At the Norfolk Museum 1969-70
| Author | : Norfolk Museum of Arts and Sciences (Va.) |
| Publisher | : |
| Total Pages | : |
| Release | : 1969 |
| Genre | : |
| ISBN | : |
At The Norfolk Museum 1969 70
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The First Five Years: Fiscal 1966 Through Fiscal 1970
| Author | : National Council on the Arts |
| Publisher | : |
| Total Pages | : 72 |
| Release | : 1970 |
| Genre | : Federal aid to the arts |
| ISBN | : |
Publications and Research and Other Contributions
| Author | : Pennsylvania State University |
| Publisher | : |
| Total Pages | : 860 |
| Release | : 1966 |
| Genre | : |
| ISBN | : |
Life After J.E.B. Stuart
| Author | : Sean M. Heuvel |
| Publisher | : Government Institutes |
| Total Pages | : 208 |
| Release | : 2011-09-16 |
| Genre | : History |
| ISBN | : 0761854649 |
Mary Marrow Stuart Smith (1889-1985) lived a remarkable life as a respected artist and Virginia educator. The eldest grandchild of famed Confederate Cavalry General J.E.B. Stuart, she belonged to one of the Commonwealth's most celebrated families. Based on her original, never-before-published memoirs, Life after J.E.B. Stuart recounts Marrow's childhood as the Stuart family struggled to survive following the Civil War. It explores her efforts to pursue a fine arts education and career within a family known for its male soldiers and politicians. With rare photographs, previously unknown information about the family, and a foreword by Marrow's granddaughter, Life after J.E.B. Stuart is a must-read for those interested in the Civil War, southern history, or women's studies.
British and Irish Paintings in Public Collections
| Author | : Christopher Wright |
| Publisher | : Yale University Press |
| Total Pages | : 950 |
| Release | : 2006-01-01 |
| Genre | : Art |
| ISBN | : 9780300117301 |
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
