Azanian Apocalypse
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Author | : Kin Bentley |
Publisher | : Lulu.com |
Total Pages | : 104 |
Release | : 2006-02-03 |
Genre | : Fiction |
ISBN | : 1411673026 |
Port Elizabeth reflects the influence of the largest single migration of Europeans to South Africa in its early history, when some 5,000 British settlers landed at Algoa Bay in 1820. The town, which became a thriving port, boasts an extraordinary density, and diversity, of Georgian, Victorian and Edwardian buildings and monuments. This satirical novel explores a nightmare scenario in the post-apartheid Azania of the future, against the backdrop of a city besieged by politically correct demagogues bent on destroying the Nelson Mandela Metro's rich early colonial heritage.
Author | : Gary Baines |
Publisher | : A&C Black |
Total Pages | : 290 |
Release | : 2014-02-27 |
Genre | : History |
ISBN | : 1472508246 |
South Africa's 'Border War' provides a timely study of the 'war of words' waged by retired South African Defence Force (SADF) generals and other veterans against critics and detractors. The book explores the impact of the 'Border War' on South African culture and society during apartheid and in the new dispensation and discusses the lasting legacy or 'afterlife' of the war in great detail. It also offers an appraisal of the secondary literature of the 'Border War', supplemented by archival research, interviews and an analysis of articles, newspaper reports, reviews and blogs. Adopting a genuinely multidisciplinary approach that borrows from the study of history, literature, visual culture, memory, politics and international relations, South Africa's 'Border War' is an important volume for anyone interested in the study of war and memory or the modern history of South Africa.
Author | : |
Publisher | : |
Total Pages | : 748 |
Release | : 1978 |
Genre | : Great Britain |
ISBN | : |
Author | : Andrew Colin Gow |
Publisher | : BRILL |
Total Pages | : 432 |
Release | : 2021-10-11 |
Genre | : History |
ISBN | : 900447806X |
This book is the history of an imaginary people — the Red Jews — in vernacular sources from medieval and early modern Germany. From the twelfth to the seventeenth century, German-language texts repeated and embroidered on an antisemitic tale concerning an epochal threat to Christianity, the Red Jews. This term, which expresses a medieval conflation of three separate traditions (the biblical destroyers Gog and Magog, the 'unclean peoples' enclosed by Alexander, and the Ten Lost Tribes of Israel), is a hostile designation of wickedness. The Red Jews played a major role in late medieval popular exegesis and literature, and appeared in a hitherto-unnoticed series of sixteenth-century pamphlets, in which they functioned as the medieval 'spectacles' through which contemporaries viewed such events as Turkish advances in the Near and Middle East. The Red Jews disappear from the sources after 1600, and consequently never found their way into historical scholarship.
Author | : Albert Nolan |
Publisher | : ATF Press |
Total Pages | : 353 |
Release | : 2024-02-01 |
Genre | : Religion |
ISBN | : 1923006525 |
This is a reprint of the 1988 publication which is now out-of-print. The book was written while Albert Nolan was in hiding during the State of Emergency in South Africa. This volume includes reviews of the book used with permission from the South African Grace and Truth journal from 1990. The author believes that in South Africa 'the practice of the struggle is the practice of faith', and to show this he reviews the central themes of the Christian faith as found in the Old Testament and the preaching of Jesus, the nature of sin and salvation, and of God's action in the world. He also faces the dilemma of Christians who can no longer support the apartheid state but are uncertain where the liberation struggle will lead. Like his best-selling Jesus before Christianity, God in South Africa is a contextual theology, a theology rooted in the painful conversion of a church to the cause of liberation. It can be regarded, the author says, as a conversation between South African Christians, but out of that conversation comes a challenge to Christians everywhere to discover the meaning of the gospel, to find God, in their situation. This profound book, written in the 1980s to guide those seeking to deploy the gospel message against the repressive and abhorrent South African apartheid regime, continues to speak powerfully to all peoples in all times and in all places. It continues to show how the gospels respond to the signs of the times anywhere that people are in crisis, providing the tools to build a contextualised and local theology that can preach the good news of God's liberating power against all forms of injustice. Albert Nolan, South Africa's Gustavo Gutierrez, revealed hope that God cares for and finds the poor and oppressed wherever they are. For my own community, the potential to construct a contextualised and local Ukrainian theology offers hope that the good news always challenges those who oppress and forever speaks liberation for those burdened by an unjust war and the despair found in its wake.
Author | : |
Publisher | : |
Total Pages | : 52 |
Release | : 1991 |
Genre | : Africa, Southern |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 496 |
Release | : 2006 |
Genre | : Africa |
ISBN | : |
Author | : Horst Zander |
Publisher | : Gunter Narr Verlag |
Total Pages | : 572 |
Release | : 1999 |
Genre | : Black people |
ISBN | : 9783823346593 |
Author | : Greg Garrett |
Publisher | : |
Total Pages | : 264 |
Release | : 2015 |
Genre | : Body, Mind & Spirit |
ISBN | : 0199335907 |
Nowadays references to the afterlife-angels strumming harps, demons brandishing pitchforks, God enthroned on heavenly clouds-are more often encountered in New Yorker cartoons than in serious Christian theological reflection. Speculation about death and its sequel seems to embarrass many theologians; however, as Greg Garrett shows in Entertaining Judgment, popular culture in the U.S. has found rich ground for creative expression in the search for answers to the question: What lies in store for us after we die? The lyrics of Madonna, Los Lonely Boys, and Sean Combs; the plotlines of TV's Lost, South Park, and The Walking Dead; the implied theology in films such as The Dark Knight, Ghost, and Field of Dreams; the heavenly half-light of Thomas Kinkade's popular paintings; the ghosts, shades, and after-life way-stations in Harry Potter; and the characters, situations, and locations in the Hunger Games saga all speak to our hopes and fears about what comes next. In a rich survey of literature and popular media, Garrett compares cultural accounts of death and the afterlife with those found in scripture. Denizens of the imagined afterlife, whether in heaven, hell, on earth, or in purgatory, speak to what awaits us, at once shaping and reflecting our deeply held-if often somewhat nebulous-beliefs. They show us what rewards and punishments we might expect, offer us divine assistance, and even diabolically attack us. Ultimately, we are drawn to these stories of heaven, hell, and purgatory--and to stories about death and the undead--not only because they entertain us, but because they help us to create meaning and to learn about ourselves, our world, and, perhaps, the next world. Garrett's deft analysis sheds new light on what popular culture can tell us about the startlingly sharp divide between what modern people profess to believe and what they truly hope and expect to find after death--and how they use those stories to help them understand this life.
Author | : E. Nnolim |
Publisher | : African Books Collective |
Total Pages | : 272 |
Release | : 2010-12-01 |
Genre | : Literary Criticism |
ISBN | : 9788422829 |
The multitudinous nature of African literature has always been an issue but really not a problem, although its oral base has been used by expatriate critics to accuse African literature of thin plots, superficial characterisation, and narrative structures. African literature also, it is observed, is a mixed grill: it is oral; it is written in vernacular or tribal tongues; written in foreign tongues English, French, Portuguese and within the foreign language in which it is written, pidgin and creole further bend the already bent language giving African literature a further taint of linguistic impurity. African literature further suffers from the nature of its "newness" and this created problems for the critic. Because it is new, and because its critics are in simultaneous existence with its writers, we confront the problem of "instant analysis". Issues in African Literature continues the debate and tries to clarify contemporary burning issues in African literature, by focussing on particular areas where the debate has been most concerned or around which it has hovered and been persistent.