Bad Girls And Transgressive Women In Popular Television Fiction And Film
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| Author | : Julie Chappell |
| Publisher | : Springer |
| Total Pages | : 289 |
| Release | : 2017-07-03 |
| Genre | : Social Science |
| ISBN | : 3319472593 |
This collection of essays focuses on the representations of a variety of “bad girls”—women who challenge, refuse, or transgress the patriarchal limits intended to circumscribe them—in television, popular fiction, and mainstream film from the mid-twentieth century to the present. Perhaps not surprisingly, the initial introduction of women into Western cultural narrative coincides with the introduction of transgressive women. From the beginning, for good or ill, women have been depicted as insubordinate. Today’s popular manifestations include such widely known figures as Lisbeth Salander (the “girl with the dragon tattoo”), The Walking Dead’s Michonne, and the queen bees of teen television series. While the existence and prominence of transgressive women has continued uninterrupted, however, attitudes towards them have varied considerably. It is those attitudes that are explored in this collection. At the same time, these essays place feminist/postfeminist analysis in a larger context, entering into ongoing debates about power, equality, sexuality, and gender.
| Author | : Don Macnaughtan |
| Publisher | : McFarland |
| Total Pages | : 282 |
| Release | : 2018-06-04 |
| Genre | : Reference |
| ISBN | : 1476670595 |
Director, producer and screenwriter Joss Whedon is a creative force in film, television, comic books and a host of other media. This book provides an authoritative survey of all of Whedon's work, ranging from his earliest scriptwriting on Roseanne, through his many movie and TV undertakings--Toy Story, Buffy the Vampire Slayer, Angel, Firefly/Serenity, Dr. Horrible, The Cabin in the Woods, and Agents of S.H.I.E.L.D.--to his forays into the Marvel Cinematic Universe. The book covers both the original texts of the Whedonverse and the many secondary works focusing on Whedon's projects, including about 2000 books, essays, articles, documentaries and dissertations.
| Author | : Stephanie Russo |
| Publisher | : Taylor & Francis |
| Total Pages | : 218 |
| Release | : 2023-12-01 |
| Genre | : Social Science |
| ISBN | : 1003814344 |
The Anachronistic Turn: Historical Fiction, Drama, Film and Television is the first study to investigate the ways in which the creative use of anachronism in historical fictions can allow us to rethink the relationship between past and present. Through an examination of literary, cinematic, and popular texts and practices, this book investigates how twenty-first century historical fictions use creative anachronisms as a way of understanding modern issues and anxieties. Drawing together a wide range of texts across all forms of historical fiction - novels, dramas, musicals, films and television - this book re-frames anachronism not as an error, but as a deliberate strategy that emphasises the fictionalising tendencies of all forms of historical writing. The book achieves this by exploring three core themes: the developing trends in the twenty-first century for creators of historical fiction to include deliberate anachronisms, such as contemporary references, music, and language; the ways in which the deliberate use of anachronism in historical fiction can allow us to rethink the relationship between past and present, and; the way that contemporary historical fiction uses anachronism to better understand modern issues and anxieties. This book will appeal to students and scholars of historical fiction, contemporary historical film and television studies, and historical theatre studies.
| Author | : Emma Roche |
| Publisher | : Taylor & Francis |
| Total Pages | : 184 |
| Release | : 2023-04-21 |
| Genre | : Social Science |
| ISBN | : 1000870928 |
This book interrogates the significance of the revival and reformulation of the romance genre in the postmillennial period. Emma Roche examines how six popular novels, published between 2005 and 2015 (Twilight, Fifty Shades of Grey, Gone Girl, Sharp Objects and The Girl on the Train), reanimate and modify recognisable tropes from the romance genre to reflect a neoliberal and postfeminist cultural climate. As such, Roche argues, these novels function as crucial spaces for interrogating and challenging those contemporary gender ideologies. Throughout the book, Roche addresses and critiques several key attributes of neoliberal postfeminism, including a pervasive emphasis on individualism and personal responsibility; an insistent requirement for self-monitoring, self-surveillance, and bodywork; the celebration of consumerism and its associated pleasures; the prescription of mandatory optimism and suppressing one’s ‘negative’ emotions; and the endorsement of choice as a primary marker of women’s empowerment. While much critical attention has been devoted to those attributes and their pernicious effects, Roche argues that one crucial repercussion has been largely overlooked in contemporary cultural criticism: how these ideologies function together to effectively sanction gender-based violence. Thus, Roche exploits textual analysis to demonstrate the subtle ways in which neoliberal postfeminism can augment women’s vulnerability to male violence.
| Author | : Amy M. Damico |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 368 |
| Release | : 2022-07-08 |
| Genre | : Social Science |
| ISBN | : 1440876061 |
This title provides a broad overview of how women are portrayed and treated in America's news and entertainment industries, including film, television, radio, the internet, and social media. This book provides a one-stop resource for understanding the participation and representation of women in the U.S. media in such areas as narrative film, scripted television programming, advertising, video games, news, and sports. Coverage is wide-ranging and comprehensive, covering historical developments and trends as well as such relevant issues as gender disparities in pay and advancement opportunities, stereotypical gender portrayals in popular entertainment, sexual harassment in America's media and entertainment industries, and the dearth of positive media representations of women of color. Engaging with this history and reading about current issues related to this topic will be useful to those interested in understanding more about why women's engagement in media—in such roles as performer, journalist, producer, and writer—is important. It will also help readers better understand how and why problematic media representations of women hinder efforts to achieve full gender equality in American society.
| Author | : Eleanore Gardner |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 237 |
| Release | : 2024-07-08 |
| Genre | : Literary Criticism |
| ISBN | : 1666951455 |
Disruptive Women of Literature: Rooting for the Antiheroine critically examines the representation of the literary antiheroine in contemporary Gothic and crime-thriller novels and traces her emergence from the deviant women of Greek mythology and Shakespeare to the twenty-first century. It explores how the antiheroine shifts dependent on genre, time period, and format, demonstrating that she is capable of both challenging and reaffirming problematic ideologies surrounding women, power, violence, sexuality, and motherhood. Eleanore Gardner argues that the antiheroine is almost always defined by her experience of a patriarchal trauma and must therefore navigate her identity differently and more complexly than her antihero counterpart. The author examines a broad range of texts to understand the antiheroine’s fluidity, her liminal and abject existence, and what these suggest about cultural anxieties surrounding transgressive women.
| Author | : Valerie Schutte |
| Publisher | : Springer Nature |
| Total Pages | : 254 |
| Release | : 2022-05-06 |
| Genre | : History |
| ISBN | : 3030951324 |
This book—along with its companion volume Mary I in Writing: Letters, Literature, and Representations—centers on representations of Queen Mary I in writing, broadly construed, and the process of writing that queen into literature and other textual sources. It spans an equally wide chronological and geographical scope, accounting for the years prior to her accession in July 1553 through the centuries that followed her death in November 1558 and for her reach across England, and into Ireland, Spain, Italy, Russia, and Africa. Its intent is to foreground words and language—written, spoken, and acted out—and, by extension, to draw out matters of and conversations about rhetoric, imagery, methodology, source base, genre, narrative, form, and more. Taken together, these volumes find in England’s first crowned queen regnant an incomparable opportunity to ask new questions and seek new answers that deepen our understanding of queenship, the early modern era, and modern popular culture.
| Author | : A. Susan Owen |
| Publisher | : Peter Lang |
| Total Pages | : 292 |
| Release | : 2007 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780820461502 |
Bad Girls examines representational practices of film and television stories beginning with post-Vietnam cinema and ending with postfeminisms and contemporary public disputes over women in the military. The book explores a diverse range of popular media texts, from the Alien saga to Ally McBeal and Sex and the City, from The Net and VR5 to Sportsnight and G.I. Jane. The research is framed as a study of intergenerational tensions in portrayals of women and public institutions - in careers, governmental service, and interactions with technology. Using iconic texts and their contexts as a primary focus, this book offers a rhetorical and cultural history of the tensions between remembering and forgetting in representations of the American feminist movement between 1979 and 2005. Looking forward, the book sets an agenda for discussion of gender issues over the next twenty-five years and articulates with authority the manner in which «transgression» itself has become a site of struggle.
| Author | : Alison Bartlett |
| Publisher | : Springer |
| Total Pages | : 118 |
| Release | : 2019-04-30 |
| Genre | : Social Science |
| ISBN | : 3030155080 |
This book provides a contemporary review of the social practices and representations of flirting. In the wake of #MeToo, flirting has become entangled with stories of harassment and abuse that have generated both outrage and confusion. Nevertheless, this book argues that negotiating intimacy has always been an ambiguous social practice that can be risky and fraught, and examines how the presiding perception of flirting is constructed in contemporary cultural media. The book interrogates the relation between flirting and scandal, the kinds of scripts available in popular culture, and relations to feminism and other current social theories around gender and sexuality. It asks the questions; how can desire be declared? How can playfulness be understood? And what kind of language is available to speak about these complexities? Drawing from a range of media forms such as public scandal, reality television, and teen film, Flirting in the Era of #MeToo argues that contemporary flirting is both provocative and conservative in its negotiation of an assemblage of shifting values, and considers possibilities for social innovation and change in light of these competing tensions.
| Author | : Simon Bacon |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 257 |
| Release | : 2023-08-10 |
| Genre | : Literary Criticism |
| ISBN | : 1350227056 |
Examining fictional purgatorial worlds in contemporary literature, film and video games, this book examines the way in which the female characters trapped within them construct identity positions of resistance and change. With the rise of populism, the Alt. Right, and isolationism in world politics in the second decade of the 21st Century, parallel, purgatorial worlds seem to currently proliferate within popular culture across all media, including television shows and films such as The Handmaids Tale, Us, Watchmen, and Margaret Atwood's The Testaments among many others. These texts depict alternate worlds that express the darkness and violence of our own, arguably none more so than for women. Featuring essays from a broad range of international contributors on topics as wide-ranging as mental health in the Silent Hill franchise and liminal spaces in the work of David Mitchell, this book is an original, timely and hope-filled analysis about overcoming the confines of a patriarchal, fundamentalist world where the female imaginative might just be the last, best hope.
