Auserlesenes Und Vollstandiges Gebetbuch Fur Glaubige Christen
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Author | : Robin A. Leaver |
Publisher | : |
Total Pages | : 0 |
Release | : 2023-01-09 |
Genre | : Sacred music |
ISBN | : 9780367701864 |
This volume draws together a collection of Robin A. Leaver's essays on Bach's sacred music, exploring the religious aspects of this repertoire through consideration of three core themes: liturgy, hymnology, and theology. Rooted in a rich understanding of the historical sources, the book illuminates the varied ways in which Bach's sacred music was informed and shaped by the religious, ritual, and intellectual contexts of his time, placing these works in the wider history of Protestant church music during the Baroque era. Including research from across a span of forty years, the chapters in this volume have been significantly revised and expanded for this publication, with several pieces appearing in English for the first time. Together, they offer an essential compendium of the work of a leading scholar of theological Bach studies.
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Total Pages | : 268 |
Release | : 1796 |
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Total Pages | : 190 |
Release | : 1796 |
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Total Pages | : 136 |
Release | : 1796 |
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Author | : Hermann Schwab |
Publisher | : |
Total Pages | : 104 |
Release | : 1957 |
Genre | : Country life |
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Total Pages | : 136 |
Release | : 1796 |
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Author | : Michael A. Meyer |
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Total Pages | : 0 |
Release | : 1996 |
Genre | : Germany |
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Author | : Yo Tomita |
Publisher | : Cambridge University Press |
Total Pages | : 345 |
Release | : 2013-10-17 |
Genre | : Music |
ISBN | : 1107469902 |
The B-minor Mass has always represented a fascinating challenge to musical scholarship. Composed over the course of Johann Sebastian Bach's life, it is considered by many to be the composer's greatest and most complex work. The fourteen essays assembled in this volume originate from the International Symposium 'Understanding Bach's B-minor mass' at which scholars from eighteen countries gathered to debate the latest topics in the field. In revised and updated form, they comprise a thorough and systematic study of Bach's Opus Ultimum, including a wide range of discussions relating to the Mass's historical background and contexts, structure and proportion, sources and editions, and the reception of the work in the late eighteenth and early nineteenth centuries. In the light of important new developments in the study of the piece, this collection demonstrates the innovation and rigour for which Bach scholarship has become known.
Author | : Anonymous |
Publisher | : Arkose Press |
Total Pages | : 692 |
Release | : 2015-10-18 |
Genre | : |
ISBN | : 9781344801102 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Robin A. Leaver |
Publisher | : University of Illinois Press |
Total Pages | : 167 |
Release | : 2018-10-24 |
Genre | : Music |
ISBN | : 0252050711 |
Johann Sebastian Bach was a Lutheran and much of his music was for Lutheran liturgical worship. As these insightful essays in the twelfth volume of Bach Perspectives demonstrate, he was also influenced by--and in turn influenced--different expressions of religious belief. The vocal music, especially the Christmas Oratorio, owes much to medieval Catholic mysticism, and the evolution of the B minor Mass has strong Catholic connections. In Leipzig, Catholic and Lutheran congregations sang many of the same vernacular hymns. Internal squabbles were rarely missing within Lutheranism, for example Pietists' dislike of concerted church music, especially if it employed specific dance forms. Also investigated here are broader issues such as the close affinity between Bach's cantata libretti and the hymns of Charles Wesley; and Bach's music in the context of the Jewish Enlightenment as shaped by Protestant Rationalism in Berlin. Contributors: Rebecca Cypess, Joyce L. Irwin, Robin A. Leaver, Mark Noll, Markus Rathey, Derek Stauff, and Janice B. Stockigt.