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| Author | : Fred L. Hord |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2005 |
| Genre | : African American college students |
| ISBN | : 9780883782538 |
A compilation of essays presenting the conditions and promises of the university for African American faculty and students that is enhanced by the development of Black culture centers in the university community.
| Author | : Patricia A. Banks |
| Publisher | : Stanford University Press |
| Total Pages | : 301 |
| Release | : 2022-04-19 |
| Genre | : Social Science |
| ISBN | : 1503631257 |
A surprising and fascinating look at how Black culture has been leveraged by corporate America. Open the brochure for the Alvin Ailey American Dance Theater, and you'll see logos for corporations like American Express. Visit the website for the Apollo Theater, and you'll notice acknowledgments to corporations like Coca Cola and Citibank. The Martin Luther King, Jr. Memorial and the National Museum of African American History and Culture, owe their very existence to large corporate donations from companies like General Motors. And while we can easily make sense of the need for such funding to keep cultural spaces afloat, less obvious are the reasons that corporations give to them. In Black Culture, Inc., Patricia A. Banks interrogates the notion that such giving is completely altruistic, and argues for a deeper understanding of the hidden transactions being conducted that render corporate America dependent on Black culture. Drawing on a range of sources, such as public relations and advertising texts on corporate cultural patronage and observations at sponsored cultural events, Banks argues that Black cultural patronage profits firms by signaling that they value diversity, equity, and inclusion. By functioning in this manner, support of Black cultural initiatives affords these companies something called "diversity capital," an increasingly valuable commodity in today's business landscape. While this does not necessarily detract from the social good that cultural patronage does, it reveals its secret cost: ethnic community support may serve to obscure an otherwise poor track record with social justice. Banks deftly weaves innovative theory with detailed observations and a discerning critical gaze at the various agendas infiltrating memorials, museums, and music festivals meant to celebrate Black culture. At a time when accusations of discriminatory practices are met with immediate legal and social condemnation, the insights offered here are urgent and necessary.
| Author | : C. Semmes |
| Publisher | : Springer |
| Total Pages | : 297 |
| Release | : 2006-04-02 |
| Genre | : Performing Arts |
| ISBN | : 1403983305 |
Chronicling over forty years of changes in African-American popular culture, the Regal Theatre (1928-1968) was the largest movie-stage-show venue ever constructed for a Black community. Semmes reveals the political, economic and business realities of cultural production and the institutional inequalities that circumscribed Black life.
| Author | : Elias Yussif |
| Publisher | : Trafford Publishing |
| Total Pages | : 215 |
| Release | : 2013-07-24 |
| Genre | : Art |
| ISBN | : 1466988487 |
The Facet of Black Culture is a very unique book that talks about culture of the black people, the birth of a person to his final departure to our ancestors and how his property will be shared if he or she has any. This book begins with the brief history of some ethnic groups in Africa, particularly Ghana. In this chapter you will learn how some of the ethnic groups moved from their original geographical locations to present-day Ghana after which you will move to the next chapter, which talks about birth and naming ceremony in Africa. Chapter 2 basically talks about how naming ceremonies are performed in some parts of Africa. One will also learn about the first religion in Africa in this book; the features and beliefs of the traditional religion are found in this book. Marriage is the dream of every young man and woman in Africa; how marriage rites are performed Africa can also be found this book. The meals and preparations, the art and craft, music and dance, celebrations and festivals, death and funeral rites among black people are all tactically discussed in The Facet of Black Culture.
| Author | : Richard Worth |
| Publisher | : The Rosen Publishing Group, Inc |
| Total Pages | : 128 |
| Release | : 2020-07-15 |
| Genre | : Young Adult Nonfiction |
| ISBN | : 1725342014 |
The Harlem Renaissance was like a magnificent fireworks display; it was colorful, brilliant, and in a few moments, it was over. This was the first time African Americans had led a cultural movement and the first time that white Americans had paid attention to their achievements. Through striking images and fascinating details, this book examines the origins of the Harlem Renaissance, especially the key roles played by W.E.B. Du Bois and other prominent figures such as Langston Hughes, Louis Armstrong, and Josephine Baker. Students will gain a deeper understanding of the literature, music, dance, and art that depicted the triumphs and sorrows of black Americans during the age of speakeasies and rent parties.
| Author | : Colin Grant |
| Publisher | : Oxford University Press |
| Total Pages | : 559 |
| Release | : 2008-03-17 |
| Genre | : History |
| ISBN | : 0199839921 |
New in paperback, this groundbreaking biography captures the full sweep and epic dimensions of Marcus Garvey's life, the dazzling triumphs and the dreary exile. As Grant shows, Garvey was a man of contradictions: a self-educated, poetry-writing aesthete and unabashed propagandist, an admirer of Lenin, and a dandy given to elaborate public displays. Above all, he was a shrewd promoter whose use of pageantry evoked a lost African civilization and fired the imagination of his followers. Negro With a Hat restores Garvey to his place as one of the founders of black nationalism and a key figure of the 20th century. "A searching, vivid, and (as the title suggests) complex account of Garvey's short but consequential life." --Steve Hahn, The New Republic "The story of Marcus Garvey, the charismatic and tireless black leader who had a meteoric rise and fall in the late 1910s and early '20s, makes for enthralling reading, and Garvey has found an engaging and objective biographer in Colin Grant.... Grant's book is not all politics, ideology, money and lawsuits. It is also an engrossing social history.... Negro With a Hat is an achievement on a scale Garvey might have appreciated." --New York Times Book Review "Dazzling, definitive biography of the controversial activist who led the 1920s 'Back to Africa' movement.... Grant's learned passion for his subject shimmers on every page. A riveting and well-wrought volume that places Garvey solidly in the pantheon of important 20th-century black leaders." --Kirkus Reviews (Starred Review) "This splendid book is certain to become the definitive biography. Garvey was a dreamer and a doer; Grant captures the fascination of both." --Publishers Weekly (Starred Review) "Grant's strength lies in his ability to re-create political moods and offer compelling sketches of colorful individuals and their organizations.... An engaging and readable introduction to a complicated and contentious historical actor who, in his time, possessed a unique capacity to inspire devotion and hatred, adulation and fear." --Chicago Tribune "A monumental, nuanced and broadly sympathetic portrait." --Financial Times
| Author | : Lori D. Patton |
| Publisher | : Taylor & Francis |
| Total Pages | : 148 |
| Release | : 2023-07-03 |
| Genre | : Education |
| ISBN | : 1000977218 |
Are cultural centers ethnic enclaves of segregation, or safe havens that provide minority students with social support that promotes persistence and retention?Though Black cultural centers boast a 40-year history, there is much misinformation about them and the ethnic counterparts to which they gave rise. Moreover, little is known about their historical roots, current status, and future prospects. The literature has largely ignored the various culture center models, and the role that such centers play in the experiences of college students. This book fills a significant void in the research on ethnic minority cultural centers, offers the historic background to their establishment and development, considers the circumstances that led to their creation, examines the roles they play on campus, explores their impact on retention and campus climate, and provides guidelines for their management in the light of current issues and future directions.In the first part of this volume, the contributors provide perspectives on culture centers from the point of view of various racial/ethnic identity groups, Latina/o, Asian, American Indian, and African American. Part II offers theoretical perspectives that frame the role of culture centers from the point of view of critical race theory, student development theory, and a social justice framework. Part III focuses specifically on administrative and practice-oriented themes, addressing such issues as the relative merits of full- and part-time staff, of race/ethnic specific as opposed to multicultural centers, relations with the outside community, and integration with academic and student affairs to support the mission of the institution. For administrators and student affairs educators who are unfamiliar with these facilities, and want to support an increasingly diverse student body, this book situates such centers within the overall strategy of improving campus climate, and makes the case for sustaining them. Where none as yet exist, this book offers a rationale and blueprint for creating such centers. For leaders of culture centers this book constitutes a valuable tool for assessing their viability, improving their performance, and ensuring their future relevance – all considerations of increased importance when budgets and resources are strained. This book also provides a foundation for researchers interested in further investigating the role of these centers in higher education.
| Author | : Soyica Diggs Colbert |
| Publisher | : Yale University Press |
| Total Pages | : 334 |
| Release | : 2021-04-20 |
| Genre | : Biography & Autobiography |
| ISBN | : 030025833X |
A captivating portrait of Lorraine Hansberry’s life, art, and political activism--one of O Magazine's best books of April 2021 "Hits the mark as a fresh and timely portrait of an influential playwright."—Publishers Weekly In this biography of Lorraine Hansberry (1930–1965), the author of A Raisin in the Sun, Soyica Diggs Colbert considers the playwright’s life at the intersection of art and politics, with the theater operating as a “rehearsal room for [her] political and intellectual work.” Colbert argues that the success of Raisin overshadows Hansberry’s other contributions, including the writer’s innovative journalism and lesser known plays touching on controversial issues such as slavery, interracial communities, and black freedom movements. Colbert also details Hansberry’s unique involvement in the black freedom struggles during the Cold War and the early civil rights movement, in order to paint a full portrait of her life and impact. Drawing from Hansberry’s papers, speeches, and interviews, this book presents its subject as both a playwright and a political activist. It also reveals a new perspective on the roles of black women in mid-twentieth-century political movements.
| Author | : Casey Nelson Blake |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 359 |
| Release | : 2019-12-03 |
| Genre | : History |
| ISBN | : 1442226765 |
At a time when American political and cultural leaders asserted that the nation stood at “the center of world awareness,” thinkers and artists sought to understand and secure principles that lay at the center of things. From the onset of the Cold War in 1948 through 1963, they asked: What defined the essential character of “American culture”? Could permanent moral standards guide human conduct amid the flux and horrors of history? In what ways did a stable self emerge through the life cycle? Could scientific method rescue truth from error, illusion, and myth? Are there key elements to democracy, to the integrity of a society, to order in the world? Answers to such questions promised intellectual and moral stability in an age haunted by the memory of world war and the possibility of future devastation on an even greater scale. Yet other key figures rejected the search for a center, asserting that freedom lay in the dispersion of cultural energies and the plurality of American experiences. In probing the centering impulse of the era, At the Center offers a unique perspective on the United States at the pinnacle of its power.
| Author | : Ellis Cashmore |
| Publisher | : Routledge |
| Total Pages | : 217 |
| Release | : 2006-06-07 |
| Genre | : Social Science |
| ISBN | : 1134809387 |
Cashmore's controversial study argues that black culture has been converted into a commodity, usually in the interests of white owned corporations. Using detailed studies of the marketing of Motown, Michael Jackson and the Artist Formerly Known as Prince, Cashmore suggests that inflating the significance of this commodified 'black culture' may actually be counter-productive in the struggle for racial justice.
