Ballet Music

Ballet Music
Author: Matthew Naughtin
Publisher: Rowman & Littlefield
Total Pages: 471
Release: 2014-07-17
Genre: Music
ISBN: 081088660X

Musicians who work professionally with ballet and dance companies sometimes wonder if they haven’t entered a foreign country—a place where the language and customs seem so utterly familiar and so bafflingly strange at the same. To someone without a dance background, phrases and terms--boy’s variation, pas d’action, apothéose—simply don’t fit their standard musical vocabulary. Even a familiar term like adagio means something quite different in the world of dance. Like any working professional, those conductors, composers, rehearsal pianists, instrumentalists and even music librarians working with professional ballet and dance companies must learn what dance professionals talk about when they talk about music. In Ballet Music: A Handbook Matthew Naughtin provides a practical guide for the professional musician who works with ballet companies, whether as a full-time staff member or as an independent contractor. In this comprehensive work, he addresses the daily routine of the modern ballet company, outlines the respective roles of the conductor, company pianist and music librarian and their necessary collaboration with choreographers and ballet masters, and examines the complete process of putting a dance performance on stage, from selection or existing music to commissioning original scores to staging the final production. Because ballet companies routinely revise the great ballets to fit the needs of their staff and stage, audience and orchestra, ballet repertoire is a tangled web for the uninitiated. At the core of Ballet Music: A Handbook lies an extensive listing of classic ballets in the standard repertoire, with information on their history, versions, revisions, instrumentation, score publishers and other sources for tracking down both the original music and subsequent musical additions and adaptations. Ballet Music: A Handbook is an invaluable resource for conductors, pianists and music librarians as well as any student, scholar or fan of the ballet interested in the complex machinery that works backstage before the curtain goes up.

Ballet Music from the Mannheim Court, Part 5

Ballet Music from the Mannheim Court, Part 5
Author: Christian Cannabich
Publisher: A-R Editions, Inc.
Total Pages: 247
Release: 2019-05-14
Genre: Music
ISBN: 1987201701

This volume completes the collection Ballet Music from the Mannheim Court with two ballets by Christian Cannabich: Les Fêtes du sérail (probably based on Jean-Georges Noverre’s Les Jalousies, ou Les Fêtes du sérail, as described in his Lettres sur la danse, 1760) and Angélique et Médor, ou Roland furieux (based on the characters in Ludovico Ariosto’s Orlando furioso). The former ballet features several movements with “Turkish” instruments and the exotic setting of a harem. The latter features detailed annotations in the music regarding the story, which differs in some respects from the scenario for this ballet by Étienne Lauchery that was published for an earlier performance in Kassel.

Ballet Suite - In Monets Garden

Ballet Suite - In Monets Garden
Author: Nicola De Brun
Publisher: Edition Scores&parts
Total Pages: 154
Release: 2015-09-24
Genre:
ISBN:

Ballet Suite for Chamber Orchestra and Ballet Ensemble

A-E

A-E
Author: Library of Congress. Office for Subject Cataloging Policy
Publisher:
Total Pages: 1548
Release: 1990
Genre: Subject headings, Library of Congress
ISBN: