"The Pen's Excellencie"

Author: Folger Shakespeare Library
Publisher: University of Washington Press
Total Pages: 256
Release: 2002
Genre: Antiques & Collectibles
ISBN:

"The Pen's Excellencie" selects one hundred manuscript treasures from the roughly 55,000 manuscripts at the Folger Shakespeare Library. It provides a window onto a vast landscape of experience, seen over the past seven centuries.Perhaps the only common feature of these remarkable texts is that someone wrote them with his or her own hand. Since they are notable examples carefully culled from many thousands of manuscripts, the writers tend to be reasonably well known - John Donne, Edmund Spenser, James Boswell, George Eliot, and letters by Wordsworth, Coleridge, Verdi, Dickens, Twain, Whitman, and Buffalo Bill. Both manuscripts that are priceless in terms of literary or historic interest and those that are fascinating or beautiful to look at are represented. While there are a handful of colorful, attention-grabbing manuscripts, most are deceivingly humble at first glance, written in inscrutable hands in brown ink. The earliest item, a copy of twelve works by Aristotle, is from the early fourteenth century. The latest item, from 1928, is a short poem by A. A. Milne.

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Author: Anderson Galleries, Inc
Publisher:
Total Pages: 570
Release: 1905-03
Genre: Art
ISBN:

Extending the Book

Extending the Book
Author: Erin C. Blake
Publisher: University of Washington Press
Total Pages: 28
Release: 2010
Genre: Art
ISBN:

Extending the Book introduces the largely-forgotten art of extra-illustration -- individually adding portraits or other illustrations to published books -- and explores what this personalized form of book design reveals about the history of reading. It includes a brief introduction to the concept of designing and creating a unique book by adding external material and an overview of the phenomenon's history and its heyday in the later eighteenth and nineteenth centuries. The works of Shakespeare -- the most popular single author for extra-illustration -- exemplify the practice as it changed over time. From the beginning, extra-illustrators had to defend the "exquisite handicraft" (in the words of an 1890 proponent) against accusations of "breaking up a good book to illustrate a worse one" (in the words of an 1892 critic). This book examines the art and the practice of extra-illustration, from crudely altered books to beautiful new creations.