Art Of India And Southeast Asia
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| Author | : Hugo Munsterberg |
| Publisher | : New York : H. N. Abrams |
| Total Pages | : 272 |
| Release | : 1970 |
| Genre | : Art |
| ISBN | : |
The arts of the Indian subcontinent and of those surrounding lands ("Greater India") that fell under its artistic influence are here given an unrivaled pictorial treatment. The splendid illustrations and informative text of this book carry the story from the earliest evidence of civilization at such sites as Mohenjo-Daro and Harappa in the third millennium B.C. to the exquisite products of the Rajput and Pahari schools of miniature painting. Professor Munsterberg explains how, after the collapse of the Indus Valley civilization, the visual arts languished for over a thousand years until there occurred an astonishing revival of art in the service of Buddhism. We then witness the emergence of Hinduy art in the seventh century A.D. The great temples of this so-called Hindu Medieval period, which lasted until the Moslem conquest of northern India in the thirteenth century, surpass anything that was being produced in the West at the time. This volume embraces a vast area that includes approximately one-third of the world's population and covers a period of some five thousand years. -- From publisher's description.
| Author | : Dallas Museum of Art |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Art |
| ISBN | : 9780300149883 |
In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art
| Author | : Shyam Saran |
| Publisher | : Springer |
| Total Pages | : 375 |
| Release | : 2018-07-20 |
| Genre | : Business & Economics |
| ISBN | : 9811073171 |
The books presents the study undertaken by the ASEAN-India Centre (AIC) at Research and Information System for Developing Countries (RIS) on India’s cultural links with Southeast Asia, with particular reference to historical and contemporary dimensions. The book traces ancient trade and maritime links, Chola Empire and Southeast Asia, religious exchanges (the Hindu, Buddhist and Islamic heritage), language, scripts and folklore, performing arts, painting and sculpture, architecture, role of the Indian Diaspora, contemporary cultural interaction, etc.
| Author | : Steven Kossak |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 169 |
| Release | : 2001 |
| Genre | : Art, South Asian |
| ISBN | : 0870999923 |
Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.
| Author | : Promsak Jermsawatdi |
| Publisher | : Abhinav Publications |
| Total Pages | : 264 |
| Release | : 1979 |
| Genre | : Art, Buddhist |
| ISBN | : 9788170170907 |
The Present Book, Thai Art With Indian Influences, Studies The Subject In Its Different Spheres. As A Major Pioneering Scholar In The Field, Dr. Promsak Jermsawatdi Possesses An Extraordinary Background In Art History, Aesthetics And Asian History And Philosophy. This Fascinating Study Is One Of His Finest Works Which Will Continue To Be Regarded As One Of The Most Significant Contributions To Our Understanding Of Thai And Indian Art For A Long Time To Come. Divided Into Five Chapters, The Book Takes Into Account Material From The Earliest Archaeological Finds Through The Bangkok Period Including The Early Art And Craft Works. Most Of The Study Deals With Thai Art But India And The Peripheries Of South East Asia Are Covered Where They Reflect Indian Influences. The Focus Of This Study Is Upon Architecture, Sculpture And Iconography. However, It Also Encompasses Other Aspects Of Art And Crafts. Background Information On The History And Geography Of The Area Is Also Provided Along With Philosophical Religious And Social Insights That Are Significantly Valuable To Readers In General And Those Of South-East Asia And India In Particular.As A Student Of Ancient History And Art In India, Dr. Promsak Jermsawatdi Was Deeply Sensitive To The Beauty Of Thai And Indian Art Works. As A Result, The Illustrations He Had Selected Are Unusually Pertinent And Fitting, Comprising Some Of The Most Impressive Examples Of Thai Art. Students Of The History Of Oriental Art Could Ask For No Finer Exposition Of The History And Aesthetics Of Thai And Indian Art. The Author S Penetrating Cultural Insights Make It An Indispensable Text For All Who Plan Further Study In The Field. This Is Also A Book Which General Readers Will Read With Great Interest And Pleasure.
| Author | : Guy, John |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 338 |
| Release | : 2014-04-07 |
| Genre | : Art |
| ISBN | : 1588395243 |
A fresh and exciting exploration of Southeast Asian history from the 5th to 9th century, seen through the lens of the region's sculpture
| Author | : Pierre-Yves Manguin |
| Publisher | : Institute of Southeast Asian Studies |
| Total Pages | : 533 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 9814345105 |
This book takes stock of the results of some two decades of intensive archaeological research carried out on both sides of the Bay of Bengal, in combination with renewed approaches to textual sources and to art history. To improve our understanding of the trans-cultural process commonly referred to as Indianisation, it brings together specialists of both India and Southeast Asia, in a fertile inter-disciplinary confrontation. Most of the essays reappraise the millennium-long historiographic no-man's land during which exchanges between the two shores of the Bay of Bengal led, among other processes, to the Indianisation of those parts of the region that straddled the main routes of exchange. Some essays follow up these processes into better known "classical" times or even into modern times, showing that the localisation process of Indian themes has long remained at work, allowing local societies to produce their own social space and express their own ethos.
| Author | : Sarah Tiffin |
| Publisher | : NUS Press |
| Total Pages | : 42 |
| Release | : 2016-08-26 |
| Genre | : Art |
| ISBN | : 9971698498 |
British artists and commentators in the late 18th and early 19th century encoded the twin aspirations of progress and power in images and descriptions of Southeast Asia’s ruined Hindu and Buddhist candi, pagodas, wats and monuments. To the British eye, images of the remains of past civilisations allowed, indeed stimulated, philosophical meditations on the rise and decline of entire empires. Ruins were witnesses to the fall, humbling and disturbingly prophetic prompts to speculation on imperial failure, and the remains of the Buddhist and Hindu monuments scattered across Southeast Asia proved no exception. This important study of a highly appealing but relatively neglected body of work adds multiple dimensions to the history of art and image production in Britain of the period, showing how the anxieties of empire were encoded in the genre of landscape paintings and prints.
| Author | : Low Sze Wee |
| Publisher | : National Gallery Singapore |
| Total Pages | : 487 |
| Release | : 2017-12-31 |
| Genre | : Art |
| ISBN | : 9811419620 |
A constellation of thoughts by 25 established and emerging scholars who plot the indices of modernity and locate new coordinates within the shifting landscape of art. These newly commissioned essays are accompanied by close to 200 full-colour image plates.
| Author | : Venka Purushothaman |
| Publisher | : Institute of Southeast Asian Studies |
| Total Pages | : 131 |
| Release | : 2013-11-06 |
| Genre | : Art |
| ISBN | : 9814517844 |
To commemorate the centenary of artist Sukumar Bose (1912–1986), this book attempts to take an incisive look at the artist, his works and the context of his art production in South and Southeast Asia. Bose’s art varied from the traditional to the decorative and ornamental, with a hint of the Oriental flavour. His work demonstrated traces of the Bengal School styles of Abanindranath Tagore and AR Chugtai. Be it figurative, landscape or abstract, Bose’s art synthesized the decorative elements of Indo-Persian miniatures with Chinese and Japanese techniques. In this context, his vision and passion were inspired by traditional art forms, including Ajanta, Rajput and Mughal miniatures. His incisive observations of life, people and cultures, during colonial and postcolonial India and his later sojourn into Southeast Asia, emerge as both a contested yet seamless narrative of history and hope in his art. This book is the first of its kind to document and give a critical overview of Sukumar Bose.
