Bonds Of Brotherhood In Sons Of Anarchy
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Author | : Susan Fanetti |
Publisher | : McFarland |
Total Pages | : 180 |
Release | : 2018-02-20 |
Genre | : Performing Arts |
ISBN | : 1476632359 |
One of FX's most successful original productions, Sons of Anarchy roared onto the screen in 2008 and dominated the cable network's programming for seven seasons. Following an outlaw motorcycle club on its Shakespearean journey, the series took audiences on a wild ride powered by a high-octane brand of masculinity. This collection of new essays explores the show's complicated presentation of masculinity and its cultural implications. Series creator and writer Kurt Sutter depicts male characters who act from a highly traditional sense of what it means to be a man. SOA both vaunts and challenges that sense of manhood as the characters face the consequences of their ride-or-die lifestyle.
Author | : Jeffrey R. Wilson |
Publisher | : Routledge |
Total Pages | : 121 |
Release | : 2020-11-29 |
Genre | : History |
ISBN | : 1000228681 |
It is widely acknowledged that the hit franchise Game of Thrones is based on the Wars of the Roses, a bloody fifteenth-century civil war between feuding English families. In this book, Jeffrey R. Wilson shows how that connection was mediated by Shakespeare, and how a knowledge of the Shakespearean context enriches our understanding of the literary elements of Game of Thrones. On the one hand, Shakespeare influenced Game of Thrones indirectly because his history plays significantly shaped the way the Wars of the Roses are now remembered, including the modern histories and historical fictions George R.R. Martin drew upon. On the other, Game of Thrones also responds to Shakespeare’s first tetralogy directly by adapting several of its literary strategies (such as shifting perspectives, mixed genres, and metatheater) and tropes (including the stigmatized protagonist and the prince who was promised). Presenting new interviews with the Game of Thrones cast, and comparing contextual circumstances of composition—such as collaborative authorship and political currents—this book also lodges a series of provocations about writing and acting for the stage in the Elizabethan age and for the screen in the twenty-first century. An essential read for fans of the franchise, as well as students and academics looking at Shakespeare and Renaissance literature in the context of modern media.
Author | : George A. Dunn |
Publisher | : John Wiley & Sons |
Total Pages | : 278 |
Release | : 2013-08-21 |
Genre | : Philosophy |
ISBN | : 1118641663 |
“Brains before bullets” – ancient and modern wisdom for “mechanics and motorcycle enthusiasts” Essential reading for fans of the show, this book takes readers deeper into the Sons of Anarchy Motorcycle Club, the Teller-Morrow family, and the ethics that surround their lives and activities. Provides fascinating moral insights into Sons of Anarchy, its key characters, plot lines and ideas Investigates compelling philosophical issues centering on loyalty, duty, the ethics of war, authority, religion and whether the ends justify the means Teaches complex philosophical ideas in a way that’s accessible to the general interest reader in order to inspire them to further reading of the great philosophers Authors use their deep knowledge of the show to illuminate themes that are not always apparent even to die-hard fans
Author | : Stacey Peebles |
Publisher | : Modern Language Association |
Total Pages | : 230 |
Release | : 2021-11-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 160329483X |
In the decades since his 1992 breakout novel, All the Pretty Horses, Cormac McCarthy has gained a reputation as one of the greatest contemporary American authors. Experimenting with genres such as the crime thriller, the post-apocalyptic novel, and the western, his work also engages with the aesthetics of cinema, and several of his novels have been adapted for the screen. While timely and relevant, his works use idiosyncratic language and contain intense, troubling portrayals of racism, sexism, and violence that can pose challenges for students. This volume offers strategies for guiding students through McCarthy's oeuvre, addressing all his novels as well as his published plays and screenplays. Part 1, "Materials," provides sources of biographical information and key scholarship on McCarthy. Essays in part 2, "Approaches," discuss subjects such as landscape and ecology, mythologies of the American West, film adaptations, and literary contexts and describe assignments that encourage students to write creatively and to examine their personal values.
Author | : Christy Desmet |
Publisher | : Routledge |
Total Pages | : 623 |
Release | : 2019-08-28 |
Genre | : Literary Criticism |
ISBN | : 1351687522 |
The Routledge Handbook of Shakespeare and Global Appropriation brings together a variety of different voices to examine the ways that Shakespeare has been adapted and appropriated onto stage, screen, page, and a variety of digital formats. The thirty-nine chapters address topics such as trans- and intermedia performances; Shakespearean utopias and dystopias; the ethics of appropriation; and Shakespeare and global justice as guidance on how to approach the teaching of these topics. This collection brings into dialogue three very contemporary and relevant areas: the work of women and minority scholars; scholarship from developing countries; and innovative media renderings of Shakespeare. Each essay is clearly and accessibly written, but also draws on cutting edge research and theory. It includes two alternative table of contents, offering different pathways through the book – one regional, the other by medium – which open the book up to both teaching and research. Offering an overview and history of Shakespearean appropriations, as well as discussing contemporary issues and debates in the field, this book is the ultimate guide to this vibrant topic. It will be of use to anyone researching or studying Shakespeare, adaptation, and global appropriation.
Author | : Tatiana Prorokova-Konrad |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 264 |
Release | : 2020-12-15 |
Genre | : Performing Arts |
ISBN | : 1496831136 |
Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.
Author | : Letizia Guglielmo Ph.D. |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 727 |
Release | : 2018-10-01 |
Genre | : Social Science |
ISBN | : 1440853827 |
This set surveys American misogyny in all its cultural forms, from popular music, film, and education to healthcare, politics, and business. The work also assesses proposals to confront and reduce such expressions of hatred. The essays contained in this two-volume set explore misogyny within various areas of American culture to demonstrate its pervasiveness and identify common foundations of its many presentations. Beyond a basic definition of misogyny, which includes hatred of women and girls and the ways in which this hatred and distrust influences action, speech, discrimination, policy, and culture in the United States, this project also aims to expand and complicate definitions of misogyny in order to provide readers with a robust introduction to and understanding of the larger topic. Given the current political and cultural climate and the more frequent and widespread use of the term "misogyny" by various media outlets and voters during the 2016 presidential election, this book has the potential both to contribute to ongoing conversations on misogyny and, among its intended audience of advanced high school, beginning college students and the general public, to inform a shift currently unfolding in public conversation on the topic.
Author | : David J. Leonard |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 901 |
Release | : 2021-01-26 |
Genre | : Social Science |
ISBN | : |
This two-volume encyclopedia explores representations of people of color in American television. It includes overview essays on early, classic, and contemporary television and the challenges for, developments related to, and participation of minorities on and behind the screen. Covering five decades, this encyclopedia highlights how race has shaped television and how television has shaped society. Offering critical analysis of moments and themes throughout television history, Race in American Television shines a spotlight on key artists of color, prominent shows, and the debates that have defined television since the civil rights movement. This book also examines the ways in which television has been a site for both reproduction of stereotypes and resistance to them, providing a basis for discussion about racial issues in the United States. This set provides a significant resource for students and fans of television alike, not only educating but also empowering readers with the necessary tools to consume and watch the small screen and explore its impact on the evolution of racial and ethnic stereotypes in U.S. culture and beyond. Understanding the history of American television contributes to deeper knowledge and potentially helps us to better apprehend the plethora of diverse shows and programs on Netflix, Hulu, YouTube, and other platforms today.
Author | : |
Publisher | : |
Total Pages | : 1200 |
Release | : 2009 |
Genre | : Africa |
ISBN | : |
Author | : Joseph Natoli |
Publisher | : SUNY Press |
Total Pages | : 398 |
Release | : 2016-11-17 |
Genre | : Social Science |
ISBN | : 1438463510 |
A story of self, braided to a story of American culture. Uniting personal history with cultural history, Dark Affinities, Dark Imaginaries tells a story of a mind, a time, and a culture. The vehicle or medium of this excursion is an overview and sampling of the authors work, and what is revealed are cautionary tales of a once-aspiring egalitarian democracy confronted with plutocracys gentrification; of analog history and off-line life superseded by a rush toward virtualized, robotic, AI transformation of the human life-world; of everything social and public giving way to everything personal and opinionated. The vagaries of a lifetime of paths taken are woven together by a narrative that reveals in every piece a significance that was only partially present at its initial writing. Thus, the reader becomes involved in a developing story of a certain personal psyche working toward understanding its own development within a changing American culture. Sometimes angry, sometimes joyful, but always curious and wry, Joseph Natoli crosses the boundary lines of psychology, politics, literature, philosophy, education, and economics to show how we bring ourselves and our cultural imaginaries simultaneously into being through the processes and pleasures of thinking beyond the confines of the personal. Reading Dark Affinities is a welcome break from the neoliberal buzzword-speak of politicians and university administrators. It reminds me why I entered academia, when it was a profession and not a business, and when modeling thinking actually mattered. Alison Lee, University of Western Ontario Natolis Dark Affinities reads as a culminating work of scholarship, marshaling evidence from autobiography, literary analysis, critical theory, and everyday culture in support of its claims. Natoli presents his personal history in the same spirit that Raymond Williams did: as evidence for the ways that cultural forces shape individuals, and as grounds for the shaping of his intellectual and political practice. Jeff Karnicky, author of Contemporary Fiction and the Ethics of Modern Culture