Bartok
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| Author | : David Cooper |
| Publisher | : Yale University Press |
| Total Pages | : 451 |
| Release | : 2015-01-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0300148771 |
The definitive account of the life and music of Hungary's greatest twentieth-century composer This deeply researched biography of Béla Bartók (1881-1945) provides a more comprehensive view of the innovative Hungarian musician than ever before. David Cooper traces Bartók's international career as an ardent ethno-musicologist and composer, teacher, and pianist, while also providing a detailed discussion of most of his works. Further, the author explores how Europe's political and cultural tumult affected Bartók's work, travel, and reluctant emigration to the safety of America in his final years. Cooper illuminates Bartók's personal life and relationships, while also expanding what is known about the influence of other musicians--Richard Strauss, Zoltán Kodály, and Yehudi Menuhin, among many others. The author also looks closely at some of the composer's actions and behaviors which may have been manifestations of Asperger syndrome. The book, in short, is a consummate biography of an internationally admired musician.
| Author | : Peter Laki |
| Publisher | : Princeton University Press |
| Total Pages | : 332 |
| Release | : 1995-08-27 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780691006338 |
Béla Bartók, who died in New York fifty years ago this September, is one of the most frequently performed twentieth-century composers. He is also the subject of a rapidly growing critical and analytical literature. Bartók was born in Hungary and made his home there for all but his last five years, when he resided in the United States. As a result, many aspects of his life and work have been accessible only to readers of Hungarian. The main goal of this volume is to provide English-speaking audiences with new insights into the life and reception of this musician, especially in Hungary. Part I begins with an essay by Leon Botstein that places Bartók in a large historical and cultural context. László Somfai reports on the catalog of Bartók's works that is currently in progress. Peter Laki shows the extremes of the composer's reception in Hungary, while Tibor Tallián surveys the often mixed reviews from the American years. The essays of Carl Leafstedt and Vera Lampert deal with his librettists Béla Balázs and Melchior Lengyel respectively. David Schneider addresses the artistic relationship between Bartók and Stravinsky. Most of the letters and interviews in Part II concern Bartók's travels and emigration as they reflected on his personal life and artistic evolution. Part III presents early critical assessments of Bartók's work as well as literary and poetic responses to his music and personality.
| Author | : Benjamin Suchoff |
| Publisher | : Scarecrow Press |
| Total Pages | : 288 |
| Release | : 2004 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780810849587 |
"With a narrative supported by a substantial number of musical examples and references, Bela Bartok: A Celebration is essential for music teachers and students. Theorists, ethnomusicologists, and musicians will find this an indispensable resource for future research and for understanding Bartok's compositional processes and methodology."--BOOK JACKET.
| Author | : Amanda Bayley |
| Publisher | : Cambridge University Press |
| Total Pages | : 292 |
| Release | : 2001-03-26 |
| Genre | : Music |
| ISBN | : 9780521669580 |
This is a wide-ranging and accessible guide to Bartók and his music.
| Author | : Elliott Antokoletz |
| Publisher | : Univ of California Press |
| Total Pages | : 380 |
| Release | : 1984 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780520067479 |
The basic principles of progression and the means by which tonality is established in Bartók's music remain problematical to many theorists. Elliott Antokoletz here demonstrates that the remarkable continuity of style in Bartók's evolution is founded upon an all-encompassing system of pitch relations in which one can draw together the diverse pitch formations in his music under one unified set of principles.
| Author | : Julie A. Brown |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 204 |
| Release | : 2007-01-01 |
| Genre | : Music |
| ISBN | : 9780754657774 |
In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartók engaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In this book, Julie Brown argues that Bartók's concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartók was composing.
| Author | : Donald Maurice |
| Publisher | : Oxford University Press |
| Total Pages | : 246 |
| Release | : 2004-03-04 |
| Genre | : Music |
| ISBN | : 9780195348118 |
When Bela Bartók died in September of 1945, he left a partially completed viola concerto commissioned by the virtuoso violist William Primrose. Yet, while no definitive version of the work exists, this concerto has become arguably the most-performed viola concerto in the world. The story of how the concerto came to be, from its commissioning by Primrose to its first performance to the several completions that are performed today is told here in Bartók's Viola Concerto:The Remarkable Story of His Swansong. After Bartók's death, his family asked the composer's friend Tibor Serly to look over the sketches of the concerto and to prepare it for publication. While a draft was ready, it took Serly years to assemble the sketches into a complete piece. In 1949, Primrose finally unveiled it, at a premiere performance with the Minneapolis Symphony Orchestra. For almost half a century, the Serly version enjoyed great popularity among the viola community, even while it faced charges of inauthenticity. In the 1990s, several revisions appeared and, in 1995, the composer's son, Peter Bartók, released a revision, opening the way or an intensified debate on the authenticity of the multiple versions. This debate continues as violists and Bartók scholars seek the definitive version of this final work of Hungary's greatest composer. Bartók's Viola Concerto tells the story of the genesis and completion of Bartók's viola concerto, its reception over the second half of the twentieth century, its revisions, and future possibilities.
| Author | : Elliott Antokoletz |
| Publisher | : Routledge |
| Total Pages | : 555 |
| Release | : 2011-04-14 |
| Genre | : Music |
| ISBN | : 1135845409 |
This research guide is an annotated bibliography of primary and secondary sources and catalogue of Bartók’s compositions. Since the publication of the second edition, a wealth of information has been proliferating in the field of Bartók research. The third edition of this research guide provides an update in this field and represents the multidisciplinary research areas in the growing Bartók literature.
| Author | : David Yeomans |
| Publisher | : Indiana University Press |
| Total Pages | : 180 |
| Release | : 2000-06-22 |
| Genre | : Music |
| ISBN | : 9780253213839 |
" . . . detailed and thorough . . . a wealth of information . . . David Yeomans deserves our thanks for a job exceedingly well done." —American Music Teacher " . . . a must for pianists . . . " —American Reference Book Annual "David Yeomans's study is certainly to be recommended for all good music libraries, pianists and students of Bartók." —The Music Review "Although there are currently more than 15 books in print about composer Béla Bartók, this short volume is unique in its focus on his complete oeuvre for solo piano. . . . Recommended for pianists, piano teachers, and students from lower-division undergraduate level and above." —Choice " . . . the entire book is indispensable for any of us before we play another Bartók piece." —Clavier "This work collects in one place an enormous number of 'facts' about the piano music of Bartók . . . for planning concerts and student repertoire, and as a survey of an important body of 20th-century music, this listing is valuable." —Library Journal This chronological listing of more than 400 pieces and movements presents in convenient form essential information about each of Bartók's solo piano works, including its various editions, timing, level of difficulty, pertinent remarks by the composer, and bibliographical references to it.
| Author | : Elliott Antokoletz |
| Publisher | : Psychology Press |
| Total Pages | : 534 |
| Release | : 1997 |
| Genre | : Music |
| ISBN | : 9780815320883 |
This second edition ofBela Bartok: A Guide to Researchpresents a concisely detailed history of Bartok's musical development, a catalogue of his compositions according to genre (including basic data on Bartok's publishers, achives, library collections, and catalogues), and 1200 annotated primary and secondary sources. A decade of scholarship since the first edition (1988) is included; over forty percent of the material in the second edition is new. Four indexes cover listings by author and title; Bartok's compositions and his editions and transcriptions of earlier keyboard works; proper names; and subjects. Primary sources include: Bartok's own essays, articles, lectures on folk music and art music, letters, and other documents; his folk music collections; facsimilies, reprints, and revisions of his music; and his own editions and transcriptions of earlier keyboard music. Secondary sources include: biographical and historical studies, specialized studies of his personality, philiosophy, andpolitical attitudes; theoretic, analytic, stylistic, and aesthetic studies of his music; discussions of folk music influences and art music influences; studies of his compositional process (based on autograph manuscripts, editions, and his own recordings); discussions of his orientation toward pedagogy; and discussions of insitutional sources for Bartok's research (including archival and bibliographic sources, special issues, festivals, conferences, colloquia, concert programs, and computerized data bases for Bartok analysis and research. This annotated, topically-organizedGuideis the most extensive bibliographical research tool on Bartok. It is the first to draw together the most important primary and secondary bibliographic sources, which cover his varied activities as composer, ethnomusicologist, pianist, pedagogue, linguist, and editor. It is significant not only for those interested in musicological research into Bartok's compositional and scholarly activities but also for those interestedin ethnomusicological research methodology in general, and the study of Eastern European, North African Arab, and Turkish folk music in particular.
