. Building on Sonata Theory, Davis examines moments of fracture and fragmentation that disrupt the cohesive and linear temporality in piano sonatas by Chopin, Brahms, and Schumann. These disruptions in the sonata form are a narrative technique that signify temporal shifts during which we move from the outer action to the inner thoughts of a musical agent, or we move from the story as it unfolds to a flashback or flash-forward. Through an interpretation of Romantic sonatas as temporally multi-dimensional works in which portions of the music in any given piece can lie inside or outside of what Sonata Theory would define as the sonata-space proper, Davis reads into these ruptures a narrative of expressive features that mark these sonatas as uniquely Romantic. “A major achievement.” —Michael L. Klein, author of Music and the Crises of the Modern Subject
| Author | : Arnold Schoenberg Institute |
| Publisher | : |
| Total Pages | : 288 |
| Release | : 1986 |
| Genre | : Composers |
| ISBN | : |
| Author | : |
| Publisher | : Boston : Music Library Association |
| Total Pages | : 404 |
| Release | : 1987 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
Provides rapid access to technical materials of an analytical nature contained in periodicals, monographs, Festschriften, and dissertations. Cumulates the 19th-century and 20th-century volumes previously published separately, and updates indexing for both centuries through 1985. Contains 5,664 entries by 2,400 authors, drawn from 132 periodicals and 93 Festschriften covering 779 composers.
| Author | : David Beach |
| Publisher | : Boydell & Brewer |
| Total Pages | : 296 |
| Release | : 2015 |
| Genre | : Music |
| ISBN | : 1580465153 |
Presents current analytic views by established scholars of the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. Bach to Brahms presents current analytic views on the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. The fifteen essays, written by well-established scholars of this repertoire, are divided into three groups, two of which focus primarily on elements of musical design (formal, metric, and tonal organization) and voice leading at multiple levels of structure. The third groupof essays focuses on musical motives from different perspectives. The result is a volume of integrated studies on the music of the common-practice period, a body of music that remains at the core of modern concert and classroom repertoire. Contributors: Eytan Agmon, David Beach, Charles Burkhart, L. Poundie Burstein, Yosef Goldenberg, Timothy L. Jackson, William Kinderman, Joel Lester, Boyd Pomeroy, John Rink, Frank Samarotto, Lauri Suurpää, Naphtali Wagner, Eric Wen, Channan Willner. David Beach is professor emeritus and former dean of the Faculty of Music, University of Toronto. Yosef Goldenberg teaches at the Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian.
