Barbarians Taming
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Author | : Patrick Brantlinger |
Publisher | : Cornell University Press |
Total Pages | : 291 |
Release | : 2011-09-16 |
Genre | : Literary Criticism |
ISBN | : 0801462649 |
In Taming Cannibals, Patrick Brantlinger unravels contradictions embedded in the racist and imperialist ideology of the British Empire. For many Victorians, the idea of taming cannibals or civilizing savages was oxymoronic: civilization was a goal that the nonwhite peoples of the world could not attain or, at best, could only approximate, yet the "civilizing mission" was viewed as the ultimate justification for imperialism. Similarly, the supposedly unshakeable certainty of Anglo-Saxon racial superiority was routinely undercut by widespread fears about racial degeneration through contact with "lesser" races or concerns that Anglo-Saxons might be superseded by something superior—an even "fitter" or "higher" race or species. Brantlinger traces the development of those fears through close readings of a wide range of texts—including Robinson Crusoe by Daniel Defoe, Fiji and the Fijians by Thomas Williams, Daily Life and Origin of the Tasmanians by James Bonwick, The Descent of Man by Charles Darwin, Heart of Darkness by Joseph Conrad, Culture and Anarchy by Matthew Arnold, She by H. Rider Haggard, and The War of the Worlds by H. G. Wells. Throughout the wide-ranging, capacious, and rich Taming Cannibals, Brantlinger combines the study of literature with sociopolitical history and postcolonial theory in novel ways.
Author | : Jason Ananda Josephson |
Publisher | : |
Total Pages | : 596 |
Release | : 2006 |
Genre | : |
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Author | : Bent Holm |
Publisher | : Hollitzer Wissenschaftsverlag |
Total Pages | : 654 |
Release | : 2013-07-03 |
Genre | : Music |
ISBN | : 3990121200 |
For centuries the figure of ‘the Turk’ spread fascination and fear - in the theatre of war and on the theatrical stage. On the one hand, ‘the Turk’ represented a spectacular dimension, an imaginary world of pirates, sultans and odalisques; on the other hand, he stood for the actual Ottoman Empire, engaged in long-lasting confrontations and exchanges with Occidental powers. When confronted with historical circumstances - military, commercial and religious - the cliché image of ‘the Turk’ dissolves in complex combinations of potential references. The Taming of the Turk: Ottomans on the Danish Stage 1596-1896 elucidates, for the first time, three centuries of cultural history as articulated in dealings between the Kingdom of Denmark and the Ottoman Empire seen in a general European context. From the staging of ‘the Turk’ as a diabolical player in royal ceremonies of early modern times, to the appearance of harmless ‘Turkish’ entertainment figures in the late nineteenth century. Artistic, theatrical and theological conceptions co-act in paradoxical ways against a backdrop of pragmatic connections with the Ottomans. The story of this long-forgotten connection between a small northern-European nation and a mighty Oriental empire is based on a source material - plays, paintings, treaties, travelogues etc. - that has hitherto chiefly been neglected, although it played a significant role in earlier times. The images of ‘exotic’ figures sometimes even turn out to be self-images. The documents hold the keys to a number of mental and fundamental (pre)conditions, and thus even to imagery constructions of our day.
Author | : Faye Yuan Kleeman |
Publisher | : University of Hawaii Press |
Total Pages | : 338 |
Release | : 2003-09-30 |
Genre | : Literary Criticism |
ISBN | : 9780824825928 |
Under an Imperial Sun examines literary, linguistic, and cultural representations of Japan's colonial South (nanpô). Building on the most recent scholarship from Japan, Taiwan, and the West, it takes a cross-cultural, multidisciplinary, comparative approach that considers the views of both colonizer and colonized as expressed in travel accounts and popular writing as well as scholarly treatments of the area's cultures and customs. Readers are introduced to the work of Japanese writers Hayashi Fumiko and Nakajima Atsushi, who spent time in the colonial South, and expatriate Nishikawa Mitsuru, who was raised and educated in Taiwan and tried to capture the essence of Taiwanese culture in his fictional and ethnographic writing. The effects of colonial language policy on the multilingual environment of Taiwan are discussed, as well as the role of language as a tool of imperialism and as a vehicle through which Japan's southern subjects expressed their identity--one that bridged Taiwanese and Japanese views of self. Struggling with these often conflicting views, Taiwanese authors, including the Nativists Yang Kui and Lü Heruo and Imperial Subject writers Zhou Jinpo and Chen Huoquan, expressed personal and societal differences in their writing. This volume looks closely at their lives and works and considers the reception of this literature--the Japanese language literature of Japan's colonies--both in Japan and in the former colonies. Finally, it asks: What do these works tell us about the specific example of cultural hybridity that arose in Japanese-occupied Taiwan and what relevance does this have to the global phenomenon of cultural hybridity viewed through a postcolonial lens?
Author | : Guido M. Berndt |
Publisher | : Routledge |
Total Pages | : 400 |
Release | : 2016-04-15 |
Genre | : History |
ISBN | : 1317178661 |
This is the first volume to attempt a comprehensive overview of the evolution of the 'Arian' churches in the Roman world of Late Antiquity and their political importance in the late Roman kingdoms of the 5th-6th centuries, ruled by barbarian warrior elites. Bringing together researchers from the disciplines of theology, history and archaeology, and providing an extensive bibliography, it constitutes a breakthrough in a field largely neglected in historical studies. A polemical term coined by the Orthodox Church (the side that prevailed in the Trinitarian disputes of the 4th century C.E.) for its opponents in theology as well as in ecclesiastical politics, Arianism has often been seen as too complicated to understand outside the group of theological specialists dealing with it and has therefore sometimes been ignored in historical studies. The studies here offer an introduction to the subject, grounded in the historical context, then examine the adoption of Arian Christianity among the Gothic contingents of the Roman army, and its subsequent diffusion in the barbarian kingdoms of the late Roman world.
Author | : Steve Farrar |
Publisher | : Thomas Nelson |
Total Pages | : 300 |
Release | : 2000-05-07 |
Genre | : Family & Relationships |
ISBN | : 1418568643 |
If you thought your parenting responsibilities ended after eighteen years per child, you thought wrong. Instead, it's your privilege to lead your family-and influence succeeding generations-for a century...or more. Anchor Man presents the high calling of fatherhood, the traits of a Christian father, the adventures that await him as he interacts with his children, and the significance of his role as a good family man. Steve Farrar presents these roles and responsibilities in a way any man wanting to increase his understanding of his place in the family, and our society, can put into action every day. Anchor Man encourages, exhorts, and demonstrates with biblical concepts how to raise a godly family and how to anchor that family in Christ for the next one hundred years. Farrar's unique teaching style blends humor and practicality with the tools fathers need to become all that God intended them to be as the leaders of their families. "When a man gets serious about following Christ with his whole heart," Farrar says, "God desires to not only pour out His blessing on that man, but on his children, and his children's children.
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Total Pages | : 1324 |
Release | : 1917 |
Genre | : Nineteenth century |
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Total Pages | : 1336 |
Release | : 1917 |
Genre | : Nineteenth century |
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Total Pages | : 1402 |
Release | : 1917 |
Genre | : Nineteenth century |
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Total Pages | : 860 |
Release | : 1922 |
Genre | : Socialism and Christianity |
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