Artefacts As Categories
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| Author | : Daniel Miller |
| Publisher | : Cambridge University Press |
| Total Pages | : 280 |
| Release | : 1985-11-14 |
| Genre | : Crafts & Hobbies |
| ISBN | : 9780521305228 |
The aim of Artefacts as Categories is to ask what we can learn about a society from the variability of the objects it produces. Dr Miller presents a comprehensive analysis of the pottery produced in a single village in central India, drawing together and analysing a whole range of aspects - technology, function, design, symbolism and ideology - that are usually studied separately. Using the concepts of 'pragmatics', 'framing' and 'ideology', the author points to the insufficiency of many ethnographic accounts of symbolism and underlines the need to consider both the social positioning of the interpreter and the context of the interpretation when looking at artefacts. His invigorating study cogently questions many assumptions in material culture studies and offers a whole range of fresh explanations. Archaeologists in particular will welcome the discussion of familiar materials such as pottery rim shapes, body forms and decoration. However, the book will have a broad appeal to researchers in cultural studies, social anthropology and psychology and will attract all those interested in the problem of relating objects and society.
| Author | : Maarten Franssen |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 225 |
| Release | : 2013-10-04 |
| Genre | : Philosophy |
| ISBN | : 3319008013 |
This book is concerned with two intimately related topics of metaphysics: the identity of entities and the foundations of classification. What it adds to previous discussions of these topics is that it addresses them with respect to human-made entities, that is, artefacts. As the chapters in the book show, questions of identity and classification require other treatments and lead to other answers for artefacts than for natural entities. These answers are of interest to philosophers not only for their clarification of artefacts as a category of things but also for the new light they may shed on these issue with respect to to natural entities. This volume is structured in three parts. The contributions in Part I address basic ontological and metaphysical questions in relation to artefact kinds: How should we conceive of artefact kinds? Are they real kinds? How are identity conditions for artefacts and artefact kinds related? The contributions in Part II address meta-ontological questions: What, exactly, should an ontological account of artefact kinds provide us with? What scope can it aim for? Which ways of approaching the ontology of artefact kinds are there, how promising are they, and how should we assess this? In Part III, the essays offer engineering practice rather than theoretical philosophy as a point of reference. The issues addressed here include: How do engineers classify technical artefacts and on what grounds? What makes specific classes of technical artefacts candidates for ontologically real kinds, and by which criteria?
| Author | : Torben Bjarke Ballin |
| Publisher | : Archaeopress Publishing Ltd |
| Total Pages | : 100 |
| Release | : 2021-04-22 |
| Genre | : Social Science |
| ISBN | : 1789698707 |
This volume offers a system for the hierarchical classification of British lithic artefacts from the Late Glacial and Holocene periods, and it is hoped that it may find use as a guide book for, for example, archaeology students, museum staff, non-specialist archaeologists, local archaeology groups and lay enthusiasts.
| Author | : Pekka Harni |
| Publisher | : |
| Total Pages | : 122 |
| Release | : 2010 |
| Genre | : Categorization (Linguistics) |
| ISBN | : 9789526000299 |
Finnish architect Pekka Harni runs a design and architecture practice in Helsinki together with industrial designer Yuka Takahashi. Their collaboration results in a variety of work, of which this book on the classification of objects is just one part. Based on a morphological-functional consideration of the properties of household objects, the study proposes to organise the forms of artefacts, determine the significance of their parts and explain the relationships between objects and the environment, thus describing their most important basic properties while exploring the realm of functional form.
| Author | : Dwight W Read |
| Publisher | : Taylor & Francis |
| Total Pages | : 364 |
| Release | : 2016-09-16 |
| Genre | : Social Science |
| ISBN | : 1315433486 |
Archaeologists have been developing artifact typologies to understand cultural categories for as long as the discipline has existed. Dwight Read examines these attempts to systematize the cultural domains in premodern societies through a historical study of pottery typologies. He then offers a methodology for producing classifications that are both salient to the cultural groups that produced them and relevant for establishing cultural categories and timelines for the archaeologist attempting to understand the relationship between material culture and ideational culture of ancient societies. This volume is valuable to upper level students and professional archaeologists across the discipline.
| Author | : Eric Margolis |
| Publisher | : Oxford University Press |
| Total Pages | : 371 |
| Release | : 2007-06-14 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0199250987 |
Creations of the Mind presents sixteen original essays by theorists from a wide variety of disciplines who have a shared interest in the nature of artifacts and their implications for the human mind. All the papers are written specially for this volume, and they cover a broad range of topics concerned with the metaphysics of artifacts, our concepts of artifacts and the categories that they represent, the emergence of an understanding of artifacts in infants' cognitive development, as well as the evolution of artifacts and the use of tools by non-human animals. This volume will be a fascinating resource for philosophers, cognitive scientists, and psychologists, and the starting point for future research in the study of artifacts and their role in human understanding, development, and behaviour. Contributors: John R. Searle, Richard E. Grandy, Crawford L. Elder, Amie L. Thomasson, Jerrold Levinson, Barbara C. Malt, Steven A. Sloman, Dan Sperber, Hilary Kornblith, Paul Bloom, Bradford Z. Mahon, Alfonso Caramazza, Jean M. Mandler, Deborah Kelemen, Susan Carey, Frank C. Keil, Marissa L. Greif, Rebekkah S. Kerner, James L. Gould, Marc D. Hauser, Laurie R. Santos, Steven Mithen
| Author | : R. Lee Lyman |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 510 |
| Release | : 2013-03-07 |
| Genre | : Social Science |
| ISBN | : 1461559111 |
Americanist Culture History reprints thirty-nine classic works of Americanist archaeological literature published between 1907 and 1971. The articles, in which the key concepts and analytical techniques of culture history were first defined and discussed, are reprinted, with original pagination and references, to enhance the use of this collection as a research and teaching resource. The editors also include an introduction that summarizes the rise and fall of the culture history paradigm, making this volume an excellent introduction to the field's primary literature.
| Author | : Ben Burt |
| Publisher | : Routledge |
| Total Pages | : 268 |
| Release | : 2020-07-12 |
| Genre | : Social Science |
| ISBN | : 1000184854 |
What do we mean by 'art'? As a category of objects, the concept belongs to a Western cultural tradition, originally European and now increasingly global, but how useful is it for understanding other traditions? To understand art as a universal human value, we need to look at how the concept was constructed in order to reconstruct it through an understanding of the wider world. Western art values have a pervasive influence upon non-Western cultures and upon Western attitudes to them. This innovative yet accessible new text explores the ways theories of art developed as Western knowledge of the world expanded through exploration and trade, conquest, colonisation and research into other cultures, present and past. It considers the issues arising from the historical relationships which brought diverse artistic traditions together under the influence of Western art values, looking at how art has been used by colonisers and colonised in the causes of collecting and commerce, cultural hegemony and autonomous identities.World Art questions conventional Western assumptions of art from an anthropological perspective which allows comparison between cultures. It treats art as a property of artefacts rather than a category of objects, reclaiming the idea of 'world art' from the 'art world'. This book is essential reading for all students on anthropology of art courses as well as students of museum studies and art history, based on a wide range of case studies and supported by learning features such as annotated further reading and chapter opening summaries.
| Author | : Mike Jones |
| Publisher | : Routledge |
| Total Pages | : 111 |
| Release | : 2021-07-14 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 100040532X |
Artefacts, Archives, and Documentation in the Relational Museum provides the first interdisciplinary study of the digital documentation of artefacts and archives in contemporary museums, while also exploring the implications of polyphonic, relational thinking on collections documentation. Drawing on case studies from Australia, the United Kingdom, and the United States, the book provides a critical examination of the history of collections management and documentation since the introduction of computers to museums in the 1960s, demonstrating how technology has contributed to the disconnection of distributed collections knowledge. Jones also highlights how separate documentation systems have developed, managed by distinct, increasingly professionalised staff, impacting our ability to understand and use what we find in museums and their ever-expanding online collections. Exploring this legacy allows us to rethink current practice, focusing less on individual objects and more on the rich stories and interconnected resources that lie at the heart of the contemporary, plural, participatory ‘relational museum.’ Artefacts, Archives, and Documentation in the Relational Museum is essential reading for those who wish to better understand the institutional silos found in museums, and the changes required to make museum knowledge more accessible. The book is a particularly important addition to the fields of museum studies, archival science, information management, and the history of cultural heritage technologies.
| Author | : Anne Mette Hansen |
| Publisher | : Rodopi |
| Total Pages | : 391 |
| Release | : 2005 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9042018887 |
Books do not just contain texts: books themselves are cultural artefacts, which convey many meanings in their own right, meanings which interact with the texts they contain. Awareness of the many significances of books as cultural and textual objects reshapes the traditional disciplines of textual theory, analytic bibliography, codicology and palaeography, while the advent of electronic books, and digital methods for representing print books, is introducing a new dimension to our understanding. Seven essays in this volume, ranging over medieval Portuguese and Swedish manuscripts, eighteenth-century Icelandic editions, Australian playtexts, Thackeray and Anita Brookner, and Stefan George, consider these questions from the broad perspective of textual scholarship. Texts may exist on the borderland of word and not-word; or they may spring from borderlands of nation or culture; or they may be considered from the margins of neighbouring disciplines. So readers must set the texts within contexts, to see the play of text against border. Essays in this volume explore different texts against varying backgrounds -- Pound's Cantos, Joyce's Ulysses, Trollope's An Eye for an Eye, Woolf's The Waves -- while essays by McGann and Lernout argue the dimensionality of text on the intersection of print and digital media. Implicit in all these essays is the contention, that textual scholarship must influence literary interpretation. Two final essays focus directly on this, in the cases of Melville's Moby-Dick and Emily Dickinson's late fragments. An extensive reviews section completes this volume.
