Beyond Shakespeare
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Author | : Iris H. Tuan |
Publisher | : Springer Nature |
Total Pages | : 282 |
Release | : 2023-07-25 |
Genre | : Performing Arts |
ISBN | : 9811994021 |
With joy and grace to accompany the readers to have the translocal tour to visit about thirty-seven works, this monograph applies the academic critical theories of Performance Studies, Film Studies, Psychoanalysis, Postmodernism, and Visual Culture, to interpreting the special selection works. The focus and common theme are on race, body, and class. With the background of COVID-19 since 2019 up to the present, the book offers the readers with the remarkable insight of human beings’ accumulated wisdom and experiences in surviving with the dreadful diseases like the plagues in Shakespeare’s time. After the supreme reading, may the global readers in the world acquire the knowledge and power to live in sustainability with education and entertainment of films, performances, and online streaming Netflix TV dramas.
Author | : Paul Edmondson |
Publisher | : Cambridge University Press |
Total Pages | : 299 |
Release | : 2013-04-18 |
Genre | : Drama |
ISBN | : 1107017599 |
Did Shakespeare write Shakespeare? This authoritative collection of essays brings fresh perspectives to bear on an intriguing cultural phenomenon.
Author | : Harry R. McCarthy |
Publisher | : Cambridge University Press |
Total Pages | : 169 |
Release | : 2020-11-12 |
Genre | : Literary Criticism |
ISBN | : 1108897754 |
This Element provides the first in-depth study of the present-day all-boy company, Edward's Boys, who are based at King Edward VI School ('Shakespeare's School') in Stratford-upon-Avon. Since 2005, the company has produced a wide array of early modern plays, providing the most substantial repertory of early modern drama available for examination by scholars. The Element provides a comprehensive account of the company's practices, drawing on extensive rehearsal and performance observation, evidence from the company's archive, and interviews with actors and key company personnel. The Element takes account of the company's particular educational and strongly interpersonal environment, suggesting that these factors have a distinctive shaping force on their performance practice. In the hands of Edward's Boys, the Element argues, early modern drama becomes the source of company creation, ensemble practice, and virtuosic physical play, inviting us to reimagine what it means – and takes – to perform these plays today.
Author | : Susan Bennett |
Publisher | : Cambridge University Press |
Total Pages | : 345 |
Release | : 2013-08-29 |
Genre | : Drama |
ISBN | : 1107040558 |
What does it mean to perform Shakespeare in languages other than English and how do audiences respond?
Author | : Michael A. Anderegg |
Publisher | : Rowman & Littlefield |
Total Pages | : 254 |
Release | : 2004 |
Genre | : Performing Arts |
ISBN | : 9780742510920 |
Michael Anderegg investigates how Shakespeare films constitute an exciting & ever-changing film genre. He looks closely at films by Olivier, Welles, & Branagh, as well as postmodern Shakespeares & multiple adaptations over the years of 'Romeo and Juliet'.
Author | : John Shahan |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 280 |
Release | : 2016-10-25 |
Genre | : |
ISBN | : 9781537005669 |
The Book the Shakespeare Birthplace Trust Doesn't Want You to Read: Shakespeare Beyond Doubt? Never has the case against the Stratford man been made so clear and compelling. Unsettled by the growing success of the Shakespeare Authorship Coalition and its online Declaration of Reasonable Doubt About the Identity of William Shakespeare, the Shakespeare Birthplace Trust in Stratford-upon-Avon has published a book insisting that the identity of the author William Shakespeare is "beyond doubt." In this withering reply a dozen scholars expose the bankruptcy of this claim and challenge the Birthplace Trust to stand and defend its position under cross-examination in a televised mock trial. "Authorities tell us there is no doubt that Shakespeare wrote Shakespeare. Should we trust them? This book comes at a critical time, with defenders of orthodoxy deceiving the public about how weak their case really is. It is time for a serious re-examination of the evidence. This book does just that." - Richard Waugaman, M.D., Clinical Professor of Psychiatry; Faculty Expert on Shakespeare for Media Contacts, Georgetown University, Washington, D. C.
Author | : Caroline Wiesenthal Lion |
Publisher | : Taylor & Francis |
Total Pages | : 240 |
Release | : 2022-08-18 |
Genre | : History |
ISBN | : 1000630005 |
Reading Shakespeare in Jewish Theological Frameworks: Shylock Beyond the Holocaust uses Jewish theology to mount a courageous new reading of a four-hundred-year-old play, The Merchant of Venice. While victimhood and antisemitism have been the understandable focus of the Merchant critical history for decades, Lion urges scholars, performers, and readers to see beyond the racism in Shakespeare's plays by recovering Shakespearean themes of potentiality and human flourishing as they emerge within the Jewish tradition itself. Lion joins the race conversation in Shakespeare studies today by drawing on the intellectual history and oppression of the Jewish people, borrowing from thinkers Franz Rosenzweig and Abraham Joshua Heschel as well as Hannah Arendt, Walter Benjamin, Jacques Derrida, Emmanuel Levinas, and rabbis from the Talmud to today. This volume interweaves post-confessional, Protestant, Catholic, Muslim, Jewish, and mystical ideas with Shakespeare's poetry and opens conversations of prophecy, love, spirituality, care, and community. It concludes with brief critical sketches of Antony and Cleopatra, Hamlet, and Macbeth to demonstrate that Shakespeare when interpreted through Jewish theological frameworks can point to post-credal solutions and transformed societal paradigms of repair that encourage action and the shaping of a finer world.
Author | : Ilse Feinauer |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 390 |
Release | : 2017-01-06 |
Genre | : Language Arts & Disciplines |
ISBN | : 1443869325 |
This edited volume explores the role of (postcolonial) translation studies in addressing issues of the postcolony. It investigates the retention of the notion of postcolonial translation studies and whether one could reconsider or adapt the assumptions and methodologies of postcolonial translation studies to a new understanding of the postcolony to question the impact of postcolonial translation studies in Africa to address pertinent issues. The book also places the postcolony in historical perspective, and takes a critical look at the failures of postcolonial approaches to translation studies. The book brings together 12 chapters, which are divided into three sections: namely, Africa, the Global South, and the Global North. As such, the volume is able to consider the postcolony (and even conceptualisations beyond the postcolony) in a variety of settings worldwide.
Author | : John Marston |
Publisher | : |
Total Pages | : 72 |
Release | : 1607 |
Genre | : |
ISBN | : |
Author | : Jeffrey R. Wilson |
Publisher | : Routledge |
Total Pages | : 121 |
Release | : 2020-11-29 |
Genre | : History |
ISBN | : 1000228681 |
It is widely acknowledged that the hit franchise Game of Thrones is based on the Wars of the Roses, a bloody fifteenth-century civil war between feuding English families. In this book, Jeffrey R. Wilson shows how that connection was mediated by Shakespeare, and how a knowledge of the Shakespearean context enriches our understanding of the literary elements of Game of Thrones. On the one hand, Shakespeare influenced Game of Thrones indirectly because his history plays significantly shaped the way the Wars of the Roses are now remembered, including the modern histories and historical fictions George R.R. Martin drew upon. On the other, Game of Thrones also responds to Shakespeare’s first tetralogy directly by adapting several of its literary strategies (such as shifting perspectives, mixed genres, and metatheater) and tropes (including the stigmatized protagonist and the prince who was promised). Presenting new interviews with the Game of Thrones cast, and comparing contextual circumstances of composition—such as collaborative authorship and political currents—this book also lodges a series of provocations about writing and acting for the stage in the Elizabethan age and for the screen in the twenty-first century. An essential read for fans of the franchise, as well as students and academics looking at Shakespeare and Renaissance literature in the context of modern media.