Library Catalog of the Metropolitan Museum of Art, New York. Supplement
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 842 |
Release | : 1962 |
Genre | : Art |
ISBN | : |
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Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 842 |
Release | : 1962 |
Genre | : Art |
ISBN | : |
Author | : New York Public Library. Research Libraries |
Publisher | : |
Total Pages | : 584 |
Release | : 1979 |
Genre | : Library catalogs |
ISBN | : |
Author | : Gülru Necipoğlu |
Publisher | : Getty Publications |
Total Pages | : 414 |
Release | : 1996-03-01 |
Genre | : Art |
ISBN | : 0892363355 |
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.
Author | : Christopher de Hamel |
Publisher | : Penguin |
Total Pages | : 642 |
Release | : 2017-10-24 |
Genre | : History |
ISBN | : 0698163389 |
An extraordinary and beautifully illustrated exploration of the medieval world through twelve manuscripts, from one of the world's leading experts. Winner of The Wolfson History Prize and The Duff Cooper Prize. A San Francisco Chronicle Holiday Book Gift Guide Pick! Meetings with Remarkable Manuscripts is a captivating examination of twelve illuminated manuscripts from the medieval period. Noted authority Christopher de Hamel invites the reader into intimate conversations with these texts to explore what they tell us about nearly a thousand years of medieval history - and about the modern world, too. In so doing, de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, and collectors. He traces the elaborate journeys that these exceptionally precious artifacts have made through time and shows us how they have been copied, how they have been embroiled in politics, how they have been regarded as objects of supreme beauty and as symbols of national identity, and who has owned them or lusted after them (and how we can tell). From the earliest book in medieval England to the incomparable Book of Kells to the oldest manuscript of the Canterbury Tales, these encounters tell a narrative of intellectual culture and art over the course of a millennium. Two of the manuscripts visited are now in libraries of North America, the Morgan Library in New York and the Getty Museum in Los Angeles. Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts allows us to experience some of the greatest works of art in our culture to give us a different perspective on history and on how we come by knowledge.
Author | : Gillian Wilson |
Publisher | : J. Paul Getty Museum |
Total Pages | : 0 |
Release | : 2021-03-30 |
Genre | : Design |
ISBN | : 9781606066300 |
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Author | : Adrian Sassoon |
Publisher | : Getty Publications |
Total Pages | : 221 |
Release | : 1992-03-12 |
Genre | : Decorative arts |
ISBN | : 0892361735 |
This volume documents the Getty Museum's important holdings of Vincennes and Sèvres porcelain. Entries are arranged in chronological order and include descriptions, commentary, and a complete bibliography and exhibition list. Every object is illustrated in color and all incised and painted marks are reproduced. The volume also includes an index of painters, gilders, and previous owners.
Author | : Anthony Hobson |
Publisher | : Cambridge University Press |
Total Pages | : 38 |
Release | : 1999-07-08 |
Genre | : Antiques & Collectibles |
ISBN | : 9780521651295 |
This book, first published in 1999, studies and compares two sixteenth-century libraries. Jean Grolier's was a bibliophilic 'cabinet' of fine books; Diego Hurtado de Mendoza's was a much larger and more scholarly collection; a full catalogue is provided for the first time. Both men were greatly influenced by experience of Italy. Grolier has been called 'the Prince of Bibliophiles'; the books he commissioned have long been famous. This is the first full account of his life for eighty years. Hurtado de Mendoza was a poet, historian, Greek scholar and Arabist. He served as the Emperor's Ambassador in Venice (1540-6), to the Council of Trent (1545-6), and to the Pope (1547-52). In Venice he set out to form for Spain a collection of Greek manuscripts to rival that being formed for France by Francis I's agents. Anthony Hobson's text is complemented by ninety-one illustrations, several thematic indexes, eleven appendices and a bibliography.