Authors Authority And Interpreters In The Ancient Novel
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Author | : Gareth L. Schmeling |
Publisher | : Barkhuis |
Total Pages | : 384 |
Release | : 2006 |
Genre | : History |
ISBN | : 907792213X |
For most of us there are many masters and varied causes for intellectual peregrinations. For the editors of this volume, for many scholars of the ancient novel, and for an uncounted number of students of Classics and the Humanities, Gareth Lon Schmeling is a master and motivator of our scholarly and academic careers, especially of our forays into the ancient novel. And above all Gareth is a true friend. This volume of essays is a small, and, we hope, representative offering of our thanks to Gareth for his contributions to the study of the ancient novel in particular and Classics in general, for his guidance and support in our own endeavors, and for his own special humanity.
Author | : Shannon N. Byrne |
Publisher | : |
Total Pages | : 0 |
Release | : 2006 |
Genre | : Classical fiction |
ISBN | : |
Author | : Michael Paschalis |
Publisher | : Barkhuis |
Total Pages | : 305 |
Release | : 2009 |
Genre | : History |
ISBN | : 9077922547 |
The present volume comprises most of the papers delivered at RICAN 4 in 2007. The focus is placed on readers and writers in the ancient novel and broadly in ancient fiction, though without ignoring readers and writers of the ancient novel. The papers offer a wide and rich range of perspectives: the reading of novels in antiquity as a process of active engagement with the text (Konstan); the dialogic character, involving writer and reader, of Lucian's Verae Historiae (Futre Pinheiro); book divisions in Chariton's Callirhoe as prompts guiding the reader towards gradual mastery over the text (Whitmarsh); polypragmosyne (curiosity) in ancient fiction and how it affects the practice of reading novels (Hunter); the intriguing relationship between the writing and reading of inscriptions in ancient fiction (Slater); the tension between public and private in constructing and reading of texts inserted in the novelistic prose (Nimis); the intertextual pedigree of the poet Eumolpus (Smith); Seneca's Claudius and Petronius' Encolpius as readers of Homer and Virgil and writers of literary scenarios (Paschalis); the ways in which some Greek novels draw the reader's attention to their status as written texts (Bowie); the interfaces between tellers and receivers of stories in Antonius Diogenes (Morgan); the generic components and the putative author of the Alexander Romance (Stoneman); Diktys as a writer and ways of reading his Ephemeris (Dowden); the presence and character of Iliadic intertexts in Apuleius' Metamorphoses (Harrison); the contrasting roles of the narrator-translator in Apuleius' Metamorphoses and De deo Socratis (Fletcher); seriocomic strategies by Roman authors of narrative fiction and fable (Graverini & Keulen); reading as a function for recognizing 'allegorical moments' in the Metamorphoses of Apuleius (Zimmerman); active and passive reading as embedded in Philostratus' Life of Apollonius; and the importance of book reading in Augustine's 'novelistic' Confessions (Hunink).
Author | : Koen De Temmerman |
Publisher | : |
Total Pages | : 418 |
Release | : 2014-02 |
Genre | : History |
ISBN | : 0199686149 |
Analyzes the characterization of the protagonists in the five extant, so-called 'ideal' Greek novels of the first few centuries C.E., using the conceptual couples of typification/individuation, idealistic/realistic characterization, and static/dynamic character to show their complexity.
Author | : I.J.F. de Jong |
Publisher | : BRILL |
Total Pages | : 624 |
Release | : 2012-03-20 |
Genre | : Literary Criticism |
ISBN | : 9004224386 |
This is the third volume in the series Studies in Ancient Greek narrative. It deals with the narratological category of space: how is space, including objects which function as 'props', presented in Greek narrative texts and what are its functions (thematic, symbolic, psychologising, or characterising)?How are longer descriptions organised and integrated into the story? Long deemed a mere ancilla narrationis, especially in narratives which precede the age of the realist novel, space turns out to play an important and multifaceted role in Greek literature.
Author | : Maurice Hunt |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 189 |
Release | : 2017-06-29 |
Genre | : Literary Criticism |
ISBN | : 1501333968 |
"A comparative study that explores the influence of Christian and Classical ideas about the divine face in the writing of four major writers in Western literature"--
Author | : Maaike Zimmerman |
Publisher | : Barkhuis |
Total Pages | : 356 |
Release | : 2006-06-01 |
Genre | : History |
ISBN | : 9077922164 |
This sixth AN Supplementum, Lectiones Scrupulosae ('Scrupulous Rea¡dings'), is a Festschrift in honour of Maaike Zimmerman offered to her by a group of Apuleian scholars on the occasion of her sixty-fifth birthday. It is a volume focused on the text of Apuleius' Metamorphoses that offers Maaike and all other lectores scrupulosi ('scrupulous readers') of Apuleius' novel a collection of studies that shed new light on certain aspects of text and interpretation. Moreover, since Maaike Zimmerman is currently working on a new critical edition of Apuleius' Metamorphoses for the Oxford Classical Texts series, an additional motivation for this volume was the presentation of a collection of original papers providing material on a number of passages for Maaike to ponder and take into consideration as she reviews the text.Everything proceeds from the text: a textual issue can open the door to a broader approach, including, for example, discussions of literary interpretation, linguistics, or style. Hence, one of the themes of the volume is to show connections between problems of textual criticism and larger interpretative issues (e.g. Bitel, Finkelpearl, McCreight, Keulen). Maaike herself is expert at this kind of 'explication du texte'. Within the broad spectrum between 'text' and 'interpretation', the contributions to this volume present different approaches and choices, varying from a traditional, purely 'textual' approach to one that is largely interpretative and seeks to explain the multi-layered texture of Apuleius' narrative in the light of certain metaphors, images, or expressions. Some articles offer new conjectures and readings of vexed passages (Harrison, Plaza), support unjustly neglected conjectures (McCreight, Schmeling and Montiglio), or propose to banish certain passages or phrases once and for all from the center of the text to a peripheral exile in the apparatus criticus, as a footnote in the history of the text's reception (Bitel, Hunink). Other contributions focus on the 'authorship' of the Metamorphoses (Tatum) or the vicissitudes of the Apuleian text in the hands of Medieval and Renaissance readers (Hunink, May). Through their contributions to Lectiones Scrupulosae, the authors of this AN Supplementum not only honour Maaike as a text-editor or commentator, but also pay tribute to her other scholarly output, such as her work on Cupid and Psyche (Hij¡mans), on Apuleius and Roman Satire or the Greek Ass Tale (e.g. Dowden, Graverini, Plaza, Panayotakis), on the reader's role in the Prologue and on Apuleian ecphrasis (Keulen, van Mal-Maeder), or on space symbolism in the Metamorphoses (James and O'Brien). But all contributors in this volume also send Maaike the same message of friendship and gratitude that can be summarized as follows: Lector, intende: laetaberis.
Author | : Tim Rood |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 572 |
Release | : 2022-10-24 |
Genre | : Literary Criticism |
ISBN | : 3110793431 |
This volume constitutes the first large-scale collaborative reflection on Xenophon’s Anabasis, gathering experts on Greek historiography and Xenophon. It is structured in three sections: the first section provides a linear reading of the Anabasis through chapters on select episodes (from Book 1 through Book 7), including the opening, Cyrus’ characterisation, the meeting of Socrates and Xenophon, Xenophon’s leadership, the marches through Armenia and along the Black Sea coast and the service under Seuthes in Thrace. The second section offers an in-depth exploration of hitherto overlooked recurrent themes. Based on new approaches and scholarly trends, it focuses on topics such as the concept of friendship, the speeches of characters other than Xenophon, the suffering of the human body, the role of rumour and misrepresentation, and the depiction of emotions. The third section offers a more thorough investigation of the manifold reception of this work (in Antiquity, Byzantium, Renaissance, modern period, in cinema studies and illustrations). Finally, in acknowledgement of the Anabasis’ long history as a pedagogical text, the volume contains an envoi on the importance and benefits of teaching Xenophon and the Anabasis, more specifically.
Author | : S. J. Harrison |
Publisher | : OUP Oxford |
Total Pages | : 305 |
Release | : 2013-06-13 |
Genre | : History |
ISBN | : 0199602689 |
This book studies one of the few novels from the Roman Empire, Apuleius' Metamorphoses or Golden Ass. Harrison shows that this work is one of remarkable literary complexity. The volume traces some of the history of the novel's criticism and offers a detailed analysis of its key sections and issues.
Author | : Christopher Star |
Publisher | : JHU Press |
Total Pages | : 313 |
Release | : 2012-09-07 |
Genre | : History |
ISBN | : 1421406748 |
In The Empire of the Self, Christopher Star studies the question of how political reality affects the concepts of body, soul, and self. Star argues that during the early Roman Empire the establishment of autocracy and the development of a universal ideal of individual autonomy were mutually enhancing phenomena. The Stoic ideal of individual empire or complete self-command is a major theme of Seneca’s philosophical works. The problematic consequences of this ideal are explored in Seneca’s dramatic and satirical works, as well as in the novel of his contemporary Petronius. Star examines the rhetorical links between these diverse texts. He also demonstrates a significant point of contact between two writers generally thought to be antagonists—the idea that imperial speech structures reveal the self. -- James Ker, University of Pennsylvania