Beggars Banquet And The Rolling Stones Rock And Roll Revolution
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| Author | : Russell Reising |
| Publisher | : Routledge |
| Total Pages | : 328 |
| Release | : 2019-12-06 |
| Genre | : Music |
| ISBN | : 1351396412 |
The Rolling Stones’ Beggars Banquet is one of the seminal albums in rock history. Arguably it not only marks the advent of the ‘mature’ sound of the Rolling Stones but lays out a new blueprint for an approach to blues-based rock music that would endure for several decades. From its title to the dark themes that pervade some of its songs, Beggars Banquet reflected and helped define a moment marked by violence, decay, and upheaval. It marked a move away from the artistic sonic flourishes of psychedelic rock towards an embrace of foundational streams of American music – blues, country – that had always underpinned the music of the Stones but assumed new primacy in their music after 1968. This move coincided with, and anticipated, the ‘roots’ moves that many leading popular music artists made as the 1960s turned toward a new decade; but unlike many of their peers whose music grew more ‘soft’ and subdued as they embraced traditional styles, the music and attitude of the Stones only grew harder and more menacing, and their status as representatives of the dark underside of the 60s rock counterculture assumed new solidity. For the Rolling Stones, the 1960s ended and the 1970s began with the release of this album in 1968.
| Author | : Clarence Bernard Henry |
| Publisher | : Taylor & Francis |
| Total Pages | : 985 |
| Release | : 2024-11-19 |
| Genre | : Music |
| ISBN | : 1040151922 |
Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencing and robust indexes of genres, places, names, and subjects make the guide easy to use. Volume 2, Transnational Discourses of Global Popular Music Studies, covers the geographical areas of North America: United States and Canada; Central America, Caribbean, and South America/Latin America; Europe; Africa and Middle East; Asia; and areas of Oceania: Aotearoa/New Zealand, Australia, and Pacific Islands. It provides over twenty-four hundred annotated bibliographic entries covering discourses of extensive research that extend beyond the borders of the United States and includes annotated entries to books, book series, book chapters, edited volumes, special documentaries and programming, scholarly journal essays, and other resources that focus on the creative and artistic flows of global popular music.
| Author | : Christine Feldman-Barrett |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 256 |
| Release | : 2021-01-28 |
| Genre | : Music |
| ISBN | : 1501348051 |
A Women's History of the Beatles is the first book to offer a detailed presentation of the band's social and cultural impact as understood through the experiences and lives of women. Drawing on a mix of interviews, archival research, textual analysis, and autoethnography, this scholarly work depicts how the Beatles have profoundly shaped and enriched the lives of women, while also reexamining key, influential female figures within the group's history. Organized topically based on key themes important to the Beatles story, each chapter uncovers the varied and multifaceted relationships women have had with the band, whether face-to-face and intimately or parasocially through mediated, popular culture. Set within a socio-historical context that charts changing gender norms since the early 1960s, these narratives consider how the Beatles have affected women's lives across three generations. Providing a fresh perspective of a well-known tale, this is a cultural history that moves far beyond the screams of Beatlemania to offer a more comprehensive understanding of what the now iconic band has meant to women over the course of six decades.
| Author | : Matt Brennan |
| Publisher | : Oxford University Press |
| Total Pages | : 385 |
| Release | : 2020-01-10 |
| Genre | : Music |
| ISBN | : 0190683880 |
The drum kit has provided the pulse of popular music from before the dawn of jazz up to the present day pop charts. Kick It, a provocative social history of the instrument, looks closely at key innovators in the development of the drum kit: inventors and manufacturers like the Ludwig and Zildjian dynasties, jazz icons like Gene Krupa and Max Roach, rock stars from Ringo Starr to Keith Moon, and popular artists who haven't always got their dues as drummers, such as Karen Carpenter and J Dilla. Tackling the history of race relations, global migration, and the changing tension between high and low culture, author Matt Brennan makes the case for the drum kit's role as one of the most transformative musical inventions of the modern era. Kick It shows how the drum kit and drummers helped change modern music--and society as a whole--from the bottom up.
| Author | : Katherine Reed |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 249 |
| Release | : 2022-12-15 |
| Genre | : Music |
| ISBN | : 1501371274 |
The central image of David Bowie's “Life on Mars?” could have been ripped from his own experience: a child sits “hooked to the silver screen,” reliving fantastical scenes played out on film. Throughout his life, Bowie was similarly transfixed by the power of film. From his first film role in The Image to his final music video before his death, “Lazarus,” Bowie's musical output has long been intrinsically linked to images. Analyzing Bowie's music videos, planned film projects, acting roles, and depictions in film, David Bowie and the Moving Image provides a comprehensive view of Bowie's work with film and informs our understanding of all areas of his work, from music to fashion to visual art. It enters the debate about Bowie's artistic legacy by addressing Bowie as musician, actor, and auteur.
| Author | : William McKeen |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 704 |
| Release | : 2000 |
| Genre | : Fiction |
| ISBN | : 9780393047004 |
An electrifying collection of the most entertaining and illuminating writing on and from the rock-and-roll scene. "Rock and Roll Is Here to Stay" assembles the writing of those who played the music and pushed it to new limits, as well as those who were there to witness and celebrate its power. 20 photos.
| Author | : Ken McLeod |
| Publisher | : Routledge |
| Total Pages | : 247 |
| Release | : 2020-04-30 |
| Genre | : Business & Economics |
| ISBN | : 0429848447 |
Driving Identities examines long-standing connections between popular music and the automotive industry and how this relationship has helped to construct and reflect various socio-cultural identities. It also challenges common assumptions regarding the divergences between industry and art, and reveals how music and sound are used to suture the putative divide between human and non-human. This book is a ground-breaking inquiry into the relationship between popular music and automobiles, and into the mutual aesthetic and stylistic influences that have historically left their mark on both industries. Shaped by new historicism and cultural criticism, and by methodologies adapted from gender, LGBTQ+, and African-American studies, it makes an important contribution to understanding the complex and interconnected nature of identity and cultural formation. In its interdisciplinary approach, melding aspects of ethnomusicology, sociology, sound studies, and business studies, it pushes musicological scholarship into a new consideration and awareness of the complexity of identity construction and of influences that inform our musical culture. The volume also provides analyses of the confluences and coactions of popular music and automotive products to highlight the mutual influences on their respective aesthetic and technical evolutions. Driving Identities is aimed at both academics and enthusiasts of automotive culture, popular music, and cultural studies in general. It is accompanied by an extensive online database appendix of car-themed pop recordings and sheet music, searchable by year, artist, and title.
| Author | : Brent Wood |
| Publisher | : Routledge |
| Total Pages | : 327 |
| Release | : 2020-03-26 |
| Genre | : Music |
| ISBN | : 0429582218 |
The Tragic Odes of Jerry Garcia and the Grateful Dead is a multifaceted study of tragedy in the group’s live performances showing how Garcia brought about catharsis through dance by leading songs of grief, mortality, and ironic fate in a collective theatrical context. This musical, literary, and historical analysis of thirty-five songs with tragic dimensions performed by Garcia in concert with the Grateful Dead illustrates the syncretic approach and acute editorial ear he applied in adapting songs of Robert Hunter, Bob Dylan, and folk tradition. Tragically ironic situations in which Garcia found himself when performing these songs are revealed, including those related to his opiate addiction and final decline. This book examines Garcia’s musical craftsmanship and the Grateful Dead’s collective art in terms of the mystery-rites of ancient Greece, Friedrich Nietzsche’s Dionysus, 20th century American music rooted in New Orleans, Hermann Hesse’s Magic Theater, and the Greek Theatre at Berkeley, offering a clear prospect on an often misunderstood phenomenon. Featuring interdisciplinary analysis, close attention to musical and poetic strategies, and historical and critical contexts, this book will be of interest to scholars and researchers of Popular Music, Musicology, Cultural Studies, and American Studies, as well as to the Grateful Dead’s avid listeners.
| Author | : Ivan Raykoff |
| Publisher | : Routledge |
| Total Pages | : 297 |
| Release | : 2020-11-29 |
| Genre | : Music |
| ISBN | : 1000245667 |
The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1,500 songs in over 50 languages and a wide range of musical styles since it began in 1956, Eurovision features the most musically and linguistically diverse song repertoire in history. Listening closely to its classic fan favorites but also to songs that scored low because they were too different or too far ahead of their time, this book delves into the musical tastes and cultural values the contest engages through its international reach and popular appeal. Chapters discuss the iconic fanfare that introduces the broadcast, the supposed formulas for composing successful contest entries, how composers balance aspects of sameness and difference in their songs, and the tension between national genres of European popular music and musical trends beyond the nation’s borders, especially the American influences on a show that is supposed to celebrate an idealized pan-European identity. The book also explores how audiences interact with the contest through musicking experiences that bring people together to celebrate its sounds and spectacles. What can seem like a silly song-and-dance show offers valuable insights into the bonds between popular music and cosmopolitan values for its many followers around the world. From dance parties to flashmobs, parodies to plagiarisms, and orchestras to artificial intelligence, Another Song for Europe will be of particular interest to Eurovision fans, critics, and scholars of popular music, popular culture, ethnomusicology, and European studies.
| Author | : James Campion |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 329 |
| Release | : 2022-06-01 |
| Genre | : Music |
| ISBN | : 1493062387 |
In Take a Sad Song: The Emotional Currency of "Hey Jude," James Campion dives deeply into the song's origins, recording, visual presentation, impact, and eventual influence, while also discovering what makes "Hey Jude" a classic musical expression of personal comfort and societal unity conceived by a master songwriter, Paul McCartney. Within its melodic brilliance and lyrical touchstones of empathy and nostalgia resides McCartney's personal and professional relationship with his childhood friend and songwriting partner, John Lennon, and their simultaneous pursuit of the women who would complete them. There are also clues to the growing turmoil within the Beatles and their splintering generation scarred by war, assassination, and virulent protest. Campion's journey into the song includes the insights of academic experts and professors in the field of musicology, sociology, philosophy, psychology, and history. Campion also reveals commentary from noted Beatles authors, biographers, music historians, and journalists and, finally, a peek into the craft of songwriting from a host of talented composers across several generations. Take a Sad Song is a tribute to how a song can define, inspire, and affect us in ways we do not always fully comprehend, as well as a celebration of a truly amazing track in the Beatles canon that reveals one band's genius and underscores its lasting voice in our cultural and musical landscape.
