Blues Legacies and Black Feminism

Blues Legacies and Black Feminism
Author: Angela Y. Davis
Publisher: Vintage
Total Pages: 465
Release: 2011-10-05
Genre: Social Science
ISBN: 030757444X

From one of this country's most important intellectuals comes a brilliant analysis of the blues tradition that examines the careers of three crucial black women blues singers through a feminist lens. Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture. The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith−published here in their entirety for the first time−Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.

Little Blues Book

Little Blues Book
Author: Brian Robertson
Publisher: Algonquin Books
Total Pages: 200
Release: 1996-01-01
Genre: Music
ISBN: 9781565121379

This little book transcends geographical, social, and economic boundaries to search the heart and soul of the blues, looking for rules to live by, hope for the downtrodden, cautionary tales for the good times, and truths that "hurt so good". Sometimes, you just gotta be blue. But, as this book goes to show, that's okay--because you're never alone.

Spiritual, Blues, and Jazz People in African American Fiction

Spiritual, Blues, and Jazz People in African American Fiction
Author: A. Yemisi Jimoh
Publisher: Univ. of Tennessee Press
Total Pages: 300
Release: 2002
Genre: Literary Criticism
ISBN: 9781572331723

Jimoh (English, U. of Arkansas-Fayetteville) investigates African American intracultural issues that inform a more broadly intertextual use of music in creating characters and themes in fiction by US black writers. Conventional close readings of texts, she argues, often miss historical-sociopolitical discourses that can illuminate African American narratives. Annotation copyrighted by Book News, Inc., Portland, OR

A Bad Woman Feeling Good: Blues and the Women Who Sing Them

A Bad Woman Feeling Good: Blues and the Women Who Sing Them
Author: Buzzy Jackson
Publisher: W. W. Norton & Company
Total Pages: 325
Release: 2005-02-17
Genre: Music
ISBN: 0393346323

The women who broke the rules, creating their own legacy of how to live and sing the blues. An exciting lineage of women singers—originating with Ma Rainey and her protégée Bessie Smith—shaped the blues, launching it as a powerful, expressive vehicle of emotional liberation. Along with their successors Billie Holiday, Etta James, Aretha Franklin, Tina Turner, and Janis Joplin, they injected a dose of reality into the often trivial world of popular song, bringing their message of higher expectations and broader horizons to their audiences. These women passed their image, their rhythms, and their toughness on to the next generation of blues women, which has its contemporary incarnation in singers like Bonnie Raitt and Lucinda Williams (with whom the author has done an in-depth interview). Buzzy Jackson combines biography, an appreciation of music, and a sweeping view of American history to illuminate the pivotal role of blues women in a powerful musical tradition. Musician Thomas Dorsey said, "The blues is a good woman feeling bad." But these women show by their style that he had it backward: The blues is a bad woman feeling good.

Blueswomen

Blueswomen
Author: Anna Stong Bourgeois
Publisher: McFarland
Total Pages: 0
Release: 2004-10-12
Genre: Music
ISBN: 9780786421220

While much has been written over the years about male blues singers of the first half of the 20th century, little attention has been paid to blueswomen. These women used their songs to proclaim their pain or to speak up and protest unfair conditions and discrimination. Through their songs, they expressed a desire for freedom and equality in a time when women were almost universally subjugated. The 37 women profiled here are representative of the many blueswomen who performed in the United States through the end of World War II. Some are well known (e.g., Lucille Bogan and Sippie Wallace), but many are obscure (such as Lil Johnson, Liza Brown and Margaret Whitmire). Biographical profiles are followed by a sampling of the performers' lyrics.

A Bad Woman Feeling Good: Blues and the Women Who Sing Them

A Bad Woman Feeling Good: Blues and the Women Who Sing Them
Author: Buzzy Jackson
Publisher: W. W. Norton & Company
Total Pages: 314
Release: 2005-02-17
Genre: Music
ISBN: 0393059367

Traces the artistic heritage of numerous women blues singers, from Ma Rainey and Billie Holiday to Aretha Franklin and Tina Turner, exploring the messages within their songs and images while discussing their contributions to music and American history. 15,000 first printing.

Preaching the Blues

Preaching the Blues
Author: Maisha S. Akbar
Publisher: Routledge
Total Pages: 171
Release: 2019-10-02
Genre: Performing Arts
ISBN: 1351065122

Preaching the Blues: Black Feminist Performance in Lynching Plays examines several lynching plays to foreground black women’s performances as non-normative subjects who challenge white supremacist ideology. Maisha S. Akbar re-maps the study of lynching drama by examining plays that are contingent upon race-based settings in black households versus white households. She also discusses performances of lynching plays at Historically Black Colleges and Universities (HBCUs) in the South and reviews lynching plays closely tied to black school campuses. By focusing on current examples and impacts of lynching plays in the public sphere, this book grounds this historical form of theatre in the present day with depth and relevance. Of interest to scholars and students of both general Theatre and Performance Studies, and of African American Theatre and Drama, Preaching the Blues foregrounds the importance of black feminist artists in lynching culture and interdisciplinary scholarship.

Black Pearls

Black Pearls
Author: Daphne Duval Harrison
Publisher: Rutgers University Press
Total Pages: 324
Release: 1988
Genre: Biography & Autobiography
ISBN: 9780813512808

Some singers included in this book are Sippie Wallace, Victoria Spivey, Edith Wilson, and Alberta Hunter.

Whose Blues?

Whose Blues?
Author: Adam Gussow
Publisher: UNC Press Books
Total Pages: 333
Release: 2020-09-28
Genre: Music
ISBN: 1469660377

Mamie Smith's pathbreaking 1920 recording of "Crazy Blues" set the pop music world on fire, inaugurating a new African American market for "race records." Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's "No black. No white. Just the blues," as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if "blues is black music," as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities? In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition's major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow's thought-provoking book kickstarts a long overdue conversation.

Bitten by the Blues

Bitten by the Blues
Author: Bruce Iglauer
Publisher: University of Chicago Press
Total Pages: 346
Release: 2018-10-19
Genre: Music
ISBN: 022612990X

It started with the searing sound of a slide careening up the neck of an electric guitar. In 1970, twenty-three-year-old Bruce Iglauer walked into Florence’s Lounge, in the heart of Chicago’s South Side, and was overwhelmed by the joyous, raw Chicago blues of Hound Dog Taylor and the HouseRockers. A year later, Iglauer produced Hound Dog’s debut album in eight hours and pressed a thousand copies, the most he could afford. From that one album grew Alligator Records, the largest independent blues record label in the world. Bitten by the Blues is Iglauer’s memoir of a life immersed in the blues—and the business of the blues. No one person was present at the creation of more great contemporary blues music than Iglauer: he produced albums by Koko Taylor, Albert Collins, Professor Longhair, Johnny Winter, Lonnie Mack, Son Seals, Roy Buchanan, Shemekia Copeland, and many other major figures. In this book, Iglauer takes us behind the scenes, offering unforgettable stories of those charismatic musicians and classic sessions, delivering an intimate and unvarnished look at what it’s like to work with the greats of the blues. It’s a vivid portrait of some of the extraordinary musicians and larger-than-life personalities who brought America’s music to life in the clubs of Chicago’s South and West Sides. Bitten by the Blues is also an expansive history of half a century of blues in Chicago and around the world, tracing the blues recording business through massive transitions, as a genre of music originally created by and for black southerners adapted to an influx of white fans and musicians and found a worldwide audience. Most of the smoky bars and packed clubs that fostered the Chicago blues scene have long since disappeared. But their soul lives on, and so does their sound. As real and audacious as the music that shaped it, Bitten by the Blues is a raucous journey through the world of Genuine Houserockin’ Music.