Baroquemania
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Author | : Laura Moure Cecchini |
Publisher | : Manchester University Press |
Total Pages | : 281 |
Release | : 2022-01-11 |
Genre | : Art |
ISBN | : 1526153165 |
Baroquemania explores the intersections of art, architecture and criticism to show how reimagining the Baroque helped craft a distinctively Italian approach to modern art. Offering a bold reassessment of post-unification visual culture, the book examines a wide variety of media and ideologically charged discourses on the Baroque, both inside and outside the academy. Key episodes in the modern afterlife of the Baroque are addressed, notably the Decadentist interpretation of Gianlorenzo Bernini, the 1911 universal fairs in Turin and Rome, Roberto Longhi’s historically grounded view of Futurism, architectural projects in Fascist Rome and the interwar reception of Adolfo Wildt and Lucio Fontana’s sculpture. Featuring a wealth of visual materials, Baroquemania offers a fresh look at a central aspect of Italy's modern art.
Author | : Alois Riegl |
Publisher | : Getty Publications |
Total Pages | : 294 |
Release | : 2010 |
Genre | : Architecture |
ISBN | : 1606060414 |
Delivered at the turn of the twentieth century, Riegl's groundbreaking lectures called for the Baroque period to be judged by its own rules and not merely as a period of decline.
Author | : Marquis de Sade |
Publisher | : Simon and Schuster |
Total Pages | : 640 |
Release | : 2013-02-18 |
Genre | : Fiction |
ISBN | : 1625585985 |
The 120 Days of Sodom by Marquis de Sade relates the story of four wealthy men who enslave 24 mostly teenaged victims and sexually torture them while listening to stories told by old prostitutes. The book was written while Sade was imprisoned in the Bastille and the manuscript was lost during the storming of the Bastille. Sade wrote that he "wept tears of blood" over the manuscript's loss. Many consider this to be Sade crowing acheivement.
Author | : Hanya Yanagihara |
Publisher | : Anchor |
Total Pages | : 407 |
Release | : 2013-08-13 |
Genre | : Fiction |
ISBN | : 038553678X |
A thrilling anthropological adventure story with a profound and tragic vision of what happens when cultures collide—from the bestselling author of National Book Award–nominated modern classic, A Little Life “Provokes discussions about science, morality and our obsession with youth.” —Chicago Tribune It is 1950 when Norton Perina, a young doctor, embarks on an expedition to a remote Micronesian island in search of a rumored lost tribe. There he encounters a strange group of forest dwellers who appear to have attained a form of immortality that preserves the body but not the mind. Perina uncovers their secret and returns with it to America, where he soon finds great success. But his discovery has come at a terrible cost, not only for the islanders, but for Perina himself. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.
Author | : Alessandro Sebastiani |
Publisher | : Cambridge University Press |
Total Pages | : 305 |
Release | : 2023-06-30 |
Genre | : Art |
ISBN | : 1009354094 |
In this book, Alessandro Sebastiani examines how architecture and urbanism can be used to construct national identity. Using Rome as his case study, he explores how the city was transformed to accommodate different political ideologies in the period from 1870 to the end of World War II. After unification, Rome's classical architecture served as a reference point, guiding transformations of the urban fabric that met contemporary needs but also supported the agenda of the newly-formed Italian state. The advent of fascist state in the 1920s ushered in a different order of ideological placemaking. The monuments of ancient Roman were isolated in order to enhance their structural elegance, a scheme that powerfully conveyed political messages in support of Mussolini's regime. Sebastiani's volume offers a new approach to understanding the sophisticated relationships between archeology, urban planning, and politics within the city of Rome. Moreover, it highlights the consequences of suppressing historical evidence from monuments and archaeological sites.
Author | : Francesco Cassata |
Publisher | : Taylor & Francis |
Total Pages | : 480 |
Release | : 2024-06-23 |
Genre | : History |
ISBN | : 1040049869 |
The racism and antisemitism of Fascist Italy have often been described as ‘mild’, ‘cultural’, ‘spiritual’, and essentially non-violent, especially in comparison with the racial ideology of Nazi Germany. This book challenges this simplistic interpretation with a thorough analysis of the texts and images of the magazine La Difesa della razza (Defence of the race), the principal public voice of Fascist biological racism, which appeared fortnightly between 1938 and 1943 under the editorship of Telesio Interlandi, Mussolini’s ‘unofficial mouthpiece’, with governmental financial support. A negative icon of the propaganda of Fascist racism, La Difesa della razza first appeared in August 1938 shortly before the passing of Italy’s Racial Laws, but had a long gestation. It was the expression of a Fascist cultural milieu – journalists, writers, artists, and architects – headed by Interlandi, whose racism and antisemitism dated back to the end of the First World War. By placing the magazine’s emergence in this longer timescale, and exploring the interrelationships of political action, ideological discourse, and imagery, this book also demonstrates how the project of ‘anthropological revolution’ – building the New Man – was a central element of Italian Fascism, from the very beginning to the deportation of Italian Jews. This new English edition has been thoroughly revised and updated.
Author | : Nikolaus Pevsner |
Publisher | : Baltimore, Penguin |
Total Pages | : 762 |
Release | : 1960 |
Genre | : Architecture |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 480 |
Release | : 1979 |
Genre | : Blind, Periodicals for the |
ISBN | : |
Author | : Yulia Karpova |
Publisher | : Studies in Design and Material Culture |
Total Pages | : 0 |
Release | : 2020 |
Genre | : Art |
ISBN | : 9781526139870 |
This book offers a new perspective on the history of Soviet design. It argues that the 'comradely objects' of Russian productivism were not just shabby copies of western commodities - they were agents of progressive social relations with a discernible inheritance from the 1920s avant-garde.
Author | : Francesca Billiani |
Publisher | : Bloomsbury Publishing |
Total Pages | : 257 |
Release | : 2021-08-26 |
Genre | : Political Science |
ISBN | : 1788317580 |
Between 1917 to 1975 Germany, Italy, Portugal, the Soviet Union, and Spain shifted from liberal parliamentary democracies to authoritarian and totalitarian dictatorships, seeking total control, mass consensus, and the constitution of a 'new man/woman' as the foundation of a modern collective social identity. As they did so these regimes uniformly adopted what we would call a modernist aesthetic – huge-scale experiments in modernism were funded and supported by fascist and totalitarian dictators. Famous examples include Mussolini's New Rome at EUR, or the Stalinist apartment blocks built in urban Russia. Focusing largely on Mussolini's Italy, Francesca Billiani argues that modernity was intertwined irrecoverably with fascism – that too often modernist buildings, art and writings are seen as a purely cultural output, when in fact the principles of modernist aesthetics constitute and are constituted by the principles of fascism. The obsession with the creation of the 'new man' in art and in reality shows this synergy at work. This book is a key contribution to the field of twentieth century history – particularly in the study of fascism, while also appealing to students of art history and philosophy.