Berenice Abbott Selected Writings
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Author | : Berenice Abbott |
Publisher | : |
Total Pages | : 184 |
Release | : 2020 |
Genre | : |
ISBN | : 9788412090802 |
Berenice Abbot (1898?1991) is best known for her work in the fields of architecture, portraiture, and science. She first learned photography in Paris, as an assistant to Man Ray. It was at his studio where she also encountered work by Eugène Atget (1857?1927), who in turn played an influential role in her practice. Abbot was committed to modernity and capturing the poetry of the moment, whether through inventing new techniques for taking pictures of physics experiments or shooting the streets of New York. This book casts a fascinating look back at her writings, combining precise instructions and theoretical content in texts aimed towards either professionals or amateurs.
Author | : Julia Van Haaften |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2018-04-10 |
Genre | : Biography & Autobiography |
ISBN | : 0393292789 |
The comprehensive biography of the iconic twentieth-century American photographer Berenice Abbott, a trailblazing documentary modernist, author, and inventor. Berenice Abbott is to American photography as Georgia O’Keeffe is to painting or Willa Cather to letters. She was a photographer of astounding innovation and artistry, a pioneer in both her personal and professional life. Abbott’s sixty-year career established her not only as a master of American photography, but also as a teacher, writer, archivist, and inventor. Famously reticent in public, Abbott’s fascinating life has long remained a mystery—until now. In Berenice Abbott: A Life in Photography, author, archivist, and curator Julia Van Haaften brings this iconic public figure to life alongside outlandish, familiar characters from artist Man Ray to cybernetics founder Norbert Wiener. A teenage rebel from Ohio, Abbott escaped first to Greenwich Village and then to Paris—photographing, in Sylvia Beach’s words, "everyone who was anyone." As the Roaring Twenties ended, Abbott returned to New York, where she soon fell in love with art critic Elizabeth McCausland, with whom she would spend thirty years. In the 1930s, Abbott began her best-known work, Changing New York, in which she fearlessly documented the city’s metamorphosis. When warned by an older male supervisor that "nice girls" avoid the Bowery—then Manhattan’s skid row—Abbott shot back, "I’m not a nice girl. I’m a photographer…I go anywhere." This bold, feminist attitude would characterize all Abbott’s accomplishments, including imaging techniques she invented in her influential, space race–era science photography and her tenure as The New School’s first photography teacher. With more than ninety stunning photos, this sweeping, cinematic biography secures Berenice Abbott’s place in the histories of photography and modern art, while framing her incredible accomplishments as a female artist and entrepreneur.
Author | : Sharon Corwin |
Publisher | : Univ of California Press |
Total Pages | : 212 |
Release | : 2010 |
Genre | : Art |
ISBN | : 0520265629 |
This volume, a companion to the exhibition of the same name, explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures: Berenice Abbott, Walker Evans, and Margaret Bourke-White.
Author | : Terri Weissman |
Publisher | : Univ of California Press |
Total Pages | : 258 |
Release | : 2011-01-10 |
Genre | : Art |
ISBN | : 0520266757 |
The Realisms of Berenice Abbott provides the first in-depth consideration of the work of photographer Berenice Abbott. Though best known for her 1930s documentary images of New York City, this book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific historical circumstances. But as Weissman demonstrates, Abbott’s unflinching commitment to “realist” aesthetics led her to develop a critical theory of documentary that recognizes the complexity of representation without excluding or obscuring a connection between art and engagement in the political public sphere. In telling Abbott’s story, The Realisms of Berenice Abbott reveals insights into the politics and social context of documentary production and presents a thoughtful analysis of why documentary remains a compelling artistic strategy today.
Author | : Sarah M. Miller |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2020-12-08 |
Genre | : Photography |
ISBN | : 026204417X |
The recreation of a landmark in 1930s documentary photography. The 1939 book Changing New York by Berenice Abbott, with text by Elizabeth McCausland, is a landmark of American documentary photography and the career-defining publication by one of modernism's most prominent photographers. Yet no one has ever seen the book that Abbott and McCausland actually planned and wrote. In this book, art historian Sarah M. Miller recreates Abbott and McCausland's original manuscript for Changing New York by sequencing Abbott's one hundred photographs with McCausland's astonishing caption texts. This reconstruction is accompanied by a selection of archival documents that illuminate how the project was developed, and how the original publisher drastically altered it. Miller analyzes the manuscript and its revisions to unearth Abbott and McCausland's critical engagement with New York City's built environment and their unique theory of documentary photography. The battle over Changing New York, she argues, stemmed from disputes over how Abbott's photographs—and photography more broadly—should shape urban experience on the eve of the futuristic 1939 World's Fair. Ultimately it became a contest over the definition of documentary itself. Gary Van Zante and Julia Van Haaften contribute an essay on Abbott's archive and the partnership with McCausland that shaped their creative collaboration. Copublished with Ryerson Image Centre, Toronto
Author | : Bonnie Yochelson |
Publisher | : |
Total Pages | : 399 |
Release | : 1997 |
Genre | : Photography |
ISBN | : 9781565843776 |
A re-release of an acclaimed volume features definitive images of 1930s New York, in a deluxe edition that features more than three hundred duotones as taken with the support of the WPA's Federal Art Project documenting Depression-era changes throughout the city. Reissue.
Author | : Liz Heron |
Publisher | : Routledge |
Total Pages | : 521 |
Release | : 2021-04-26 |
Genre | : Photography |
ISBN | : 1000324680 |
This selection of women's writings on photography proposes a new and different history, demonstrating the ways in which women's perspectives have advanced photographic criticism over 150 years, focusing it more deeply and, with the advent of feminist approaches, increasingly challenging its orthodoxies. Included in the book are Rosalind Krauss, Ingrid Sischy, Vicki Goldberg and Carol Squiers.
Author | : Berenice Abbott |
Publisher | : |
Total Pages | : 186 |
Release | : 2012 |
Genre | : Art and science |
ISBN | : |
Berenice Abbott was an American photographer best known for her black-and-white photography of New York City architecture and urban design of the 1930s. Abbott's style of straight photography helped her make important contributions to scientific photography, as shown in this book.
Author | : Jeane von Oppenheim |
Publisher | : Hatje Cantz |
Total Pages | : 172 |
Release | : 2000 |
Genre | : Photography |
ISBN | : |
This extraordinary combination offers viewers a fresh new look into the world of photography."--BOOK JACKET.
Author | : Sarah Coleman |
Publisher | : Silverwood Books |
Total Pages | : 354 |
Release | : 2017-12 |
Genre | : Christmas stories |
ISBN | : 9781781327296 |
Inspired by the life and work of Berenice Abbott, one of modern photography's most provocative and fearless heroines.