Art Treasures Of The Medici
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Author | : Anna Maria Massinelli |
Publisher | : |
Total Pages | : 248 |
Release | : 1992 |
Genre | : Antiques & Collectibles |
ISBN | : |
Published on the occasion of the 500th anniversary of the death of Lorenzo the magnificent, this richly illustrated volume is a catalogue for an exhibition which has never been assembled. The most dazzling and important pieces of the remarkable objects d'art amassed by the legendary Medici family in the course of their long reign over Florernce have been chosen for reproduction in this complete guide.
Author | : Cristina Acidini |
Publisher | : Prestel Pub |
Total Pages | : 227 |
Release | : 1997 |
Genre | : Art |
ISBN | : 9783791318677 |
"Treasures of Florence: The Medici Collection 1400-1700 reunites the most beautiful jewellery and ornaments in the Medici collection from the 15th to 18th centuries. Although today these objects are distributed among several Florentine museums, they are presented here together. The book divides the fascinating history of the Medici family into a series of chapters each devoted to a major patron within the dynasty. These chapters provide a detailed history and description of the objects and their makers and the reasons they were commissioned or purchased. Vivid color photography, much of it especially commissioned, faithfully conveys the opulent beauty of this magnificent collection." "Originally bankers and merchants, the Medicis became identified as supporters of the workers and artisans of Florence in the late 14th century. Early in the 15th century the family began 300 years of almost uninterrupted control as popular leaders of the city. After his death in 1464, Cosimo, the first of the ruling Medicis, was given the title Pater Patriae (the father of his country) by his people. It was his grandson Lorenzo (the Magnificent) who patronised Botticelli, da Vinci, and Michelangelo." "The focus of the Medicis' collection was jewellery, gems, cameos, ornaments and exotic objects. It also included antique vases made using the pietra-dura technique, whose value was increased through elaborate borders made of gold, silver or enamel. Many were collected by Lorenzo il Magnifico. Treasures of Florence boasts a rich variety, from the works of Benvenuto Cellini, through Baroque art, to exotic pieces from Asia, Mexico, and India. The final chapter examines the exquisite jewels which belonged to the Elector Anna Maria Ludovica, the last ruler of the Medici dynasty."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author | : Richard Stapleford |
Publisher | : Penn State Press |
Total Pages | : 231 |
Release | : 2013 |
Genre | : Art |
ISBN | : 027105641X |
"An inventory of the private possessions of Lorenzo il Magnifico de' Medici, head of the ruling Medici family during the apogee of the Florentine Renaissance"--Provided by publisher.
Author | : Lia Markey |
Publisher | : Penn State Press |
Total Pages | : 602 |
Release | : 2016-11-30 |
Genre | : Art |
ISBN | : 0271078227 |
The first full-length study of the impact of the discovery of the Americas on Italian Renaissance art and culture, Imagining the Americas in Medici Florence demonstrates that the Medici grand dukes of Florence were not only great patrons of artists but also early conservators of American culture. In collecting New World objects such as featherwork, codices, turquoise, and live plants and animals, the Medici grand dukes undertook a “vicarious conquest” of the Americas. As a result of their efforts, Renaissance Florence boasted one of the largest collections of objects from the New World as well as representations of the Americas in a variety of media. Through a close examination of archival sources, including inventories and Medici letters, Lia Markey uncovers the provenance, history, and meaning of goods from and images of the Americas in Medici collections, and she shows how these novelties were incorporated into the culture of the Florentine court. More than just a study of the discoveries themselves, this volume is a vivid exploration of the New World as it existed in the minds of the Medici and their contemporaries. Scholars of Italian and American art history will especially welcome and benefit from Markey’s insight.
Author | : Rebekah Compton |
Publisher | : Cambridge University Press |
Total Pages | : 637 |
Release | : 2021-03-11 |
Genre | : Art |
ISBN | : 1108916058 |
In this volume, Rebekah Compton offers the first survey of Venus in the art, culture, and governance of Florence from 1300 to 1600. Organized chronologically, each of the six chapters investigates one of the goddess's alluring attributes – her golden splendor, rosy-hued complexion, enchanting fashions, green gardens, erotic anatomy, and gifts from the sea. By examining these attributes in the context of the visual arts, Compton uncovers an array of materials and techniques employed by artists, patrons, rulers, and lovers to manifest Venusian virtues. Her book explores technical art history in the context of love's protean iconography, showing how different discourses and disciplines can interact in the creation and reception of art. Venus and the Arts of Love in Renaissance Florence offers new insights on sight, seduction, and desire, as well as concepts of gender, sexuality, and viewership from both male and female perspectives in the early modern era.
Author | : Josephine Jungić |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 298 |
Release | : 2018-04-13 |
Genre | : Biography & Autobiography |
ISBN | : 077355369X |
Most modern historians perpetuate the myth that Giuliano de' Medici (1479–1516), son of Lorenzo the Magnificent, was nothing more than an inconsequential, womanizing hedonist with little inclination or ability for politics. In the first sustained biography of this misrepresented figure, Josephine Jungic re-evaluates Giuliano’s life and shows that his infamous reputation was exaggerated by Medici partisans who feared his popularity and respect for republican self-rule. Rejecting the autocratic rule imposed by his nephew, Lorenzo (Duke of Urbino), and brother, Giovanni (Pope Leo X), Giuliano advocated restraint and retention of republican traditions, believing his family should be “first among equals” and not more. As a result, the family and those closest to them wrote him out of the political scene, and historians – relying too heavily upon the accounts of supporters of Cardinal Giovanni and the Medici regime – followed suit. Interpreting works of art, books, and letters as testimony, Jungic constructs a new narrative to demonstrate that Giuliano was loved and admired by some of the most talented and famous men of his day, including Cesare Borgia, Michelangelo Buonarroti, Niccolò Machiavelli, Leonardo da Vinci, and Raphael. More than a political biography, this volume offers a refreshing look at a man who was a significant patron and ally of intellectuals, artists, and religious reformers, revealing Giuliano to be at the heart of the period’s most significant cultural accomplishments.
Author | : Wolfram Koeppe |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 430 |
Release | : 2008 |
Genre | : Art |
ISBN | : 1588392880 |
"In the royal and princely courts of Europe, artworks made of multicolored semiprecious stones were passionately coveted objects. Known as pietre dure, or hardstones, this type of artistic expression includes?paintings in stone,? which were composed of intricately cut separate pieces that were made into magnificent tabetops, cabinets, and wall decorations. Other works included vessels and ornaments carved with virtuosic skill from a single piece of rare and brilliant lapis lazuli, chalcedony, jasper, or similarly prized substance; exquisite objects such as boxes, clocks, and jewelry; and portraits of nobles sculpted in variously colored stones. Derived from ancient Roman decorative stonework, the art of pietre dure was developed in Renaissance Florence, where the manufacture of such objects was enthusiastically sponsored by Medici princes. Ideally suited for ostentatious display, the works sent an unmistakable message of wealth and political might that was understood in centers of power everywhere. From Italy the medium spread across Europeto Prague, Madrid, Naples, Paris, and later Saint Petersburg. Precious and fragile, pietre dure objects are rarely brought together in large numbers. This richly illustrated catalogue contains more than 150 masterworks from across Europe, dating from five centuries, including almost every artistic use of semiprecious stone during this time as well as some of the finest examples of the medium. Eight essays by European and American experts discuss the individualized development of pietre dure in every European region, the latest developments in scholarship, the interrelationships between art and dynastic politics and between cultures, and a variety of techniques used to produce these luxurious masterworks."--Metropolitan Museum of Art website.
Author | : Christina Neilson |
Publisher | : Cambridge University Press |
Total Pages | : 367 |
Release | : 2019-07-18 |
Genre | : Art |
ISBN | : 1107172853 |
Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.
Author | : National Gallery of Art (U.S.) |
Publisher | : Princeton University Press |
Total Pages | : 369 |
Release | : 1993 |
Genre | : Art |
ISBN | : 0521470684 |
This volume is one of several that examines the National Gallery of Art's distinguished collection of decorative arts. (The second volume will be published in 1996.) The group treated here is composed primarily of works acquired from the Widener Collection, and amplified by holdings acquired from the Kress family. Included are more than eighty Medieval, Renaissance, and later historic objects in a wide variety of media, encompassing metalwork, stained glass, enamels, ceramics, and jewels. Among the highlights are a Limoges reliquary chasse, a Mosan lion aquamanile, thirty-eight pieces in a remarkable cohesive group of Italian maiolica, three of the very rare pottery objects known as 'Saint-Porchaire', and, the centerpiece of the collection, the Suger chalice, an ancient sardonyx cup to which the Abbot Suger added a bejewelled golden setting in the twelfth century. Like other volumes in the Systematic Catalogue of the National Gallery of Art Collections,Western Decorative Arts includes a thoroughly researched entry for each object, together with an artist biography, up-to-date bibliography, and a technical analysis.
Author | : Peter Watson |
Publisher | : PublicAffairs |
Total Pages | : 450 |
Release | : 2007-06-12 |
Genre | : Art |
ISBN | : 1586485407 |
The story begins, as stories do in all good thrillers, with a botched robbery and a police chase. Eight Apuleian vases of the fourth century B.C. are discovered in the swimming pool of a German-based art smuggler. More valuable than the recovery of the vases, however, is the discovery of the smuggler's card index detailing his deals and dealers. It reveals the existence of a web of tombaroli -- tomb raiders -- who steal classical artifacts, and a network of dealers and smugglers who spirit them out of Italy and into the hands of wealthy collectors and museums. Peter Watson, a former investigative journalist for the London Sunday Times and author of two previous expos's of art world scandals, names the key figures in this network that has depleted Europe's classical artifacts. Among the loot are the irreplaceable and highly collectable vases of Euphronius, the equivalent in their field of the sculpture of Bernini or the painting of Michelangelo. The narrative leads to the doors of some major institutions: Sothebys, the Getty Museum in L.A., the Museum of Fine Arts in Boston, and the Metropolitan Museum of Art in New York among them. Filled with great characters and human drama, The Medici Conspiracy authoritatively exposes another shameful round in one of the oldest games in the world: theft, smuggling and duplicitous dealing, all in the name of art.