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| Author | : Ryan Edwardson |
| Publisher | : University of Toronto Press |
| Total Pages | : 381 |
| Release | : 2008-01-01 |
| Genre | : History |
| ISBN | : 0802095194 |
Canadian Content looks at Canada as an ongoing postcolonial process of not one but a series of radically different nationhoods, each with its own valued but tentative set of cultural criteria for orchestrating and implementing a Canadian national experience.
| Author | : Ryan Edwardson |
| Publisher | : University of Toronto Press |
| Total Pages | : 754 |
| Release | : 2009-09-05 |
| Genre | : History |
| ISBN | : 1442697067 |
The Guess Who. Gordon Lightfoot. Joni Mitchell. Neil Young. Stompin' Tom Connors. Robert Charlebois. Anne Murray. Crowbar. Chilliwack. Carole Pope. Loverboy. Bryan Adams. The Barenaked Ladies. The Tragically Hip. Céline Dion. Arcade Fire. K-oS. Feist. These musicians are national heroes to generations of Canadians. But what does it mean to be a Canadian musician? And why does nationality even matter? Canuck Rock addresses these questions by delving into the myriad relationships between the people who make music, the industries that produce and sell it, the radio stations and government legislation that determine availability, and the fans who consume it and make it their own. An invaluable resource and an absorbing read, Canuck Rock spans from the emergence of rock and roll in the 1950s through to today's international recording industry. Combining archival material, published accounts, and new interviews, Ryan Edwardson explores how music in Canada became Canadian music.
| Author | : Marco Adria |
| Publisher | : James Lorimer & Company |
| Total Pages | : 162 |
| Release | : 1990-01-01 |
| Genre | : Music |
| ISBN | : 9781550283150 |
This pioneering work in Canadian pop music criticism analyses the work of some of the country's most acclaimed musicians, winners of national and international awards and recognition. Marco Adria examines the songs of eight Canadian artists who belong to pop music's literati--singer-songerwriters whose work reflects considerable refinement and taste. Gordon Lightfoot, Leonard Cohen, Neil Young, Joni Mitchell, Bruce Cockburn, Murray McLaughlan, Jane Siberry and k.d. lang are all artists with considerable insight both in Canada and abroad. Individual chapters on each offer thoughtful accounts of their careers and their achievements as interpreters of contemporary popular culture. Music of our Times presents new insights and new understandings of Canada's most acclaimed musicians.
| Author | : Bernie Finkelstein |
| Publisher | : McClelland & Stewart Limited |
| Total Pages | : 306 |
| Release | : 2012 |
| Genre | : Biography & Autobiography |
| ISBN | : 0771047932 |
One of the all-time greats in Canadian music recounts his life and times in the business from the 1960s to the present. Whether acting as a producer, indie record label owner (True North), or manager of great singer/songwriters and bands, such as Bruce Cockburn, Sarah McLachlan, Rough Trade and k-os, Bernie Finkelstein is a sterling example of a Canadian music management legend.
| Author | : Roman Iwaschkin |
| Publisher | : Routledge |
| Total Pages | : 675 |
| Release | : 2016-04-14 |
| Genre | : Music |
| ISBN | : 1317223454 |
This is a comprehensive guide to popular music literature, first published in 1986. Its main focus is on American and British works, but it includes significant works from other countries, making it truly international in scope.
| Author | : Jonny Dovercourt |
| Publisher | : Coach House Books |
| Total Pages | : 375 |
| Release | : 2020-05-05 |
| Genre | : Social Science |
| ISBN | : 1770566082 |
The story of how Toronto became a music mecca. From Yonge Street to Yorkville to Queen West to College, the neighbourhoods that housed Toronto’s music scenes. Featuring Syrinx, Rough Trade, Martha and the Muffins, Fifth Column, Shadowy Men on a Shadowy Planet, Rheostatics, Ghetto Concept, LAL, Broken Social Scene, and more! “Jonny Dovercourt, a tireless force in Toronto’s music scene, offers the widest-ranging view out there on how an Anglo-Saxon backwater terrified of people going to bars on Sundays transforms itself into a multicultural metropolis that raises up more than its share of beloved artists, from indie to hip-hop to the unclassifiable. His unique approach is to zoom in on the rooms where it’s happened – the live venues that come and too frequently go – as well as on the people who’ve devoted their lives and labours to collective creativity in a city that sometimes seems like it’d rather stick to banking. For locals, fans, and urban arts denizens anywhere, the essential Any Night of the Week is full of inspiration, discoveries, and cautionary tales.” —Carl Wilson, Slate music critic and author of Let’s Talk About Love: A Journey to the End of Taste, one of Billboard’s ‘100 Greatest Music Books of All Time’ “Toronto has long been one of North America’s great music cities, but hasn’t got the same credit as L.A., Memphis, Nashville, and others. This book will go a long way towards proving Toronto’s place in the music universe.” —Alan Cross, host, the Ongoing History of New Music “The sweaty, thunderous exhilaration of being in a packed club, in collective thrall to a killer band, extends across generations, platforms, and genre preferences. With this essential book, Jonny has created something that's not just a time capsule, but a time machine.” —Sarah Liss, author of Army of Lovers
| Author | : Jerry Kruz |
| Publisher | : Rocky Mountain Books Ltd |
| Total Pages | : 256 |
| Release | : 2014 |
| Genre | : Music |
| ISBN | : 1771600241 |
The Afterthought brings back into focus the psychedelic sixties in all of their purple-haze glory, as seen through the eyes of legendary west coast music promoter and entrepreneur Jerry Kruz. Using the historical posters as a timeline, Kruz's recollections are a celebration of the resiliency of Woodstock-era arts and culture and foundational musical acts like the Grateful Dead, Janis Joplin, Steve Miller, The Collectors (Chilliwack), Tom Northcott Trio, Country Joe & the Fish and many more. Complete with selected discographies and band biographies for many of the musical acts included in the book, The Afterthought is illustrated throughout with selections from the folk-inspired and psychedelia-fuelled artwork of legendary artists Bob Masse and Frank Lewis.
| Author | : Frank Hoffmann |
| Publisher | : Routledge |
| Total Pages | : 446 |
| Release | : 2015-12-22 |
| Genre | : Music |
| ISBN | : 1317940407 |
From “Who Put the Bomp (in the Bomp, Bomp, Bomp)?” to a list of all song titles containing the word “werewolf,” Rock Music in American Popular Culture II: More Rock ’n’Roll Resources continues where 1995’s Volume I left off. Using references and illustrations drawn from contemporary lyrics and supported by historical and sociological research on popular cultural subjects, this collection of insightful essays and reviews assesses the involvement of musical imagery in personal issues, in social and political matters, and in key socialization activities. From marriage and sex to public schools and youth culture, readers discover how popular culture can be used to explore American values. As Authors B. Lee Cooper and Wayne S. Haney prove that integrated popular culture is the product of commercial interaction with public interest and values rather than a random phenomena, they entertainingly and knowledgeably cover such topics as: answer songs--interchanges involving social events and lyrical commentaries as explored in response recordings horror films--translations and transformations of literary images and motion picture figures into popular song characters and tales public schools--images of formal educational practices and informal learning processes in popular song lyrics sex--suggestive tales and censorship challenges within the popular music realm war--examinations of persistent military and home front themes featured in wartime recordings Rock Music in American Popular Culture II: More Rock ‘n’Roll Resources is nontechnical, written in a clear and concise fashion, and explores each topic thoroughly, with ample discographic and bibliographic resources provided for additional research. Arranged alphabetically for quick and easy reference to specific topics, the book is equally enjoyable to read straight through. Rock music fans, teachers, popular culture professors, music instructors, public librarians, sound recording archivists, sociologists, social critics, and journalists can all learn something, as the book shows them the cross-pollination of music and social life in the United States.
| Author | : Stuart Henderson |
| Publisher | : University of Toronto Press |
| Total Pages | : 417 |
| Release | : 2011-04-30 |
| Genre | : History |
| ISBN | : 1442661992 |
Making the Scene is a history of 1960s Yorkville, Toronto's countercultural mecca. It narrates the hip Village's development from its early coffee house days, when folksingers such as Neil Young and Joni Mitchell flocked to the scene, to its tumultuous, drug-fuelled final months. A flashpoint for hip youth, politicians, parents, and journalists alike, Yorkville was also a battleground over identity, territory, and power. Stuart Henderson explores how this neighbourhood came to be regarded as an alternative space both as a geographic area and as a symbol of hip Toronto in the cultural imagination. Through recently unearthed documents and underground press coverage, Henderson pays special attention to voices that typically aren't heard in the story of Yorkville - including those of women, working class youth, business owners, and municipal authorities. Through a local history, Making the Scene offers new, exciting ways to think about the phenomenon of counterculture and urban manifestations of a hip identity as they have emerged in cities across North America and beyond.
| Author | : Richard Iton |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 354 |
| Release | : 2003-06-19 |
| Genre | : History |
| ISBN | : 080786076X |
A number of arguments have been made to explain the relative weakness of the American Left. A preference for individualism, the effects of prosperity, and the miscalculations of different components of the Left, including the labor movement, have been cited, among other factors, as possible explanations for this puzzling aspect of American exceptionalism. But these arguments, says Richard Iton, overlook a crucial factor--the powerful influence of race upon American life. Iton argues that the failure of the American Left lies in its inability to come to grips with the centrality of race in the American experience. Placing the history of the American Left in an illuminating comparative context, he also broadens our definition of the Left to include not just political parties and labor unions but also public policy and popular culture--an important source for the kind of cultural consensus needed to sustain broad social and collectivist efforts, Iton says. In short, by exposing the impact of race on the development of the American Left, Iton offers a provocative new way of understanding the unique orientation of American politics.
