Bender Bainter Painter Smith And The Allied Families Of Phillipson Marino Alioto
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Author | : Sandy Fackler |
Publisher | : |
Total Pages | : 340 |
Release | : 1994 |
Genre | : |
ISBN | : |
Hans Georg Bender, son of Hans Heinrich Bender and Elizabeth Nissley, was born 29 Dec 1699 in Wurttemberg, Rhineland, Pfalz. He married Kathrina Hostetter, daughter of Michael Hostetter and Elizabeth Neff, on 11 Oct 1720. Kathrina was born 11 July 1701. They immigrated to Pennsylvania in 1732. They had 6 children. Kathrina died 10 Dec 1740 at Mount Joy Township, Lancaster County, Pennsylvania. Hans married Magdalena Frederick, daughter of Abraham Frederick, on 15 Oct 1741. They had 4 children. Hans died 15 Jan 1767 in Donegal Township, Lancaster County, Pennsylvania. His descendants have lived in Pennsylvania, Ohio, Wisconsin, Iowa, Indiana, and other areas in the United States.
Author | : |
Publisher | : |
Total Pages | : 414 |
Release | : 1995 |
Genre | : Genealogy |
ISBN | : |
Author | : Harriette Marr Wheeler |
Publisher | : Harriette M Wheeler |
Total Pages | : 208 |
Release | : 1983 |
Genre | : Reference |
ISBN | : |
Lawrence Marr (fl.1743-1777) emigrated from England to Hunterdon County, New Jersey, and was a Loyalist during the Revolutionary War. His son, William Marr (d.1789/1790), moved to Northampton County, Pennsylvania, and was a Revolutionary soldier. John Marr (d.1808/ 1809), William's son and Lawrence's grandson, was also a Loyalist and immigrated from Pennsylvania to Stamford, Ontario. Descendants and relatives lived in Ontario and elsewhere. Some descendants immi- grated to Michigan, Iowa and elsewhere.
Author | : Robert F. Reid-Pharr |
Publisher | : NYU Press |
Total Pages | : 213 |
Release | : 2001-04-01 |
Genre | : Social Science |
ISBN | : 0814776809 |
The landmark book that established Robert Reid-Pharr as one of America's most exciting and challenging left intellectuals At turns autobiographical, political, literary, erotic, and humorous, Black Gay Man spoils our preconceived notions of not only what it means to be black, gay and male but also what it means to be a contemporary intellectual. Both a celebration of black gay male identity as well as a powerful critique of the structures that allow for the production of that identity, Black Gay Man introduced the eloquent voice of Robert Reid-Pharr in cultural criticism. At once erudite and readable, the range of topics and positions taken up in Black Gay Man reflect the complexity of American life itself. Treating subjects as diverse as the Million Man March, interracial sex, anti-Semitism, turn of the century American intellectualism as well as literary and cultural figures ranging from Essex Hemphill and Audre Lorde to W.E.B. DuBois, Frantz Fanon and James Baldwin, Black Gay Man is a bold and nuanced attempt to question prevailing ideas about community, desire, politics and culture. Moving beyond critique, Reid-Pharr also pronounces upon the promises of a new America.
Author | : Robert F. Reid-Pharr |
Publisher | : Oxford University Press |
Total Pages | : 179 |
Release | : 1999-07-22 |
Genre | : Social Science |
ISBN | : 0195355903 |
In Conjugal Union, Robert F. Reid-Pharr argues that during the antebellum period a community of free black northeastern intellectuals sought to establish the stability of a Black American subjectivity by figuring the black body as the necessary antecedent to any intelligible Black American public presence. Reid-Pharr goes on to argue that the fact of the black body's constant and often spectacular display demonstrates an incredible uncertainty as to that body's status. Thus antebellum black intellectuals were always anxious about how a stable relationship between the black community might be maintained. Paying particular attention to Black American novels written before the Civil War, the author shows how the household was utilized by these writers to normalize this relationship of body to community such that a person could enter a household as a white and leave it as a black.
Author | : Christian W. Bender |
Publisher | : |
Total Pages | : 226 |
Release | : 1948 |
Genre | : |
ISBN | : |
Daniel Bender's sons Wilhelm and Joseph came to America from Germany about 1830-1840.
Author | : Shyon Baumann |
Publisher | : Princeton University Press |
Total Pages | : 242 |
Release | : 2018-06-05 |
Genre | : Performing Arts |
ISBN | : 0691187282 |
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Author | : Robert Reid-Pharr |
Publisher | : NYU Press |
Total Pages | : 192 |
Release | : 2007-07 |
Genre | : Biography & Autobiography |
ISBN | : 0814775845 |
Once You Go Black is first and foremost a study of a group of black American intellectuals, primarily male, who came to prominence after World War II. At the same time, it is an endeavor to reconsider black Americans as agents, and not simply products, of history. Following the existentialist maxim that experience precedes essence, Robert Reid-Pharr contends that our current notions of black American identity are not inevitable, nor have they been forced on the black community. Instead, he argues, black American intellectuals have actively chosen the identity schemes that seem to us so natural or "God-given" today. In Once You Go Black, Reid-Pharr turns first to the late and relatively unknown novels of the three most prominent Black American writers of the mid-twentieth century-Richard Wright, Ralph Ellison, and James Baldwin. He suggests that each of these authors rejects the idea of the black as innocent, insisting instead upon responsibility within modern society. Reid-Pharr then examines a number of responses to this presumed erosion of black innocence, paying particular attention to articulations of black masculinity by Huey Newton, one of the two founders of the Black Panther Party, and Melvin Van Peebles, director of the classic film Sweet Sweetback's Baadasssss Song.Shuttling between queer theory, intellectual history, literary close readings, and autobiography, Once You Go Black is a bold, eloquent, and impassioned call to bring the language of choice into the study of black American literature and culture.
Author | : Michele Weiner-Davis |
Publisher | : Simon & Schuster Limited |
Total Pages | : 224 |
Release | : 2004 |
Genre | : Psychosexual disorders |
ISBN | : 9780743252416 |
'Not tonight, darling, I've got a headache...' An estimated one in three couples suffer from problems associated with one partner having a higher libido than the other. Marriage therapist Michele Weiner Davis has written THE SEX-STARVED MARRIAGE to help couples come to terms with this problem. Weiner Davis shows you how to address pyschological factors like depression, poor body image and communication problems that affect sexual desire. With separate chapters for the spouse that's ready for action and the spouse that's ready for sleep, THE SEX-STARVED MARRIAGE will help you re-spark your passion and stop you fighting about sex. Weiner Davis is renowned for her straight-talking style and here she puts it to great use to let you know you're not alone in having marital sex problems. Bitterness or complacency about ho-hum sex can ruin a marriage, breaking the emotional tie of good sex.
Author | : Ed Catmull |
Publisher | : Random House |
Total Pages | : 367 |
Release | : 2014-04-08 |
Genre | : Business & Economics |
ISBN | : 0679644504 |
The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve. “Might be the most thoughtful management book ever.”—Fast Company For nearly thirty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner eighteen Academy Awards. The joyous storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable. As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the twenty-five movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as: • Give a good idea to a mediocre team and they will screw it up. But give a mediocre idea to a great team and they will either fix it or come up with something better. • It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them. • The cost of preventing errors is often far greater than the cost of fixing them. • A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody. Creativity, Inc. has been significantly expanded to illuminate the continuing development of the unique culture at Pixar. It features a new introduction, two entirely new chapters, four new chapter postscripts, and changes and updates throughout. Pursuing excellence isn’t a one-off assignment but an ongoing, day-in, day-out, full-time job. And Creativity, Inc. explores how it is done.