Avec Charles Péguy de la Lorraine à la Marne
Author | : Victor Boudon |
Publisher | : [Paris] Hachette 1916. |
Total Pages | : 240 |
Release | : 1916 |
Genre | : World War, 1914-1918 |
ISBN | : |
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Author | : Victor Boudon |
Publisher | : [Paris] Hachette 1916. |
Total Pages | : 240 |
Release | : 1916 |
Genre | : World War, 1914-1918 |
ISBN | : |
Author | : Boudon Victor |
Publisher | : Nabu Press |
Total Pages | : 232 |
Release | : 2013-12 |
Genre | : |
ISBN | : 9781293356906 |
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author | : Ronald Schuchard |
Publisher | : Oxford University Press |
Total Pages | : 293 |
Release | : 1999-10-07 |
Genre | : Literary Criticism |
ISBN | : 0198026412 |
Schuchard's critical study draws upon previously unpublished and uncollected materials in showing how Eliot's personal voice works through the sordid, the bawdy, the blasphemous, and the horrific to create a unique moral world and the only theory of moral criticism in English literature. The book also erodes conventional attitudes toward Eliot's intellectual and spiritual development, showing how early and consistently his classical and religious sensibility manifests itself in his poetry and criticism. The book examines his reading, his teaching, his bawdy poems, and his life-long attraction to music halls and other modes of popular culture to show the complex relation between intellectual biography and art.
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 598 |
Release | : 1917 |
Genre | : Copyright |
ISBN | : |
Author | : George Herbert Perris |
Publisher | : |
Total Pages | : 318 |
Release | : 1920 |
Genre | : Marne, 1st Battle of the, France, 1914 |
ISBN | : |
Author | : Lothar Kettenacker |
Publisher | : Berghahn Books |
Total Pages | : 331 |
Release | : 2011-08-01 |
Genre | : History |
ISBN | : 0857452231 |
The US invasion of Iraq in 2003 was done mainly, if one is to believe US policy at the time, to liberate the people of Iraq from an oppressive dictator. However, the many protests in London, New York, and other cities imply that the policy of “making the world safe for democracy” was not shared by millions of people in many Western countries. Thinking about this controversy inspired the present volume, which takes a closer look at how society responded to the outbreaks and conclusions of the First and Second World Wars. In order to examine this relationship between the conduct of wars and public opinion, leading scholars trace the moods and attitudes of the people of four Western countries (Great Britain, France, Germany and Italy) before, during and after the crucial moments of the two major conflicts of the twentieth century. Focusing less on politics and more on how people experienced the wars, this volume shows how the distinction between enthusiasm for war and concern about its consequences is rarely clear-cut.
Author | : Libby Murphy |
Publisher | : Yale University Press |
Total Pages | : 302 |
Release | : 2016-01-01 |
Genre | : History |
ISBN | : 030021751X |
7. Le Cafard: Brutalization, Alienation, and Despair -- 8. Charlie Chaplin's Little Tramp: From the Art of Survival to the Survival of Art -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z
Author | : Ronald Schuchard Goodrich C. White Professor of English Emory University |
Publisher | : Oxford University Press, USA |
Total Pages | : 298 |
Release | : 1999-09-13 |
Genre | : Literary Criticism |
ISBN | : 0195349083 |
Schuchard's critical study draws upon previously unpublished and uncollected materials in showing how Eliot's personal voice works through the sordid, the bawdy, the blasphemous, and the horrific to create a unique moral world and the only theory of moral criticism in English literature. The book also erodes conventional attitudes toward Eliot's intellectual and spiritual development, showing how early and consistently his classical and religious sensibility manifests itself in his poetry and criticism. The book examines his reading, his teaching, his bawdy poems, and his life-long attraction to music halls and other modes of popular culture to show the complex relation between intellectual biography and art.
Author | : André Schüller |
Publisher | : LIT Verlag Münster |
Total Pages | : 372 |
Release | : 2002 |
Genre | : Literature and morals |
ISBN | : 9783825863623 |
"The modern literary critic", T. S. Eliot wrote in 1929, "must be an 'experimenter' outside of what you might at first consider his own province; [...] there is no literary problem which does not lead us irresistibly to larger problems." This book follows Eliot's principle and situates his literary and critical work in a wide context that reveals manifold links between aesthetics, ethics, politics and epistemology: the historical context of early-twentieth-century idealism, vitalism and pragmatism, especially the intensely political Bergsonian controversy, and the modern context of the philosophies of Charles Taylor, Michel Foucault and Richard Rorty. 'Knowledge', it argues, was verbalised in the modernist age, individualised into the act of 'knowing', an act with motives and goals, and thus introduced into the realm of ethics - a process central to twentieth-century thought. Eliot's poems especially, constructed as "a life composed", a literary lifetime linking composition and composure, ponder the virtue of precision, the sins of pride and "mental sloth", the temptation of prejudice and the need for conviction. Decidedly tentative, Eliot's poems solve the problem of morally significant literature. In a century of suspicion, they ask the crucial question of where one should start to rely.