Black White And Carolina Blue
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| Author | : Dr Dr George T Grig Lucius Blanchard |
| Publisher | : |
| Total Pages | : 292 |
| Release | : 2020-11-18 |
| Genre | : |
| ISBN | : 9781801280020 |
We have been promising this book for ten years. The first eight years the only thing we wrote was the title. Black White and Carolina Blue seemed to us and others like a pretty good name for some type of book but there was widespread doubt we would write the rest of it. We have now finished a story we can share. We want to tell it to our personal family members, our friends, our amazing scholarship students, and to all the people in the Carolina Family. There is a long history here dating back to the university founding in 1789. There is a short story of our time there in the 1960's. If you, the reader, do not share part of that history, I hope you will also find the narrative interesting and entertaining. If you do, come spend a spring time day on the campus in Chapel Hill; see a fall football game against our biggest rivals; watch a Carolina/Duke basketball game in the Dean Dome-you will have to plan in your budget to purchase that ticket. Enjoy a lecture, a concert, or a Play-makers production. Enjoy our book and thanks for your support of the University of North Carolina.
| Author | : Steve Estes |
| Publisher | : UNC Press Books |
| Total Pages | : 233 |
| Release | : 2015-07-10 |
| Genre | : History |
| ISBN | : 1469622335 |
Once one of the wealthiest cities in America, Charleston, South Carolina, established a society built on the racial hierarchies of slavery and segregation. By the 1970s, the legal structures behind these racial divisions had broken down and the wealth built upon them faded. Like many southern cities, Charleston had to construct a new public image. In this important book, Steve Estes chronicles the rise and fall of black political empowerment and examines the ways Charleston responded to the civil rights movement, embracing some changes and resisting others. Based on detailed archival research and more than fifty oral history interviews, Charleston in Black and White addresses the complex roles played not only by race but also by politics, labor relations, criminal justice, education, religion, tourism, economics, and the military in shaping a modern southern city. Despite the advances and opportunities that have come to the city since the 1960s, Charleston (like much of the South) has not fully reckoned with its troubled racial past, which still influences the present and will continue to shape the future.
| Author | : Warren Eugene Milteer Jr. |
| Publisher | : LSU Press |
| Total Pages | : 312 |
| Release | : 2020-07-01 |
| Genre | : History |
| ISBN | : 0807173770 |
In North Carolina’s Free People of Color, 1715–1885, Warren Eugene Milteer Jr. examines the lives of free persons categorized by their communities as “negroes,” “mulattoes,” “mustees,” “Indians,” “mixed-bloods,” or simply “free people of color.” From the colonial period through Reconstruction, lawmakers passed legislation that curbed the rights and privileges of these non-enslaved residents, from prohibiting their testimony against whites to barring them from the ballot box. While such laws suggest that most white North Carolinians desired to limit the freedoms and civil liberties enjoyed by free people of color, Milteer reveals that the two groups often interacted—praying together, working the same land, and occasionally sharing households and starting families. Some free people of color also rose to prominence in their communities, becoming successful businesspeople and winning the respect of their white neighbors. Milteer’s innovative study moves beyond depictions of the American South as a region controlled by a strict racial hierarchy. He contends that although North Carolinians frequently sorted themselves into races imbued with legal and social entitlements—with whites placing themselves above persons of color—those efforts regularly clashed with their concurrent recognition of class, gender, kinship, and occupational distinctions. Whites often determined the position of free nonwhites by designating them as either valuable or expendable members of society. In early North Carolina, free people of color of certain statuses enjoyed access to institutions unavailable even to some whites. Prior to 1835, for instance, some free men of color possessed the right to vote while the law disenfranchised all women, white and nonwhite included. North Carolina’s Free People of Color, 1715–1885 demonstrates that conceptions of race were complex and fluid, defying easy characterization. Despite the reductive labels often assigned to them by whites, free people of color in the state emerged from an array of backgrounds, lived widely varied lives, and created distinct cultures—all of which, Milteer suggests, allowed them to adjust to and counter ever-evolving forms of racial discrimination.
| Author | : Andrea Feeser |
| Publisher | : University of Georgia Press |
| Total Pages | : 161 |
| Release | : 2013 |
| Genre | : History |
| ISBN | : 0820338176 |
Like cotton, indigo has defied its humble origins. Left alone it might have been a regional plant with minimal reach, a localized way of dyeing textiles, paper, and other goods with a bit of blue. But when blue became the most popular color for the textiles that Britain turned out in large quantities in the eighteenth century, the South Carolina indigo that colored most of this cloth became a major component in transatlantic commodity chains. In Red, White, and Black Make Blue, Andrea Feeser tells the stories of all the peoples who made indigo a key part of the colonial South Carolina experience as she explores indigo's relationships to land use, slave labor, textile production and use, sartorial expression, and fortune building. In the eighteenth century, indigo played a central role in the development of South Carolina. The popularity of the color blue among the upper and lower classes ensured a high demand for indigo, and the climate in the region proved sound for its cultivation. Cheap labor by slaves—both black and Native American—made commoditization of indigo possible. And due to land grabs by colonists from the enslaved or expelled indigenous peoples, the expansion into the backcountry made plenty of land available on which to cultivate the crop. Feeser recounts specific histories—uncovered for the first time during her research—of how the Native Americans and African slaves made the success of indigo in South Carolina possible. She also emphasizes the material culture around particular objects, including maps, prints, paintings, and clothing. Red, White, and Black Make Blue is a fraught and compelling history of both exploitation and empowerment, revealing the legacy of a modest plant with an outsized impact.
| Author | : Adam Lucas |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 290 |
| Release | : 2010 |
| Genre | : Sports & Recreation |
| ISBN | : 0807834106 |
In This Definitive Centennial History of the University of North Carolina men's basketball team, Adam Lucas chronicles the coaches, players, venues, rivalries, challenges, and triumphs that have defined the program through its first 100 years. Boasting six national championships and numerous Hall of Fame coaches and players, Carolina Basketball has come a long way from the first season---when the campus newspaper published a notice asking an unknown culprit to return the team's basketball. These pages are packed with little-known stories from the program's earliest days and new insights into its best-loved moments. All the greats are here, from Jack Cobb and the "Blind Bomber" George Glamack to Lennie Rosenbluth, Phil Ford, James Worthy, Michael Jordan, Antawn Jamison, and Tyler Hansbrough. Drawing on unparalleled interviews with those around the UNC program, Lucas reveals the meaning of the "Carolina Family" and the origins and evolution of Tar Heel traditions that have made North Carolina one of the premier men's basketball teams in college sports. The stories here are brought to life with more than 175 color and black-and-white photos; a foreword by Hall of Fame coach Dean Smith and an afterword by fellow Hall of Famer Roy Williams; and an appendix of records and statistics. Some 25 sidebars feature first-person recollections from prominent players, including Rosenbluth, Ford, and Jordan; opposing coaches like Lefty Driesell; and famous Carolina alumni like Peter Gammons and Alexander Julian. This is the must-have book for Tar Heel fans and college basketball lovers everywhere.
| Author | : Christina Greene |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 385 |
| Release | : 2006-03-13 |
| Genre | : Political Science |
| ISBN | : 0807876372 |
In an in-depth community study of women in the civil rights movement, Christina Greene examines how several generations of black and white women, low-income as well as more affluent, shaped the struggle for black freedom in Durham, North Carolina. In the city long known as "the capital of the black middle class," Greene finds that, in fact, low-income African American women were the sustaining force for change. Greene demonstrates that women activists frequently were more organized, more militant, and more numerous than their male counterparts. They brought new approaches and strategies to protest, leadership, and racial politics. Arguing that race was not automatically a unifying force, Greene sheds new light on the class and gender fault lines within Durham's black community. While middle-class black leaders cautiously negotiated with whites in the boardroom, low-income black women were coordinating direct action in hair salons and neighborhood meetings. Greene's analysis challenges scholars and activists to rethink the contours of grassroots activism in the struggle for racial and economic justice in postwar America. She provides fresh insight into the changing nature of southern white liberalism and interracial alliances, the desegregation of schools and public accommodations, and the battle to end employment discrimination and urban poverty.
| Author | : Alisha Gaines |
| Publisher | : UNC Press Books |
| Total Pages | : 231 |
| Release | : 2017-03-27 |
| Genre | : Social Science |
| ISBN | : 1469632845 |
In 1948, journalist Ray Sprigle traded his whiteness to live as a black man for four weeks. A little over a decade later, John Howard Griffin famously "became" black as well, traveling the American South in search of a certain kind of racial understanding. Contemporary history is littered with the surprisingly complex stories of white people passing as black, and here Alisha Gaines constructs a unique genealogy of "empathetic racial impersonation--white liberals walking in the fantasy of black skin under the alibi of cross-racial empathy. At the end of their experiments in "blackness," Gaines argues, these debatably well-meaning white impersonators arrived at little more than false consciousness. Complicating the histories of black-to-white passing and blackface minstrelsy, Gaines uses an interdisciplinary approach rooted in literary studies, race theory, and cultural studies to reveal these sometimes maddening, and often absurd, experiments of racial impersonation. By examining this history of modern racial impersonation, Gaines shows that there was, and still is, a faulty cultural logic that places enormous faith in the idea that empathy is all that white Americans need to make a significant difference in how to racially navigate our society.
| Author | : James D. Anderson |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 383 |
| Release | : 2010-01-27 |
| Genre | : Social Science |
| ISBN | : 0807898880 |
James Anderson critically reinterprets the history of southern black education from Reconstruction to the Great Depression. By placing black schooling within a political, cultural, and economic context, he offers fresh insights into black commitment to education, the peculiar significance of Tuskegee Institute, and the conflicting goals of various philanthropic groups, among other matters. Initially, ex-slaves attempted to create an educational system that would support and extend their emancipation, but their children were pushed into a system of industrial education that presupposed black political and economic subordination. This conception of education and social order--supported by northern industrial philanthropists, some black educators, and most southern school officials--conflicted with the aspirations of ex-slaves and their descendants, resulting at the turn of the century in a bitter national debate over the purposes of black education. Because blacks lacked economic and political power, white elites were able to control the structure and content of black elementary, secondary, normal, and college education during the first third of the twentieth century. Nonetheless, blacks persisted in their struggle to develop an educational system in accordance with their own needs and desires.
| Author | : Joan R. Sherman |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 172 |
| Release | : 2000-11-09 |
| Genre | : Poetry |
| ISBN | : 0807864463 |
For his humanistic religious verse, his poignant and deeply personal antislavery poems, and, above all, his lifelong enthusiasm for liberty, nature, and the art of poetry, George Moses Horton merits a place of distinction among nineteenth-century African American poets. Enslaved from birth until the close of the Civil War, the self-taught Horton was the first American slave to protest his bondage in published verse and the first black man to publish a book in the South. As a man and as a poet, his achievements were extraordinary. In this volume, Joan Sherman collects sixty-two of Horton's poems. Her comprehensive introduction--combining biography, history, cultural commentary, and critical insight--presents a compelling and detailed picture of this remarkable man's life and art. George Moses Horton (ca. 1797-1883) was born in Northampton County, North Carolina. A slave for sixty-eight years, Horton spent much of his life on a farm near Chapel Hill, and in time he fostered a deep connection with the University of North Carolina at Chapel Hill. The author of three books of poetry, Horton was inducted into the North Carolina Literary Hall of Fame in May of 1996.
| Author | : |
| Publisher | : |
| Total Pages | : 494 |
| Release | : 1926 |
| Genre | : Automobile industry and trade |
| ISBN | : |
