Avant-garde Photography in Germany, 1919-1939
Author | : Van Deren Coke |
Publisher | : Pantheon |
Total Pages | : 188 |
Release | : 1982 |
Genre | : Photography |
ISBN | : |
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Author | : Van Deren Coke |
Publisher | : Pantheon |
Total Pages | : 188 |
Release | : 1982 |
Genre | : Photography |
ISBN | : |
Author | : Van Deren Coke |
Publisher | : |
Total Pages | : 59 |
Release | : 1982 |
Genre | : Photography |
ISBN | : 9783888141027 |
Author | : Peter E. Palmquist |
Publisher | : Carl Mautz Publishing |
Total Pages | : 166 |
Release | : 2000 |
Genre | : History |
ISBN | : 9781887694186 |
Author | : Lynne Warren |
Publisher | : Routledge |
Total Pages | : 1849 |
Release | : 2005-11-15 |
Genre | : Photography |
ISBN | : 1135205434 |
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
Author | : Anna Auer: Fotografie im Gespräch |
Publisher | : Dietmar Klinger Verlag, Passau 2001 |
Total Pages | : 310 |
Release | : 2001-08-01 |
Genre | : Art |
ISBN | : |
Das Buch enthält 18 Interviews mit Persönlichkeiten aus der Geschichte der Fotografie (Künstler, Fotografen und Kunsthistoriker). Die Interviews zeigen die vielfältigen Verknüpfungen zwischen europäischer und amerikanischer Kultur.
Author | : Jonathan Glynne |
Publisher | : Universal-Publishers |
Total Pages | : 574 |
Release | : 2010-06 |
Genre | : Art |
ISBN | : 1599429063 |
Networks of Design maps a new methodological territory in design studies, conceived as a field of interdisciplinary inquiry and practice informed by a range of responses to actor network theory. It brings together a rich body of current work by researchers in the social sciences, technology, material culture, cultural geography, information technology, and systems design, and design theory and history. This collection will be invaluable to students and researchers in many areas of design studies and to design practitioners receptive to new and challenging notions of what constitutes the design process. Over ninety essays are thematically organised to address five aspects of the expanded notions of mediation, agency, and collaboration posited by network theory: Ideas, Things, Technology, Texts, and People. The collection also includes an important new essay on rethinking the concept of design by Bruno Latour, one of the most influential figures in the philosophy and sociology of science and technology and a pioneer of actor network theory, and essays deriving from forum discussions involving designers and designer-makers responsive to actor network theory. Rather than an anthology of previously-published essays, Networks of Design presents work in progress on design theory and its applications. It is the outcome of a live and vigorous debate on the possibilities and actualities offered by actor network led conceptualisations of the relationships and processes constituting design. All the essays, many collaborative, derive from papers presented at the international conference of the Design History Society held at University College Falmouth, UK in the Autumn of 2008.
Author | : Gretchen Garner |
Publisher | : JHU Press |
Total Pages | : 344 |
Release | : 2003-07-25 |
Genre | : Art |
ISBN | : 9780801871672 |
In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself.
Author | : Tim Satterthwaite |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 313 |
Release | : 2020-09-03 |
Genre | : Photography |
ISBN | : 1501341626 |
The new photo-illustrated magazines of the 1920s traded in images of an ideal modernity, promising motorised leisure, scientific progress, and social and sexual emancipation. Modernist Magazines and the Social Ideal is a pioneering history of these periodicals, focusing on two of the leading European titles: the German monthly UHU, and the French news weekly VU, taken as representative of the broad class of popular titles launched in the 1920s. The book is the first major study of UHU, and the first scholarly work on VU in English. Modernist Magazines explores, in particular, the striking use of regularity and repetition in photographs of modernity, reading these repetitious images as symbolic of modernist ideals of social order in the aftermath of the First World War. Introducing a novel methodology, pattern theory, the book argues for a critical return to the Gestalt tradition in visual studies. Alongside the UHU and VU case studies, Modernist Magazines offers an essential primer to interwar magazine culture in Europe. Accounts of rival titles are woven into the book's thematic chapters, which trace the evolution of the two magazines' photography and graphic design in the tumultuous years up to 1933.
Author | : Elizabeth Otto |
Publisher | : MIT Press |
Total Pages | : 324 |
Release | : 2023-12-20 |
Genre | : Social Science |
ISBN | : 0262381028 |
An investigation of the irrational and the unconventional currents swirling behind the Bauhaus's signature sleek surfaces and austere structures. The Bauhaus (1919–1933) is widely regarded as the twentieth century's most influential art, architecture, and design school, celebrated as the archetypal movement of rational modernism and famous for bringing functional and elegant design to the masses. In Haunted Bauhaus, art historian Elizabeth Otto liberates Bauhaus history, uncovering a movement that is vastly more diverse and paradoxical than previously assumed. Otto traces the surprising trajectories of the school's engagement with occult spirituality, gender fluidity, queer identities, and radical politics. The Bauhaus, she shows us, is haunted by these untold stories. The Bauhaus is most often associated with a handful of famous artists, architects, and designers—notably Paul Klee, Walter Gropius, László Moholy-Nagy, and Marcel Breuer. Otto enlarges this narrow focus by reclaiming the historically marginalized lives and accomplishments of many of the more than 1,200 Bauhaus teachers and students (the so-called Bauhäusler), arguing that they are central to our understanding of this movement. Otto reveals Bauhaus members' spiritual experimentation, expressed in double-exposed “spirit photographs” and enacted in breathing exercises and nude gymnastics; their explorations of the dark sides of masculinity and emerging female identities; the “queer hauntology” of certain Bauhaus works; and the role of radical politics on both the left and the right—during the school's Communist period, when some of the Bauhäusler put their skills to work for the revolution, and, later, into the service of the Nazis. With Haunted Bauhaus, Otto not only expands our knowledge of a foundational movement of modern art, architecture, and design, she also provides the first sustained investigation of the irrational and the unconventional currents swirling behind the Bauhaus's signature sleek surfaces and austere structures. This is a fresh, wild ride through the Bauhaus you thought you knew.