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| Author | : Darrin J. Martens |
| Publisher | : |
| Total Pages | : 160 |
| Release | : 2018-03-15 |
| Genre | : Art |
| ISBN | : 9781773270401 |
This is a stunning tribute to the art and life of Beau Dick, Kwakwaka'wakw artist, activist and teacher. It presents eighty of the artist's finest masks and contextualizes his work within the Kwakwaka'wakw tradition, while also showing how Dick incorporated contemporary Western influences. Residence: Whistler, B.C.
| Author | : LaTiesha Fazakas |
| Publisher | : |
| Total Pages | : 80 |
| Release | : 2019-04-09 |
| Genre | : Art |
| ISBN | : 9781773270869 |
"With this body of work, Beau intended to launch his most overt critique of a system that he knew was unsustainable, in favour of a return to the cultural values of his people, and his profound generosity compelled him to share these values as widely as possible." ? LaTiesha FazakasBeau Dick (1955 - 2017) was celebrated far beyond his hometown of Alert Bay, B.C., for both his political activism and his creation of striking, larger-than-life carved masks inspired by the traditional stories of the Kwakwaka'wakw. Dick's multi-faceted engagement with Kwakwaka'wakw culture included carving (which he learned from Northwest Coast artists such as Henry Hunt, Doug Cranmer, and Bill Reid), storytelling, and dancing. As a high-ranking member of Hamat'sa, the prestigious Kwakwaka'wakw secret society centred on the story of a ravenous, man-eating spirit, Dick drew on all these art forms to create regalia for and participate in elaborate ceremonies that enacted Kwakwaka'wakw cosmology. Devoured by Consumerism shares nearly two dozen of these masks: vivid, unforgettable creations, made with traditional and contemporary methods and materials, depicting figures like Cannibal Raven, Nu-Tla-Ma (Fool Dancer), and Bookwus (Wild Man of the Woods).Texts by LaTiesha Fazakas, John Cussans, and Candice Hopkins outline the stories that the masks depict, consider the inescapable parallels between Hamat'sa and the consumerism of capitalist society, and grapple with the philosophy that animates Hamat'sa - one that seeks to confront and, ultimately, master the voracious appetites inside us all.
| Author | : Nan McNutt |
| Publisher | : Sasquatch Books |
| Total Pages | : 50 |
| Release | : 1997-01-01 |
| Genre | : Social Science |
| ISBN | : 1570611181 |
STORY AND PATTERNS FOR A BUTTON BLANKET.
| Author | : Karen Duffek |
| Publisher | : |
| Total Pages | : 372 |
| Release | : 2021-10-26 |
| Genre | : Art |
| ISBN | : 9781773270517 |
This collection brings together contemporary Indigenous knowledge holders with extraordinary works of historical Northwest Coast art. The photographs and commentaries speak to the connections between tangible and intangible cultural belongings; how "art" remains part of Northwest Coast peoples' ongoing relationships to their territories and governance; Indigenous experiences of reconnection, reclamation, and return; and critical and necessary conversations around the role of museums. Residence: Vancouver, B.C. Print run 3,500.
| Author | : Bob Joseph |
| Publisher | : |
| Total Pages | : 208 |
| Release | : 2017-12-03 |
| Genre | : Social Science |
| ISBN | : 9780978162856 |
Whether you're just starting out or want to increase your knowledge, Working Effectively with Indigenous Peoples(R) is written to support people in their Indigenous relations endeavours. The fourth edition has additional content and a fresh look inside and out.
| Author | : Eugenia Kisin |
| Publisher | : University of Toronto Press |
| Total Pages | : 478 |
| Release | : 2024-07-05 |
| Genre | : Social Science |
| ISBN | : 1487517912 |
Aesthetics of Repair analyses how the belongings called “art” are mobilized by Indigenous artists and cultural activists in British Columbia, Canada. Drawing on contemporary imaginaries of repair, the book asks how diverse forms of collective reckoning with settler-colonial harm resonate with urgent conversations about aesthetics of care in art. The discussion moves across urban and remote spaces of display for Northwest Coast–style Indigenous art, including galleries and museums, pipeline protests, digital exhibitions, an Indigenous-run art school, and a totem pole repatriation site. The book focuses on the practices around art and artworks as forms of critical Indigenous philosophy, arguing that art’s efficacies in this moment draw on Indigenous protocols for enacting justice between persons, things, and territories. Featuring examples of belongings that embody these social relations – a bentwood box made to house material memories, a totem pole whose return replenishes fish stocks, and a copper broken on the steps of the federal capital – each chapter shows how art is made to matter. Ultimately, Aesthetics of Repair illuminates the collision of contemporary art with extractive economies and contested practices of “resetting” settler-Indigenous relations.
| Author | : Laura Levin |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : |
| Release | : 2017-06-01 |
| Genre | : Performing Arts |
| ISBN | : 0773549862 |
Since its inception as an institutionalized discipline in the United States during the 1980s, performance studies has focused on the interdisciplinary analysis of a broad spectrum of cultural behaviours including theatre, dance, folklore, popular entertainments, performance art, protests, cultural rituals, and the performance of self in everyday life. Performance Studies in Canada brings together a diverse group of scholars to explore the national emergence of performance studies as a field in Canada. To date, no systematic attempts has been made to consider how this methodology is being taught, applied, and rethought in Canadian contexts, and Canadian performance studies scholarship remains largely unacknowledged within international discussions about the discipline. This collection fills this gap by identifying multiple origins of performance studies scholarship in the country and highlighting significant works of performance theory and history that are rooted in Canadian culture. Essays illustrate how specific institutional conditions and cultural investments – Indigenous, francophone, multicultural, and more – produce alternative articulations of “performance” and reveal national identity as a performative construct. A state-of-the-art work on the state of the field, Performance Studies in Canada foregrounds national and global performance knowledge to invigorate the discipline around the world.
| Author | : Nicola Levell |
| Publisher | : UBC Press |
| Total Pages | : 168 |
| Release | : 2021-10-15 |
| Genre | : Art |
| ISBN | : 077486737X |
In a gorgeously illustrated exploration of the art of Michael Nicoll Yahgulanaas, Mischief Making disproves any notion that play is frivolous. Deploying mischievous tactics, Yahgulanaas shines a spotlight on serious topics. As he investigates Indigenous and other worldviews, the politics of land, cultural heritage, and global ecology, his distinctive style stretches, twists, and flips the formlines of classic Haida art to create imagery that resonates with the graphic vitality of Asian manga. This engaging and beautiful book delineates the philosophical underpinnings and evolution of the artist’s visual practice, revealing his deep understanding of the seriousness of play.
| Author | : Hein Schoer |
| Publisher | : transcript Verlag |
| Total Pages | : 436 |
| Release | : 2014-06-30 |
| Genre | : Art |
| ISBN | : 3839428564 |
The »Sounding Museum« fuses anthropology, acoustic ecology, soundscape composition, and trans-cultural communication inside the context of museum education. Based on the piece »Two Weeks in Alert Bay«, it supplies researchers, practitioners, and audiences with an instrument to gain an acoustic image of the contemporary cultural and everyday life of the Kwakwaka'wakw of Alert Bay, BC. The project mediates intercultural competence thorough the affective agency of sound. With the coeval »Session Musician's Approach«, introduced and analysed in text, audio, and interactive form, it also bridges the gap between art, science, and education. With a foreword by Barry Truax. The box includes a book, 2 DVD and 1 CD.
| Author | : Gloria Jane Bell |
| Publisher | : Duke University Press |
| Total Pages | : 185 |
| Release | : 2024-09-06 |
| Genre | : Art |
| ISBN | : 1478059842 |
In 1925, Pius XI staged the Vatican Missionary Exposition in Rome’s Vatican City. Offering a narrative of the Catholic Church’s beneficence to a global congregation, the exposition displayed thousands of cultural belongings stolen from Indigenous communities across Turtle Island, which were seen by one million pilgrims. Gloria Bell’s Eternal Sovereigns offers critical revision to that story. Bell reveals the tenacity, mobility, and reception of Indigenous artists, travelers, and activists in 1920s Rome. Animating these conjunctures, the book foregrounds competing claims to sovereignty from Indigenous and papal perspectives. Bell deftly juxtaposes the “Indian Museum” of nineteenth-century sculptor Ferdinand Pettrich with the oeuvre of Indigenous artist Edmonia Lewis. Bell analyzes Indigenous cultural belongings made by artists from diverse nations including Cree, Lakota, Anishinaabe, Nipissing, Kanien’kehá:ka, Wolastoqiyik, and Kwakwaka’wakw. Drawing on years of archival research and field interviews, Bell provides insight into the Catholic Church’s colonial collecting and its ongoing ethnological display practices. Written in a voice that questions the academy’s staid conventions, the book reclaims Indigenous belongings and other stolen treasures that remain imprisoned in the stronghold of the Vatican Museums.
