Balikbayang Mahal Passages From Exile E San Juan Jr
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Author | : E. San Juan, Jr. |
Publisher | : Lulu.com |
Total Pages | : 120 |
Release | : 2007 |
Genre | : Poetry |
ISBN | : 1430327448 |
This project of "balikbayan" (homecoming) unfolds through poems and one essay-in-progress spanning four decades of exile. It seeks to map one emigre's itinerary through terrains of disruption and dislocation. Written in English and in Filipino (with translations into Chinese, Russian, German, French, Spanish, Italian), these traces of the writer's journey strive to foreground the ordeals of deterritorialization shared by all colonized peoples--a universal experience given a local habitation and name in the trajectory of this flight in search of passages to uncharted shores. Less a Baedeker for remembering or reaching a destination, this palimpsest of tropes/signs hopes to construct zones of departure for discovering new territory built out of a history of collective sacrifices grounding our dreams and desires. Exile is the name for this material process of renewal and liberation--love for whoever is returning, the beloved fulfilling the promise of redemption in the birth pangs of revolutionary struggle.
Author | : Epifanio San Juan |
Publisher | : Ateneo University Press |
Total Pages | : 390 |
Release | : 2008 |
Genre | : History |
ISBN | : 9789715505284 |
Collection of writings on cultural studies.
Author | : E. San Juan, Jr. |
Publisher | : Lulu.com |
Total Pages | : 118 |
Release | : 2011-07-06 |
Genre | : Poetry |
ISBN | : 1257840770 |
Surrealist, experimental poems in Filipino by E. San Juan, Jr., cultural critic and public intellectual, with English translations or versions, addressing urgent social and political problems in the ongoing crisis in the Philippines and in the Filipino diaspora around the world--a sequel to previous volumes, BALIKBAYANG MAHAL: PASSAGES FROM EXILE and SUTRANG KAYUMANGGI.
Author | : E. San Juan Jr. |
Publisher | : Liverpool University Press |
Total Pages | : 226 |
Release | : 2017-02-23 |
Genre | : Political Science |
ISBN | : 1782844066 |
In this epoch of disastrous neoliberal globalisation, E. San Juan's critique seizes the crisis in neo-colonial Philippines as a point of intervention. As current Philippine President Duterte's timely war on drugs and corruption rages, San Juan foregrounds the facticity that Filipinos are once more confronted with the barbaric legacy of U.S. domination, legitimised today as civilising humanitarianism. This wide-ranging discourse by a Filipino radical scholar interrogates the apologetic use of postcolonial dogmas, Saussurean semiology versus Peircean semiotics, Kafka's allegory on torture, Edward Said's use of Gramsci, and the post-conceptual view of photography. The author also diagnoses the symptoms of nihilistic neoliberal ideology found in media discourses on diaspora, terrorism, and globalisation. His critique of academic postcolonial studies sums up the arguments elaborated in his previous books, Beyond Postcolonial Theory (St Martins Press), After Post-Colonialism (Rowman & Littlefield), and especially US Imperialism and Revolution in the Philippines (Palgrave Macmillan). Overall, San Juan seeks to deploy a historical-materialist perspective in elucidating the dialectical interplay of contradictory forces symbolised in art and diverse cultural texts. In the process, he delineates the contexts of events and encounters generating revolutionary transformations in this transitional Asian-Pacific islands that, with its subjugation in the Filipino-American War of 1899-1913, marked the fateful advent of U.S. imperial hegemony on the planet.
Author | : Epifanio San Juan |
Publisher | : UP Press |
Total Pages | : 372 |
Release | : 2008 |
Genre | : Literary Collections |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 720 |
Release | : 2008 |
Genre | : Philippine periodicals |
ISBN | : |
Author | : José García Villa |
Publisher | : Kaya/Muae |
Total Pages | : 276 |
Release | : 1999 |
Genre | : Literary Collections |
ISBN | : 9781885030283 |
Jose Garcia Villa was an elusive figure in American literary circles. At the height of his career in the 1940s and 1950s, Villa was part of an elite literary circle that included Marianne Moore, e. e. cummings, Dame Edith Sitwell, Dylan Thomas, and W.H. Auden. His first book of poetry, Have Come, Am Here, won the American Academy of Arts and Letters Award in 1942, the first of many other awards. Yet, despite numerous accolades, he has been largely dismissed in the United States where his reputation was built and has been criticized in Asian American studies for not being "ethnic" enough. The Anchored Angel rediscovers the work of this fierce: conoclast by reprinting a selection of his writing and providing rich secondary materials, including a complete bibliography.
Author | : Epifanio San Juan |
Publisher | : Temple University Press |
Total Pages | : 324 |
Release | : 1996 |
Genre | : History |
ISBN | : 9781566394185 |
In this incisive and polemical book, E. San Juan, Jr., the leading authority on Philippines-U.S. literary studies, goes beyond fashionable postcolonial theory to bring to our attention the complex history of Philippines-U.S. literary interactions. In sharp contrast to other works on the subject, the author presents Filipino literary production within the context of a long and sustained tradition of anti-imperialist insurgency, and foregrounds the strong presence of oppositional writing in the Philippines. After establishing the historical context of U.S. intervention and Filipino resistance, San Juan examines the work of two very significant writers. The first, Carlos Bulosan, a journalist and union activist, became in the author's words a "tribune" of the people. Bulosan's writings which combine critique and prophecy do not allow us to forget the atrocities inflicted on the Filipino people. The other, José Garcia Villa, lapsed into premature obscurity on account of the complexity of his writings about the Filipino predicament. Read through San Juan's eyes, these writers are revealed as multifaceted thinkers and activists, not stereotypical ethnic artists. San Juan goes beyond literary studies and contemporary debates about nationalism and politics to point the way to a new direction in radical transformative writing. He uncovers hidden agendas in many previous accounts of U.S.-Philippine relations, and this book exemplifies how best to combine activist scholarship with historically grounded cultural commentary. Author note:E. San Juan, Jr.is Fellow of the Center for the Humanities and Visiting Professor of English, Wesleyan University, and Director of the Philippines Cultural Studies Center. He was recently chair of the Department of Comparative American Cultures, Washington University, and Professor of Ethnic Studies at Bowling Green State University, Ohio. He received the 1999 Centennial Award for Literature from the Philippines Cultural Center. His most recent books areBeyond Postcolonial Theory,From Exile to Diaspora,After Postcolonialism, andRacism and Cultural Studies.
Author | : E. San Juan Jr. |
Publisher | : Duke University Press |
Total Pages | : 441 |
Release | : 2002-03-26 |
Genre | : Social Science |
ISBN | : 0822383705 |
In Racism and Cultural Studies E. San Juan Jr. offers a historical-materialist critique of practices in multiculturalism and cultural studies. Rejecting contemporary theories of inclusion as affirmations of the capitalist status quo, San Juan envisions a future of politically equal and economically empowered citizens through the democratization of power and the socialization of property. Calling U.S. nationalism the new “opium of the masses,” he argues that U.S. nationalism is where racist ideas and practices are formed, refined, and reproduced as common sense and consensus. Individual chapters engage the themes of ethnicity versus racism, gender inequality, sexuality, and the politics of identity configured with the discourse of postcoloniality and postmodernism. Questions of institutional racism, social justice, democratization, and international power relations between the center and the periphery are explored and analyzed. San Juan fashions a critique of dominant disciplinary approaches in the humanities and social sciences and contends that “the racism question” functions as a catalyst and point of departure for cultural critiques based on a radical democratic vision. He also asks urgent questions regarding globalization and the future of socialist transformation of “third world” peoples and others who face oppression. As one of the most notable cultural theorists in the United States today, San Juan presents a provocative challenge to the academy and other disciplinary institutions. His intervention will surely compel the attention of all engaged in intellectual exchanges where race/ethnicity serves as an urgent focus of concern.
Author | : Epifanio San Juan |
Publisher | : |
Total Pages | : 80 |
Release | : 1969 |
Genre | : Philippine literature |
ISBN | : |