Architectural Monuments in North Northamptonshire
Author | : Royal Commission on Historical Monuments (England) |
Publisher | : |
Total Pages | : 452 |
Release | : 1984 |
Genre | : Architecture |
ISBN | : |
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Author | : Royal Commission on Historical Monuments (England) |
Publisher | : |
Total Pages | : 452 |
Release | : 1984 |
Genre | : Architecture |
ISBN | : |
Author | : Alison Deegan |
Publisher | : English Heritage |
Total Pages | : 179 |
Release | : 2013-02-15 |
Genre | : Social Science |
ISBN | : 1848021690 |
A record of the National Mapping Programme project in Northamptonshire. It recovered and mapped archaeological evidence from field systems, through settlement remains, to funerary monuments, and ranges from the Neolithic to the 20th century.
Author | : Robert Blair St. George |
Publisher | : Univ of North Carolina Press |
Total Pages | : 481 |
Release | : 2000-11-09 |
Genre | : History |
ISBN | : 0807864714 |
The people of colonial New England lived in a densely metaphoric landscape--a world where familiars invaded bodies without warning, witches passed with ease through locked doors, and houses blew down in gusts of angry, providential wind. Meaning, Robert St. George argues, was layered, often indirect, and inextricably intertwined with memory, apprehension, and imagination. By exploring the linkages between such cultural expressions as seventeenth-century farmsteads, witchcraft narratives, eighteenth-century crowd violence, and popular portraits of New England Federalists, St. George demonstrates that in early New England, things mattered as much as words in the shaping of metaphor. These forms of cultural representation--architecture and gravestones, metaphysical poetry and sermons, popular religion and labor politics--are connected through what St. George calls a 'poetics of implication.' Words, objects, and actions, referentially interdependent, demonstrate the continued resilience and power of seventeenth-century popular culture throughout the eighteenth century. Illuminating their interconnectedness, St. George calls into question the actual impact of the so-called Enlightenment, suggesting just how long a shadow the colonial climate of fear and inner instability cast over the warm glow of the early national period.
Author | : Ben Farmer |
Publisher | : Routledge |
Total Pages | : 673 |
Release | : 2003-09-02 |
Genre | : Architecture |
ISBN | : 1134983816 |
Architecture has attracted increasing worldwide attention in recent years, not only because of its cultural significance but also because of concern over the performance and resource implications of buildings. 101 in-depth articles by international scholars and practitioners bring the subject into focus by examining issues from various viewpoints. Please contact your representative for a leaflet detailing full contents and contributors. It also includes sample pages and several illustrations from the book.
Author | : Royal Commission on Historical Monuments (England). |
Publisher | : |
Total Pages | : 0 |
Release | : 1984 |
Genre | : Architecture |
ISBN | : 9780117009967 |
Author | : Richard Wilson |
Publisher | : Bloomsbury Publishing |
Total Pages | : 449 |
Release | : 2000-12-01 |
Genre | : History |
ISBN | : 0826439101 |
Building or rebuilding their houses was one of the main concerns of the English nobility and gentry, some might say their greatest achievement. This is the first book to look at the building of country houses as a whole. Creating Paradise shows why owners embarked on building programmes, often following the Grand Tour or excursions around other houses in England; where they looked for architectural inspiration and assistance; and how the building was actually done. It deals not only with great houses, including Holkham and Castle Howard, but also the diversity of smaller ones such as Felbrigg and Dyrham, and shows the cost not only of building but of decorating and furnishing houses and of making their gardens. Creating Paradise is an important and original contribution to its subject and a highly readable account of the attitude of the English ruling class to its most important
Author | : David Parsons |
Publisher | : Oxbow Books |
Total Pages | : 456 |
Release | : 2013-05-31 |
Genre | : Architecture |
ISBN | : 1842179365 |
All Saints’ Church, Brixworth lies 7 miles north of Northampton. The core of the church is Anglo-Saxon and the research published here provides an unprecedented account of one of the most important buildings of its period surviving in England. The building of the main body of the church was towards the end of the 8th century, with a western tower, stair turret and polygonal apse added before the end of the 9th. Major modifications were made during the early and later medieval periods. From the early 19th century the church attracted much antiquarian interest, especially by topographical draughtsmen, whose drawings are crucial to its understanding before major restoration. Reverend Charles Frederick Watkins (Vicar, 1832–1871) made a particular study of the church fabric and identified both surviving and demolished Anglo-Saxon structures. Restoration under his direction reversed most of the medieval changes he recognised within the standing fabric, leaving the church with much the same appearance as it has today. The Brixworth Archaeological Research Committee, founded in 1972, embarked on an in-depth archaeological and historical study of All Saints’. Limited excavation revealed evidence for the former extent of the cemetery and examined remains of the early structures to the north of the church, including one whose foundations cut a ditch containing 8th-century material. The later 8th-century date for the foundation of the church was confirmed by radiocarbon dates from charcoal extracted from construction mortar in the church fabric. A complete stone-by-stone survey of the standing fabric, accompanied by petrological identifications, has led to a refined appraisal of the construction sequence and the identification of ‘exotic’ stone types and Roman bricks reused from earlier buildings up to 40 km distant. The archaeological, geological and laboratory findings presented here have been amplified by contextual studies placing the church against its archaeological, architectural, liturgical and historical background, with detailed comparisons with standing and excavated buildings of similar age in north Europe and Italy.
Author | : Peter Draper |
Publisher | : Yale University Press |
Total Pages | : 308 |
Release | : 2006-01-01 |
Genre | : Architecture |
ISBN | : 0300120362 |
In this original account of architecture in England between c.1150 and c.1250, Peter Draper explores how the assimilation of new ideas from France led to an English version of Gothic architecture that was quite distinct from Gothic expression elsewhere. The author considers the great cathedrals of England (Canterbury, Wells, Salisbury, Lincoln, Ely, York, Durham, and others) as well as parish churches and secular buildings, to examine the complex interrelations between architecture and its social and political functions. Architecture was an expression of identity, Draper finds, and the unique Gothic that developed in England was one of a number of manifestations of an emerging sense of national identity. The book inquires into such topics as the role of patrons, the relationships between patrons and architects, and the wide variety of factors that contributed to the process of creating a building. With 250 illustrations, including more than 50 in color, this book offers new ways of seeing and thinking about some of England’s greatest and best-loved architecture.
Author | : Martin Blain |
Publisher | : Springer Nature |
Total Pages | : 291 |
Release | : 2020-07-13 |
Genre | : Performing Arts |
ISBN | : 303038599X |
This volume explores the issue of collaboration: an issue at the centre of Performance Arts Research. It is explored here through the different practices in music, dance, drama, fine art, installation art, digital media or other performance arts. Collaborative processes are seen to develop as it occurs between academic researchers in the creative arts and professional practitioners in commercial organisations in the creative arts industries (and beyond), as well as focusing attention and understanding on the tacit/implicit dimensions of working across different media.
Author | : Jan Harding |
Publisher | : English Heritage |
Total Pages | : 976 |
Release | : 2013-01-15 |
Genre | : Social Science |
ISBN | : 1848021755 |
The Raunds Area Project investigated more than 20 Neolithic and Bronze Age monuments in the Nene Valley. From c 5000 BC to the early 1st millennium cal BC a succession of ritual mounds and burial mounds were built as settlement along the valley sides increased and woodland was cleared. Starting as a regular stopping-place for flint knapping and domestic tasks, first the Long Mound, and then Long Barrow, the north part of the Turf Mound and the Avenue were built in the 5th millennium BC. With the addition of the Long Enclosure, the Causewayed Ring Ditch, and the Southern Enclosure, there was a chain of five or six diverse monuments stretched along the river bank by c 3000 cal BC. Later, a timber platform, the Riverside Structure, was built and the focus of ceremonial activity shifted to the Cotton 'Henge', two concentric ditches on the occupied valley side. From c 2200 cal BC monument building accelerated and included the Segmented Ditch Circle and at least 20 round barrows, almost all containing burials, at first inhumations, then cremations down to c 1000 cal BC, by which time two overlapping systems of paddocks and droveways had been laid out. Finally, the terrace began to be settled when these had gone out of use, in the early 1st millennium cal BC. This second volume of the Raunds Area Project, published as a CD, comprises the detailed reports on the environmental archaeology, artefact studies, geophysics and chronology.