Art Media Design And Postproduction
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| Author | : Eduardo Navas |
| Publisher | : Taylor & Francis |
| Total Pages | : 223 |
| Release | : 2018-06-19 |
| Genre | : Design |
| ISBN | : 1315453231 |
Art, Media Design, and Postproduction: Open Guidelines on Appropriation and Remix offers a set of open-ended guidelines for art and design studio-based projects. The creative application of appropriation and remix are now common across creative disciplines due to the ongoing recycling and repurposing of content and form. Consequently basic elements which were previously exclusive to postproduction for editing image, sound and text, are now part of daily communication. This in turn pushes art and design to reconsider their creative methodologies. Author Eduardo Navas divides his book into three parts: Media Production, Metaproduction, and Postproduction. The chapters that comprise the three parts each include an introduction, goals for guidelines of a studio-based project, which are complemented with an explanation of relevant history, as well as examples and case studies. Each set of guidelines is open-ended, enabling the reader to repurpose the instructional material according to their own methodologies and choice of medium. Navas also provides historical and theoretical context to encourage critical reflection on the effects of remix in the production of art and design. Art, Media Design, and Postproduction: Open Guidelines on Appropriation and Remix is the first book of guidelines to take into account the historical, theoretical, and practical context of remix as an interdisciplinary act. It is an essential read for those interested in remix studies and appropriation in art, design and media.
| Author | : Eduardo Navas |
| Publisher | : Routledge |
| Total Pages | : 227 |
| Release | : 2018-06-19 |
| Genre | : Design |
| ISBN | : 131545324X |
Art, Media Design, and Postproduction: Open Guidelines on Appropriation and Remix offers a set of open-ended guidelines for art and design studio-based projects. The creative application of appropriation and remix are now common across creative disciplines due to the ongoing recycling and repurposing of content and form. Consequently basic elements which were previously exclusive to postproduction for editing image, sound and text, are now part of daily communication. This in turn pushes art and design to reconsider their creative methodologies. Author Eduardo Navas divides his book into three parts: Media Production, Metaproduction, and Postproduction. The chapters that comprise the three parts each include an introduction, goals for guidelines of a studio-based project, which are complemented with an explanation of relevant history, as well as examples and case studies. Each set of guidelines is open-ended, enabling the reader to repurpose the instructional material according to their own methodologies and choice of medium. Navas also provides historical and theoretical context to encourage critical reflection on the effects of remix in the production of art and design. Art, Media Design, and Postproduction: Open Guidelines on Appropriation and Remix is the first book of guidelines to take into account the historical, theoretical, and practical context of remix as an interdisciplinary act. It is an essential read for those interested in remix studies and appropriation in art, design and media.
| Author | : Eduardo Navas |
| Publisher | : Birkhäuser |
| Total Pages | : 192 |
| Release | : 2014-11-04 |
| Genre | : Architecture |
| ISBN | : 3990435000 |
No detailed description available for "Remix Theory: The Aesthetics of Sampling".
| Author | : Seth M. Walker |
| Publisher | : Taylor & Francis |
| Total Pages | : 161 |
| Release | : 2024-07-26 |
| Genre | : Religion |
| ISBN | : 1040104746 |
This book utilizes an approach that centers on remix theory and conceptual metaphor theory, arguing for an examination of the study of religion via a model for analyzing cultural constructs that the author terms Remix+/-. After discerning the metaphorical correspondences underlying his argument, the author claims that the shift in conceptual and terminological framing remix provides can assist in understanding religious phenomena and developments differently, paying close attention to the sorts of meanings, implications, and assumptions that are disrupted and subverted as a result. The chapters indicate how notions of originality, authenticity, and authority are problematized and challenged from the perspective modeled by Remix+/-, with Buddhist philosophy occupying a significant role in the demonstrative examples. This book will be of interest to remix theorists and conceptual metaphor theorists because it advances a new approach to applying both remix and metaphor to the study of cultural constructs. It will also be valuable for those studying religion and digital culture—especially Buddhist thought and practice—as it proposes a new lens through which religiosity can be defamiliarized and critically analyzed.
| Author | : Nicolas Bourriaud |
| Publisher | : |
| Total Pages | : 96 |
| Release | : 2005-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780974568898 |
The French writer Nicolas Bourriaud discusses how, since the early nineties, an ever increasing number of artworks have been created on the basis of preexisting works; more and more artists interpret, reproduce, re-exhibit, or use works made by others or available cultural products. This art of postproduction seems to respond to the proliferating chaos of global culture in the information age, which is characterized by an increase in the supply of works and the art worlds annexation of forms ignored or disdained until now. First published in 2002, this 2nd edition contains a new foreword where the author reflects on how the art of postproduction developed over the last couple of years.Nicolas Bourriaud is the co-director of the Palais de Tokyo in Paris. His previous books include Lère tertiaire (Flammarion), Ésthétique relationnelle (Presses du réel), and Formes de vie (Denoël).
| Author | : Eduardo Navas |
| Publisher | : Routledge |
| Total Pages | : 761 |
| Release | : 2021-02-14 |
| Genre | : Computers |
| ISBN | : 1000346722 |
In this comprehensive and highly interdisciplinary companion, contributors reflect on remix across the broad spectrum of media and culture, with each chapter offering in-depth reflections on the relationship between remix studies and the digital humanities. The anthology is organized into sections that explore remix studies and digital humanities in relation to topics such as archives, artificial intelligence, cinema, epistemology, gaming, generative art, hacking, pedagogy, sound, and VR, among other subjects of study. Selected chapters focus on practice-based projects produced by artists, designers, remix studies scholars, and digital humanists. With this mix of practical and theoretical chapters, editors Navas, Gallagher, and burrough offer a tapestry of critical reflection on the contemporary cultural and political implications of remix studies and the digital humanities, functioning as an ideal reference manual to these evolving areas of study across the arts, humanities, and social sciences. This book will be of particular interest to students and scholars of digital humanities, remix studies, media arts, information studies, interactive arts and technology, and digital media studies.
| Author | : John Avarese |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 145 |
| Release | : 2017-06-29 |
| Genre | : Performing Arts |
| ISBN | : 150132750X |
Post Sound Design provides a practical introduction to the fascinating craft of editing and replacing dialog, creating Foley and sound effects, editing music, and balancing these elements to a final mix. Based on years of experience and teaching this material to students at Drexel University, award-winning film composer John Avarese offers user-friendly knowledge and stimulating exercises to help compose story, develop characters and create emotion through skillful creation of the sound track. Starting each chapter with a real-life example, the textbook is structured in such a way to create a fundamental understanding of the physics and the biological foundation of hearing, and putting it into practice with suggested movie scenes demonstrating the discussed audio techniques. Post Sound Design engagingly demonstrates the individual areas essential to creating a soundtrack that will enhance any media production.
| Author | : Eduardo Navas |
| Publisher | : Taylor & Francis |
| Total Pages | : 281 |
| Release | : 2022-11-18 |
| Genre | : Art |
| ISBN | : 1000785483 |
This book brings together history and theory in art and media to examine the effects of artificial intelligence and machine learning in culture, and reflects on the implications of delegating parts of the creative process to AI. In order to understand the complexity of authorship and originality in relation to creativity in contemporary times, Navas combines historical and theoretical premises from different areas of research in the arts, humanities, and social sciences to provide a rich historical and theoretical context that critically reflects on and questions the implications of artificial intelligence and machine learning as an integral part of creative production. As part of this, the book considers how much of postproduction and remix aesthetics in art and media preceded the current rise of metacreativity in relation to artificial intelligence and machine learning, and explores contemporary questions on aesthetics. The book also provides a thorough evaluation of the creative application of systematic approaches to art and media production, and how this in effect percolates across disciplines including art, design, communication, as well as other fields in the humanities and social sciences. An essential read for students and scholars interested in understanding the increasing role of AI and machine learning in contemporary art and media, and their wider role in creative production across culture and society.
| Author | : Mark J. Jones |
| Publisher | : Dundurn |
| Total Pages | : 206 |
| Release | : 2024-08-20 |
| Genre | : Business & Economics |
| ISBN | : 1459753860 |
Creative sector jobs are driving our economy and offer a viable career path for today's youth. Careers and business opportunities in creative industries offer flexibility, variety, and security. Why then do people hesitate to go into them? A belief in the myth of the starving artist, which conjures images of penniless writers and artistic bohemians, is to blame. The myth leads many away from choosing a path they would love in favour of more traditional fields. Years later, they may come to regret that choice. Mark J. Jones shows that the persistent stereotype of the starving artist is not just costing youth and working-aged people the opportunity to explore satisfying careers, it could also cost Canada’s economy in lost opportunities. Through education and entrepreneurial strategy, artists, musicians, writers, media makers, designers, actors, and others can come to understand how to reach audiences and customers in a global market. In The Starving Artist Myth, Jones erases any remaining doubt about the opportunities in the creative economy by getting at the origin of the starving artist stereotype, demonstrating the economic resiliency of the sector, and delving into the strategies for achieving career success.
| Author | : Angie Taylor |
| Publisher | : Taylor & Francis |
| Total Pages | : 395 |
| Release | : 2013-03-20 |
| Genre | : Computers |
| ISBN | : 1136136851 |
Master the fundamental concepts and techniques of motion media design so you can apply--and occasionally break--the rules to achieve your communication goals. This authoritative guide presents all of the design essentials in an engaging and inspiring way. Each principle is explained with text, illustration and photography where necessary. An accompanying website will contain any necessary digital files for download, updates and links to other resources.
