Baroque Counterpoint
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Author | : Christoph Neidhofer |
Publisher | : State University of New York Press |
Total Pages | : 624 |
Release | : 2024-01-01 |
Genre | : Music |
ISBN | : 143849324X |
This book teaches Baroque compositional techniques through writing and improvisation exercises and analysis of repertoire examples. It provides readers with a historical outlook by focusing largely on principles taught in treatises from the period 1680–1780. This expanded edition includes new sections with keyboard exercises that provide training in Partimento performance as it was practiced at the time, helping students master Baroque style from the inside. While the focus of the book is on fugue, it also treats chorale preludes, stylized dances, inventions, and trio sonatas. The volume is divided into two parts—basic and advanced— which could be taught in a two-semester sequence. There are various options to introduce material from Part II into Part I for a one-semester course.
Author | : Johann Fux |
Publisher | : W. W. Norton & Company |
Total Pages | : 164 |
Release | : 1965 |
Genre | : Music |
ISBN | : 9780393002775 |
The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.
Author | : Hugh Benham |
Publisher | : Rhinegold Publishing Ltd |
Total Pages | : 178 |
Release | : 2004-07 |
Genre | : Counterpoint |
ISBN | : 1904226310 |
Author | : Felix Salzer |
Publisher | : Columbia University Press |
Total Pages | : 504 |
Release | : 1989 |
Genre | : Composition (Music) |
ISBN | : 023107039X |
-- Stanley Persky, City University of New York
Author | : Peter Schubert |
Publisher | : |
Total Pages | : 372 |
Release | : 2008 |
Genre | : Language Arts & Disciplines |
ISBN | : |
The only species counterpoint text that draws directly on Renaissance treatises, Modal Counterpoint, Renaissance Style, Second Edition, provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The second edition integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.
Author | : Thomas Benjamin |
Publisher | : Routledge |
Total Pages | : 429 |
Release | : 2004-03 |
Genre | : Art |
ISBN | : 1135946639 |
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Anonymous |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2022-10-27 |
Genre | : Business & Economics |
ISBN | : 9781017403541 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Robert Gauldin |
Publisher | : Waveland Press |
Total Pages | : 351 |
Release | : 2013-03-04 |
Genre | : Music |
ISBN | : 1478608765 |
Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.
Author | : Alfred Mann |
Publisher | : Courier Corporation |
Total Pages | : 369 |
Release | : 2012-11-20 |
Genre | : Music |
ISBN | : 0486171345 |
Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples.
Author | : William Russo |
Publisher | : University of Chicago Press |
Total Pages | : 844 |
Release | : 1997 |
Genre | : Music |
ISBN | : 0226732088 |
"Russo has undertaken an ambitious project, attempting to discuss together the elements of music that are commonly treated separately in books on harmony, counterpoint, and orchestration. As such, his new book contains enough musical instruction to be of interest even to students not particularly interested in 'jazz' or Russo's own musical idiom. For the student who wants to compose or arrange for 'jazz' ensembles from dance bands to full orchestras, Russo has shown himself to be a generous source of good advice."--Jon Newsom, Notes