Blues Fell This Morning

Blues Fell This Morning
Author: Paul Oliver
Publisher: Cambridge University Press
Total Pages: 378
Release: 1990-04-12
Genre: Music
ISBN: 9780521377935

A new, revised edition of Paul Oliver's classic study of the blues, first published in 1960.

Conversation with the Blues CD Included

Conversation with the Blues CD Included
Author: Paul Oliver
Publisher: Cambridge University Press
Total Pages: 252
Release: 1997-09-25
Genre: Biography & Autobiography
ISBN: 9780521591812

First published in 1965 by Cassell and Co, this classic and unique text in blues history, Conversation with the Blues has now been re-issued in a new, larger format. The book takes a slice across blues traditions of all kinds, which were still thriving side by side in 1960. Compiled from transcriptions of interviews with blues singers made by Paul Oliver in 1960, the book tells in the singers' own words of the significance of their music and the turbulent lives it reflects. It is accompanied by a fascinating CD, slipcased on the inside back cover of the book, which captures the stark, ironic but moving narratives of the singers themselves. Included are guitarists, pianists and other instrumentalists from the rural South and the urban North, from famous blues singers who recorded extensively to singers known only to their local communities. Copiously illustrated with Paul Oliver's photographs, the book provides a rare glimpse of African American music at a time when the South was still segregated.

Barrelhouse Blues

Barrelhouse Blues
Author: Paul Oliver
Publisher: Basic Books
Total Pages: 238
Release: 2009-08-25
Genre: Music
ISBN: 0465019897

In the 1920s, Southern record companies ventured to cities like Dallas, Atlanta, and New Orleans, where they set up primitive recording equipment in makeshift studios. They brought in street singers, medicine show performers, pianists from the juke joints and barrelhouses. The music that circulated through Southern work camps, prison farms, and vaudeville shows would be lost to us if it hadn't't been captured on location by these performers and recorders. Eminent blues historian Paul Oliver uncovers these folk traditions and the circumstances under which they were recorded, rescuing the forefathers of the blues who were lost before they even had a chance to be heard. A careful excavation of the earliest recordings of the blues by one of its foremost experts, Barrelhouse Blues expands our definition of that most American style of music.

Blues, How Do You Do?

Blues, How Do You Do?
Author: Christian O'Connell
Publisher: University of Michigan Press
Total Pages: 261
Release: 2015-08-12
Genre: Music
ISBN: 047212112X

Recent revisionist scholarship has argued that representations by white “outsider” observers of black American music have distorted historical truths about how the blues came to be. While these scholarly arguments have generated an interesting debate concerning how the music has been framed and disseminated, they have so far only told an American story, failing to acknowledge that in the post-war era the blues had spread far beyond the borders of the United States. As Christian O’Connell shows in Blues, How Do You Do? Paul Oliver’s largely neglected scholarship—and the unique transatlantic cultural context it provides—is vital to understanding the blues. O’Connell’s study begins with Oliver’s scholarship in his early days in London as a writer for the British jazz press and goes on to examine Oliver’s encounters with visiting blues musicians, his State Department–supported field trip to the US in 1960, and the resulting photographs and oral history he produced, including his epic “blues narrative,” The Story of the Blues (1969). Blues, How Do You Do? thus aims to move away from debates that have been confined within the limits of national borders—or relied on clichés of British bands popularizing American music in America—to explore how Oliver’s work demonstrates that the blues became a reified ideal, constructed in opposition to the forces of modernity.

Really the Blues

Really the Blues
Author: Mezz Mezzrow
Publisher: New York Review of Books
Total Pages: 465
Release: 2016-02-23
Genre: Biography & Autobiography
ISBN: 1590179455

Hailed as an “American counter-culture classic,” this “funny” and candid musical memoir offers a delicious glimpse into the 1930s jazz scene (The Wall Street Journal) Mezz Mezzrow was a boy from Chicago who learned to play the sax in reform school and pursued a life in music and a life of crime. He moved from Chicago to New Orleans to New York, working in brothels and bars, bootlegging, dealing drugs, getting hooked, doing time, producing records, and playing with the greats, among them Louis Armstrong, Bix Beiderbecke, and Fats Waller. Really the Blues—the jive-talking memoir that Mezzrow wrote at the insistence of, and with the help of, the novelist Bernard Wolfe—is the story of an unusual and unusually American life, and a portrait of a man who moved freely across racial boundaries when few could or did, “the odyssey of an individualist . . . the saga of a guy who wanted to make friends in a jungle where everyone was too busy making money.”

100 Ways to Beat the Blues

100 Ways to Beat the Blues
Author: Tanya Tucker
Publisher: Simon and Schuster
Total Pages: 224
Release: 2005
Genre: Biography & Autobiography
ISBN: 9780743270182

How do you beat the blues? We all have moments in life when we're down, lonely, or just plain sad. It's part of being human. Just as everyone is different, everyone has a unique way of beating the blues.

Black Orchid Blues

Black Orchid Blues
Author: Persia Walker
Publisher: Akashic Books
Total Pages: 273
Release: 2011-03-22
Genre: Fiction
ISBN: 1936070901

"Lanie Price, a 1920s Harlem society columnist, witnesses the brutal nightclub kidnapping of the "Black Orchid," a sultry, seductive singer with a mysterious past. When hours pass without a word from the kidnapper, puzzlement grows as to his motive. After a gruesome package arrives at Price's doorstep, the questions change. Just what does the kidnapper want--and how many people is he willing to kill to get it?" -- Publisher.

Oyster Blues

Oyster Blues
Author: Michael McClelland
Publisher: Simon and Schuster
Total Pages: 372
Release: 2004-01-27
Genre: Fiction
ISBN: 0743477316

When a waitress from an Appalachicola oyster bar heads south to Miami, she suddenly finds herself embroiled in a zany mystery set in Florida involving a man, the mob, a boat, guns, oysters, and a mysterious coffin. A first novel. Reprint.

The Poetry of the Blues

The Poetry of the Blues
Author: Samuel Charters
Publisher: Courier Dover Publications
Total Pages: 114
Release: 2019-04-17
Genre: Music
ISBN: 0486832953

"A signal event in the history of the music." — Ted Gioia, author of The Delta Blues Musicologist and writer Samuel Charters (1929–2015) considered blues lyrics a profound cultural expression that could connect all people who love poetry. A pioneer in the exploration of world music, Charters conducted research that brought obscure musicians of the American South and Appalachia into the mainstream. In this landmark volume, the noted blues historian and folklorist presents a rich exploration of blues songs as folk poetry, quoting lyrics by such legends as Son House and Lightnin' Hopkins at length to reveal the depth of feeling and complex literary forms at work within a unique art form. Originally published in 1963, The Poetry of the Blues raised interest in many previously unrecognized aspects of African-American music and made a significant contribution to the blues revival of the 1960s. This volume features now-vintage black-and-white photographs by Ann Charters from the original edition.

Blues And The Poetic Spirit

Blues And The Poetic Spirit
Author: Paul Garon
Publisher: Da Capo Press, Incorporated
Total Pages: 192
Release: 1978-11-21
Genre: Music
ISBN:

While much has been written about the sociological significance of the blues, this is a unique inquiry into the blues and the mind, a study of the blues as thought. Here, the subconscious power of the blues is examined from a poetic and psychological perspective, illuminating the blues' deepest creative sources and exploring its far-reaching influence and appeal. Like Surrealist poetry in particular, blues communicate through highly charged symbols of aggression and desire-eros, crime, magic, night, and drugs, among others. A close analysis of classic blues lyrics, along with a wealth of source material from Freud and James Frazer, to Breton and Marcuse, conveys the blues' major poetic function of spiritual revolt against repression. First published in 1975, Blues and the Poetic Spirit is a blues literature classic. This long-awaited new edition assesses developments in the blues since that time and outlines the social and political forces that continue to shape its evolution.