Biennale Internationale De Lausanne Art Textile Contemporain
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Author | : Paul Greenhalgh |
Publisher | : Rutgers University Press |
Total Pages | : 236 |
Release | : 2003 |
Genre | : Art |
ISBN | : 9780813532646 |
In The Persistence of Craft, contributors discuss the development of not only six specific crafts--glass, ceramics, jewelry, wood, textiles, and metal--but also the trends and movements that have helped shape their developments. Includes 180 full-color illustrations.
Author | : Janis Jefferies |
Publisher | : Bloomsbury Publishing |
Total Pages | : 577 |
Release | : 2015-11-05 |
Genre | : Business & Economics |
ISBN | : 1474275796 |
In recent years, the study of textiles and culture has become a dynamic field of scholarship, reflecting new global, material and technological possibilities. This is the first handbook of specially commissioned essays to provide a guide to the major strands of critical work around textiles past and present and to draw upon the work of artists and designers as well as researchers in textiles studies. The handbook offers an authoritative and wide-ranging guide to the topics, issues, and questions that are central to the study of textiles today: it examines how material practices reflect cross-cultural influences; it explores textiles' relationships to history, memory, place, and social and technological change; and considers their influence on fashion and design, sustainable production, craft, architecture, curation and contemporary textile art practice. This illustrated volume will be essential reading for students and scholars involved in research on textiles and related subjects such as dress, costume and fashion, feminism and gender, art and design, and cultural history. Cover image: Anne Wilson, To Cross (Walking New York), 2014. Site-specific performance and sculpture at The Drawing Center, NYC. Thread cross research. Photo: Christie Carlson/Anne Wilson Studio.
Author | : Matthew Koumis |
Publisher | : |
Total Pages | : 140 |
Release | : 1997 |
Genre | : Art |
ISBN | : |
Author | : Phaidon Editors |
Publisher | : Phaidon Press |
Total Pages | : 0 |
Release | : 2019-04-03 |
Genre | : Art |
ISBN | : 9780714876610 |
A global survey of more than 100 artists, chosen by art-world professionals for their work with threads, stitching, and textiles Celebrating tapestry, embroidery, stitching, textiles, knitting, and knotting as used by visual artists worldwide, Vitamin T is the latest in the celebrated series in which leading curators, critics, and art professionals nominate living artists for inclusion. As boundaries between art and craft have blurred, artists have increasingly embraced these materials and methods, with the resulting works being coveted by collectors and exhibited in museums worldwide. Vitamin T is a vibrant and incredibly timely survey – the first of its kind.
Author | : Chloë Colchester |
Publisher | : Rizzoli International Publications |
Total Pages | : 192 |
Release | : 1991 |
Genre | : Architecture |
ISBN | : |
Author | : Jennifer Harris |
Publisher | : John Wiley & Sons |
Total Pages | : 528 |
Release | : 2020-08-17 |
Genre | : Design |
ISBN | : 1118768647 |
A lively and innovative collection of new and recent writings on the cultural contexts of textiles The study of textile culture is a dynamic field of scholarship which spans disciplines and crosses traditional academic boundaries. A Companion to Textile Culture is an expertly curated compendium of new scholarship on both the historical and contemporary cultural dimensions of textiles, bringing together the work of an interdisciplinary team of recognized experts in the field. The Companion provides an expansive examination of textiles within the broader area of visual and material culture, and addresses key issues central to the contemporary study of the subject. A wide range of methodological and theoretical approaches to the subject are explored—technological, anthropological, philosophical, and psychoanalytical, amongst others—and developments that have influenced academic writing about textiles over the past decade are discussed in detail. Uniquely, the text embraces archaeological textiles from the first millennium AD as well as contemporary art and performance work that is still ongoing. This authoritative volume: Offers a balanced presentation of writings from academics, artists, and curators Presents writings from disciplines including histories of art and design, world history, anthropology, archaeology, and literary studies Covers an exceptionally broad chronological and geographical range Provides diverse global, transnational, and narrative perspectives Included numerous images throughout the text to illustrate key concepts A Companion to Textile Culture is an essential resource for undergraduate and postgraduate students, instructors, and researchers of textile history, contemporary textiles, art and design, visual and material culture, textile crafts, and museology.
Author | : Irene Waller |
Publisher | : |
Total Pages | : 166 |
Release | : 1977 |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 458 |
Release | : 1995 |
Genre | : Textile design |
ISBN | : |
Author | : Rita Trefois |
Publisher | : Lulu.com |
Total Pages | : 176 |
Release | : 2010-04-30 |
Genre | : Art |
ISBN | : 9081524623 |
"This book describes briefly the evolution of batik in the world as an introduction to the technique. The main aspect is the approach of materials and the modus operandi." --back cover.
Author | : Ruth E Iskin |
Publisher | : Routledge |
Total Pages | : 321 |
Release | : 2016-12-08 |
Genre | : Art |
ISBN | : 1317275039 |
Re-envisioning the Contemporary Art Canon: Perspectives in a Global World seeks to dissect and interrogate the nature of the present-day art field, which has experienced dramatic shifts in the past 50 years. In discussions of the canon of art history, the notion of ‘inclusiveness’, both at the level of rhetoric and as a desired practice is on the rise and gradually replacing talk of ‘exclusion’, which dominated critiques of the canon up until two decades ago. The art field has dramatically, if insufficiently, changed in the half-century since the first protests and critiques of the exclusion of ‘others’ from the art canon. With increased globalization and shifting geopolitics, the art field is expanding beyond its Euro-American focus, as is particularly evident in the large-scale international biennales now held all over the globe. Are canons and counter-canons still relevant? Can they be re-envisioned rather than merely revised? Following an introduction that discusses these issues, thirteen newly commissioned essays present case studies of consecration in the contemporary art field, and three commissioned discussions present diverse positions on issues of the canon and consecration processes today. This volume will be of interest to instructors and students of contemporary art, art history, and museum and curatorial studies.