Stackhouse

Stackhouse
Author: J. Richard Gruber
Publisher: Univ. Press of Mississippi
Total Pages: 156
Release: 1999
Genre: Architecture
ISBN: 9781890021078

Trained at the University of South Florida, Robert Stackhouse was born in Bronxville, New York in 1942. By the 1980s Robert Stackhouse was regarded as one of America's most prominent young sculptors and his massive, ribbed installations were known nationwide. He taught at the Corcoran gallery and later returned to live in New York; by the 1990s his installations were going in large public places nationwide, then worldwide. --Covers the first thirty years of Stackhouse's rise to prominence 1969-1999 --Provides an early biography along with a progression of his work --Offers family pictures that personalize this catalog --His work is in the permanent collections of the Art Institute and The Museum of Contemporary Art in Chicago, and the Australian National Gallery in Canberra

Martin Puryear

Martin Puryear
Author: John Elderfield
Publisher: The Museum of Modern Art
Total Pages: 220
Release: 2007
Genre: Art
ISBN: 9780870707285

Over the last 30 years, Martin Puryear has created a body of work that defies categorization, creating sculpture that looks at identity, culture & history. This book accompanies an exhibition at The Museum of Modern Art that follows Puryear's development from his first solo show to works being presented for the first time.

Artpark

Artpark
Author: Artpark
Publisher:
Total Pages: 64
Release: 1984
Genre: Art, American
ISBN:

The Studio

The Studio
Author: Yuri Schwebler
Publisher: Hudson River Museum
Total Pages: 68
Release: 1981
Genre: Sculpture
ISBN:

Comfort Me with Apples and Tender at the Bone: Two Culinary Treasures

Comfort Me with Apples and Tender at the Bone: Two Culinary Treasures
Author: Ruth Reichl
Publisher: Random House
Total Pages: 691
Release: 2013-12-09
Genre: Biography & Autobiography
ISBN: 0812985486

An ebook bundle featuring Tender at the Bone and Comfort Me with Apples, two delicious memoirs from “one of the world’s leading food writers” (Chicago Sun-Times) that chronicle her riotous journey into the culinary world Tender at the Bone: “An absolute delight to read . . . How lucky we are that [Reichl] had the courage to follow her appetite.”—Newsday At an early age, Ruth Reichl discovered that “food could be a way of making sense of the world.” Beginning with her mother, the notorious food-poisoner known as the Queen of Mold, Reichl introduces us to the fascinating characters who shaped her world and tastes, from the gourmand Monsieur du Croix, who served Reichl her first foie gras, to those at her table in Berkeley who championed the organic food revolution in the 1970s. Spiced with Reichl’s infectious humor and sprinkled with her favorite recipes, Tender at the Bone is a witty and compelling chronicle of a culinary sensualist’s coming-of-age. Comfort Me with Apples: “[Ruth] Reichl writes with gusto, and her story has all the ingredients of a modern fairy tale: hard work, weird food, and endless curiosity.”—The New Yorker Comfort Me with Apples picks up Reichl’s story in 1978, when she puts down her chef’s toque and embarks on a career as a restaurant critic. Her pursuit of good food and good company leads her to New York and China, France and Los Angeles, and her stories of cooking and dining with world-famous chefs range from the madcap to the sublime. Through it all, Reichl makes each and every course a hilarious and instructive occasion for novices and experts alike, told in a style so honest and warm that readers will feel they are enjoying a conversation over a meal with a friend.

Art in the Making: Artists and their Materials from the Studio to Crowdsourcing

Art in the Making: Artists and their Materials from the Studio to Crowdsourcing
Author: Glenn Adamson
Publisher: Thames & Hudson
Total Pages: 444
Release: 2016-08-16
Genre: Art
ISBN: 0500773432

The first book to address the significance of the materials and methods used to make contemporary artworks Today, artists are able to create using multiple methods of production—from painting to digital technologies to crowdsourcing—some of which would have been unheard of just a few decades ago. Yet, even as our means of making art become more extraordinary and diverse, they are almost never addressed in their specificity. While critics and viewers tend to focus on the finished products we see in museums and galleries, authors Glenn Adamson and Julia Bryan-Wilson argue that the materials and processes behind the scenes used to make artworks are also vital to current considerations of authorship and to understanding the economic and social contexts from which art emerges. This wide-ranging exploration of different methods and media in art since the 1950s includes nine chapters that focus on individual processes of making: Painting, Woodworking, Building, Performing, Tooling Up, Cashing In, Fabricating, Digitizing, and Crowdsourcing. Detailed examples are interwoven with the discussion, including visuals that reveal the intricacies of techniques and materials. Artists featured include Ai Weiwei, Alice Aycock, Isa Genzken, Los Carpinteros, Paul Pfeiffer, Doris Salcedo, Santiago Sierra, and Rachel Whiteread.