Publishing Business in Eighteenth-century England

Publishing Business in Eighteenth-century England
Author: James Raven
Publisher: Boydell & Brewer Ltd
Total Pages: 350
Release: 2014
Genre: Business & Economics
ISBN: 1843839105

Publishing Business in Eighteenth-Century England assesses the contribution of the business press and the publication of print to the economic transformation of England. The impact of non-book printing has been long neglected. A raft of jobbing work serviced commerce and finance while many more practical guides and more ephemeral pamphlets on trade and investment were read than the books that we now associate with the foundations of modern political economy. A pivotal change in the book trades, apparent from the late seventeenth century, was the increased separation of printers from bookseller-publishers, from the skilled artisan to the bookseller-financier who might have no prior training in the printing house but who took up the sale of publications as another commodity. This book examines the broader social relationship between publication and the practical conduct of trade; the book asks what it meant to be 'published' and how print, text and image related to the involvement of script. The age of Enlightenment was an age of astonishing commercial and financial transformation offering printers and the business press new market opportunities. Print helped to effect a business revolution. The reliability, reputation, regularity, authority and familiarity of print increased trust and confidence and changed attitudes and behaviours. New modes of publication and the wide-ranging products of printing houses had huge implications for the way lives were managed, regulated and recorded. JAMES RAVEN is Professor of Modern History at the University of Essex and a Fellow of Magdalene College Cambridge.

The Appearance of Print in Eighteenth-Century Fiction

The Appearance of Print in Eighteenth-Century Fiction
Author: Christopher Flint
Publisher: Cambridge University Press
Total Pages: 295
Release: 2011-09-08
Genre: Literary Criticism
ISBN: 113950150X

Eighteenth-century fiction holds an unusual place in the history of modern print culture. The novel gained prominence largely because of advances in publishing, but, as a popular genre, it also helped shape those very developments. Authors in the period manipulated the appearance of the page and print technology more deliberately than has been supposed, prompting new forms of reception among readers. Christopher Flint's book explores works by both obscure 'scribblers' and canonical figures, such as Swift, Haywood, Defoe, Richardson, Sterne and Austen, that interrogated the complex interactions between the book's material aspects and its producers and consumers. Flint links historical shifts in how authors addressed their profession to how books were manufactured and how readers consumed texts. He argues that writers exploited typographic media to augment other crucial developments in prose fiction, from formal realism and free indirect discourse to accounts of how 'the novel' defined itself as a genre.

Sheffield in the Eighteenth Century - Primary Source Edition

Sheffield in the Eighteenth Century - Primary Source Edition
Author: Robert Eadon Leader
Publisher: Nabu Press
Total Pages: 374
Release: 2014-02-21
Genre:
ISBN: 9781294653271

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Politics of Songs in Eighteenth-Century Britain, 1723–1795

The Politics of Songs in Eighteenth-Century Britain, 1723–1795
Author: Kate Horgan
Publisher: Routledge
Total Pages: 418
Release: 2015-10-06
Genre: History
ISBN: 1317318005

Horgan analyses the importance of songs in British eighteenth-century culture with specific reference to their political meaning. Using an interdisciplinary methodology, combining the perspectives of literary studies and cultural history, the utilitarian power of songs emerges across four major case studies.

The Works of John Sheffield, ... Duke of Buckingham. of 2; Volume 1

The Works of John Sheffield, ... Duke of Buckingham. of 2; Volume 1
Author: JOHN. SHEFFIELD
Publisher: Gale Ecco, Print Editions
Total Pages: 462
Release: 2018-04-20
Genre:
ISBN: 9781379908913

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T086912 Each volume has a half-title, and a titlepage in red and black. Vol.I contains a declaration signed Carteret, dated the 18th day of April 1722, granting John Barber a Royal Licence to print and publish Buckingham's Works .. for fourteen years. Two prose London: printed by John Barber, 1723. 2v., plates: port.; 4°