She-oak and Sunlight
Author | : Anne & Hesson Gray (Angela) |
Publisher | : |
Total Pages | : |
Release | : 2021 |
Genre | : |
ISBN | : 9781760761905 |
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Author | : Anne & Hesson Gray (Angela) |
Publisher | : |
Total Pages | : |
Release | : 2021 |
Genre | : |
ISBN | : 9781760761905 |
Author | : Terence Lane |
Publisher | : |
Total Pages | : 354 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
Australia's distinctive landscape and sunny climate gave Australian Impressionism an intensity and radiance remarkable even in the international setting as the genre swept through the world's art communities during the second half of the 19th century. This book focuses on the first 15 years of the movement and follows five artists step-by-step. The story told in the Spring 2007 exhibition and in this catalog focuses on Charles Conder, Fred McCubbin, Tom Roberts, Arthur Streeton, and Jane Sutherland. The material includes several thematic subjects, such as portraiture by Roberts and Streeton, and European symbolism. The art sometimes is anecdotal and contains a narrative. Australian plein air painters were interested in the way light evoked a particular emotion or mood and how to capture a fleeting moment within a short amount of time. These young artists saw themselves as leaders against the forces of conservatism and parochialism and stayed current with what was happening on the world stage. In response to a scathing review of their first exhibition, they wrote to the critic that they were 'working towards the development... of a great school of painting in Australia.' Among many lasting contributions of these painters, Jane Sutherland advanced the professional standing of women artists of her time.
Author | : Tim Bonyhady |
Publisher | : National Gallery London |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Impressionism |
ISBN | : 9781857096125 |
Catalog of an exhibition held at the National Gallery, London, December 7, 2016-March 26, 2017.
Author | : Geoff Gaylard |
Publisher | : |
Total Pages | : 234 |
Release | : 1990 |
Genre | : Art, Australian |
ISBN | : |
Each artist has submitted a previously unpublished work, and further, has had considerable input in selecting the works they personally feel to be among their finest. In addition, many artists have given a thumbnail sketch of the development of their own professional careers in art, specifically to prompt aspiring artists to consider how they too, can pursue a life of artistic endeavour.
Author | : Patrick McCaughey |
Publisher | : Miegunyah Press |
Total Pages | : 376 |
Release | : 2014 |
Genre | : Art, Australian |
ISBN | : 9780522861204 |
'Painting matters to Australia and Australians as it does in few other countries. It has formed our consciousness, our sense of where we come from, and who we are. It cries out for wider recognition and acknowledgement.' - Patrick McCaughey Why has Australia, an island continent with a small population, produced such original and powerful art? And why is it so little known beyond our shores? Strange Country: Why Australian Painting Matters is Patrick McCaughey's answer.
Author | : Elena Taylor |
Publisher | : |
Total Pages | : 177 |
Release | : 2013 |
Genre | : Impressionism (Art) |
ISBN | : 9780724103720 |
Australian Impressionists in France explores an overloooked period in our art history. Many Australian artists spent time in France during the late nineteenth century and early twentieth centuries, yet this era is often bypassed in favour of examining the work of well-known impressionists landscape painters.
Author | : Norma Broude |
Publisher | : Abradale Press |
Total Pages | : 424 |
Release | : 1994-09 |
Genre | : Art |
ISBN | : |
As this major contribution to art history shows, Impressionism was far more than a French movement that spread to other countries; rather, it was an approach to art adopted by artists of all nationalities who responded to light and atmospheric conditions, to landscape and cityscape, with an explosion of enthusiasm that was felt around the globe.
Author | : Brian Finemore |
Publisher | : |
Total Pages | : 42 |
Release | : 1968 |
Genre | : Heidelberg school |
ISBN | : |
Author | : Denise Mimmocchi |
Publisher | : University of Washington Press |
Total Pages | : 168 |
Release | : 2012 |
Genre | : Art |
ISBN | : |
Catalogue to accompany exhibition investigating two main streams of Symbolist art in Australia: works by artists who trained or lived overseas and drew directly from European Symbolist genres; and works by artists in Australia who referenced Symbolism to define a local experience.
Author | : Christopher Allen |
Publisher | : John Wiley & Sons |
Total Pages | : 564 |
Release | : 2021-04-27 |
Genre | : Art |
ISBN | : 1118767586 |
A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.