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| Author | : Jonathan A. Anderson |
| Publisher | : InterVarsity Press |
| Total Pages | : 388 |
| Release | : 2016-05-23 |
| Genre | : Art |
| ISBN | : 0830899979 |
In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian, who argue that modernist art is underwritten by deeply religious concerns.
| Author | : Paul Liss |
| Publisher | : |
| Total Pages | : 224 |
| Release | : 2019-06-30 |
| Genre | : Art and religion |
| ISBN | : 9781999314507 |
No account of 20th Century British art can overlook the numerous works of the period that were essentially “religious” in their content. Art, Faith & Modernity examines this question in Paul Liss‘ and Alan Powers’ essays and demonstrates the wide range of expression in more than 175 colour reproductions. Anchored by Alan Power’s defining essay, Art Faith and Modernity presents a poignant argument – both visual and cerebral – for a reassessment of the important place that religious art continued to occupy in 20th century Britain. Art, Faith & Modernity is part of Liss Llewellyn’s on-going programme of exhibitions, produced in partnership with museums and cultural institutions, which seeks to reappraise some of the unsung heroines and and heroes of Modern British art.
| Author | : Louise Hardiman |
| Publisher | : Open Book Publishers |
| Total Pages | : 243 |
| Release | : 2017-11-13 |
| Genre | : Art |
| ISBN | : 1783743417 |
In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.
| Author | : George Pattison |
| Publisher | : |
| Total Pages | : 244 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : |
This book, first published in hardback by Macmillan in 1991, appeared in paperback in 1998, with a new concluding chapter and extra illustrations. After an opening chapter which tells 'the story of modern art', George Pattison leads the reader through a more or less historical narrrative of the relationship between Christianity and the visual arts. He begins with the deep-rooted fear of images in the Judaeo-Christian tradition, through Thomism and the writings of Maritain, Rukin and Forsyth, into the uncertainties of the twentieth century. There are concluding discussions on how respect for the integrity iof the visual image becomes a way of grace and how the Zen experience indicates a method which can be used by both theologians and artists. 'It is rare to encounter an author so deeply informed in matters of religion and theology while being so obviously at home in the history and theory of the arts. Combining tese spheres of learning, George Pattison makes a distinctive contribution to understanding religiously significant aspects of art, providing in the process a fresh perspective on why the religious or theological import of art cannot fully be captured in other media of human creation and reflection.' (Theology) George Pattison is Lady Margaret Professor of Divinity in te University of Oxford and a Canon of Christ Church Cathedral, Oxford.
| Author | : Hendrik Roelof Rookmaaker |
| Publisher | : Crossway |
| Total Pages | : 260 |
| Release | : 1994 |
| Genre | : Art |
| ISBN | : 9780891077992 |
Uses popular and lesser-known paintings to show modern art's reflection of a dying culture and how Christian attitudes can create hope in today's society.
| Author | : David Morgan |
| Publisher | : Univ of California Press |
| Total Pages | : 324 |
| Release | : 2015-10-27 |
| Genre | : Religion |
| ISBN | : 0520961994 |
Religions teach their adherents how to see and feel at the same time; learning to see is not a disembodied process but one hammered from the forge of human need, social relations, and material practice. David Morgan argues that the history of religions may therefore be studied through the lens of their salient visual themes. The Forge of Vision tells the history of Christianity from the sixteenth century through the present by selecting the visual themes of faith that have profoundly influenced its development. After exploring how distinctive Catholic and Protestant visual cultures emerged in the early modern period, Morgan examines a variety of Christian visual practices, ranging from the imagination, visions of nationhood, the likeness of Jesus, the material life of words, and the role of modern art as a spiritual quest, to the importance of images for education, devotion, worship, and domestic life. An insightful, informed presentation of how Christianity has shaped and continues to shape the modern world, this work is a must-read for scholars and students across fields of religious studies, history, and art history.
| Author | : James Elkins |
| Publisher | : Routledge |
| Total Pages | : 154 |
| Release | : 2004-12-15 |
| Genre | : Art |
| ISBN | : 1135879702 |
Can contemporary art say anything about spirituality? John Updike calls modern art "a religion assembled from the fragments of our daily life," but does that mean that contemporary art is spiritual? What might it mean to say that the art you make expresses your spiritual belief? On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art. This book will enable you to walk into a museum and talk about the spirituality that is or is not visible in the art you see.
| Author | : Nancy Pearcey |
| Publisher | : B&H Publishing Group |
| Total Pages | : 4 |
| Release | : 2010-09-01 |
| Genre | : Religion |
| ISBN | : 1433672863 |
Is secularism a positive force in the modern world? Or does it lead to fragmentation and disintegration? In Saving Leonardo, best-selling award-winning author Nancy Pearcey (Total Truth, coauthor How Now Shall We Live?) makes a compelling case that secularism is destructive and dehumanizing. Pearcey depicts the revolutionary thinkers and artists, the ideas and events, leading step by step to the unleashing of secular worldviews that undermine human dignity and liberty. She crafts a fresh approach that exposes the real-world impact of ideas in philosophy, science, art, literature, and film--voices that surround us in the classroom, in the movie theater, and in our living rooms. A former agnostic, Pearcey offers a persuasive case for historic Christianity as a holistic and humane alternative. She equips readers to counter the life-denying worldviews that are radically restructuring society and pervading our daily lives. Whether you are a devoted Christian, determined secularist, or don't know quite where you stand, reading Saving Leonardo will unsettle established views and topple ideological idols. Includes more than 100 art reproductions and illustrations that bring the book's themes to life. Praise for Saving Leonardo: "A feast for the mind and for the eye. Nancy Pearcey not only is a trustworthy guide for a nuanced discussion on the relationship between culture and the gospel, but she is a gifted teacher as well . . . Saving Leonardo is a rare, precious gift to the churches and universities alike." Makoto Fujimura, artist and author of Refractions: A Journey of Faith, Art, and Culture "Nancy Pearcey has done it again and better than ever. She has taken the complex sophistication of the best cultural analysis and laid it out for any person to grasp, enjoy and use to live out their daily lives honoring Christ. An astounding accomplishment!" James W. Sire, author of The Universe Next Door "G. K. Chesterton said 'the danger when Men stop believing in God is not that they'll believe in nothing; but that they will believe in anything.' Nancy Pearcey understands where believing in anything leads and in this book she reveals where a secular philosophy is taking us. A balanced, fair, and impacting work!" Cal Thomas, syndicated and USA Today columnist "Nancy Pearcey helps a new generation of evangelicals to understand the worldview challenges we now face and to develop an intelligent and articulate Christian understanding . . . Saving Leonardo should be put in the hands of all those who should always be ready to give an answer--and that means all of us." R. Albert Mohler, Jr., president, The Southern Baptist Theological Seminary "Nancy Pearcey is an intellectual prophet in our day and one of Evangelicalism's foremost cultural observers. Saving Leonardo is a tour de force. In it, Pearcey provides a penetrating analysis of the nature of contemporary secularism, a helpful exposition of how we got to the present situation, and a well-crafted strategy for changing the situation. This is her best effort yet . . . a must read." J. P. Moreland, distinguished professor of Philosophy, Biola University and author of The God Question "Nancy Pearcey is unsurpassed in the current generation of Christian thinkers . . . The magic continues with this book. Pearcey's virtues as a writer and thinker are once again fully evident in the range of material that she has mastered, the encyclopedic collection of data that she presents, and the analytic rigor with which she separates truth from error in worldviews. She is a prophetic voice for contemporary Christians." Leland Ryken, Clyde S. Kilby professor of English, Wheaton College "Brilliant . . . The book brings complex, abstract ideas down-to-earth -- or rather, down-to-life. . . . Saving Leonardo bridges the gaps between the arts and the sciences, the theoretical and the practical. The book not only argues for the unity of Christian truth but exemplifies that unity and shows it in action." Gene Edward Veith, provost, Patrick Henry College
| Author | : Alex Dika Seggerman |
| Publisher | : UNC Press Books |
| Total Pages | : 292 |
| Release | : 2019-08-13 |
| Genre | : Art |
| ISBN | : 1469653052 |
Analyzing the modernist art movement that arose in Cairo and Alexandria from the late nineteenth century through the 1960s, Alex Dika Seggerman reveals how the visual arts were part of a multifaceted transnational modernism. While the work of diverse, major Egyptian artists during this era may have appeared to be secular, she argues, it reflected the subtle but essential inflection of Islam, as a faith, history, and lived experience, in the overarching development of Middle Eastern modernity. Challenging typical views of modernism in art history as solely Euro-American, and expanding the conventional periodization of Islamic art history, Seggerman theorizes a "constellational modernism" for the emerging field of global modernism. Rather than seeing modernism in a generalized, hyperconnected network, she finds that art and artists circulated in distinct constellations that encompassed finite local and transnational relations. Such constellations, which could engage visual systems both along and beyond the Nile, from Los Angeles to Delhi, were materialized in visual culture that ranged from oil paintings and sculpture to photography and prints. Based on extensive research in Egypt, Europe, and the United States, this richly illustrated book poses a compelling argument for the importance of Muslim networks to global modernism.
| Author | : Lynn Gamwell |
| Publisher | : Princeton University Press |
| Total Pages | : 528 |
| Release | : 2020-03-17 |
| Genre | : Art |
| ISBN | : 0691191050 |
How science changed the way artists understand reality Exploring the Invisible shows how modern art expresses the first secular, scientific worldview in human history. Now fully revised and expanded, this richly illustrated book describes two hundred years of scientific discoveries that inspired French Impressionist painters and Art Nouveau architects, as well as Surrealists in Europe, Latin America, and Japan. Lynn Gamwell describes how the microscope and telescope expanded the artist's vision into realms unseen by the naked eye. In the nineteenth century, a strange and exciting world came into focus, one of microorganisms in a drop of water and spiral nebulas in the night sky. The world is also filled with forces that are truly unobservable, known only indirectly by their effects—radio waves, X-rays, and sound-waves. Gamwell shows how artists developed the pivotal style of modernism—abstract, non-objective art—to symbolize these unseen worlds. Starting in Germany with Romanticism and ending with international contemporary art, she traces the development of the visual arts as an expression of the scientific worldview in which humankind is part of a natural web of dynamic forces without predetermined purpose or meaning. Gamwell reveals how artists give nature meaning by portraying it as mysterious, dangerous, or beautiful. With a foreword by Neil deGrasse Tyson and a wealth of stunning images, this expanded edition of Exploring the Invisible draws on the latest scholarship to provide a global perspective on the scientists and artists who explore life on Earth, human consciousness, and the space-time universe.
