Archaeology and The Politics of Vision in a Post-Modern Context

Archaeology and The Politics of Vision in a Post-Modern Context
Author: Vítor Oliveira Jorge
Publisher: Cambridge Scholars Publishing
Total Pages: 355
Release: 2009-01-14
Genre: Social Science
ISBN: 144380374X

Archaeology is intimately connected to the modern regime of vision. A concern with optics was fundamental to the Scientific Revolution, and informed the moral theories of the Enlightenment. And from its inception, archaeology was concerned with practices of depiction and classification that were profoundly scopic in character. Drawing on both the visual arts and the depictive practices of the sciences, employing conventionalised forms of illustration, photography, and spatial technologies, archaeology presents a paradigm of visualised knowledge. However, a number of thinkers from Jean-Paul Sartre onwards have cautioned that vision presents at once a partial and a politicised way of apprehending the world. In this volume, authors from archaeology and other disciplines address the problems that face the study of the past in an era in which realist modes of representation and the philosophies in which they are grounded in are increasingly open to question.

Archaeology After Interpretation

Archaeology After Interpretation
Author: Benjamin Alberti
Publisher: Routledge
Total Pages: 469
Release: 2016-06-16
Genre: Social Science
ISBN: 1315434237

A new generation of archaeologists has thrown down a challenge to post-processual theory, arguing that characterizing material symbols as arbitrary overlooks the material character and significance of artifacts. This volume showcases the significant departure from previous symbolic approaches that is underway in the discipline. It brings together key scholars advancing a variety of cutting edge approaches, each emphasizing an understanding of artifacts and materials not in terms of symbols but relationally, as a set of associations that compose people’s understanding of the world. Authors draw on a diversity of intellectual sources and case studies, paving a dynamic road ahead for archaeology as a discipline and theoretical approaches to material culture.

The Neolithic of Europe

The Neolithic of Europe
Author: Penny Bickle
Publisher: Oxbow Books Limited
Total Pages: 962
Release: 2017-05-31
Genre: Social Science
ISBN: 1785706551

The Neolithic of Europe comprises eighteen specially commissioned papers on prehistoric archaeology, written by leading international scholars. The coverage is broad, ranging geographically from southeast Europe to Britain and Ireland and chronologically from the Neolithic to the Iron Age, but with a decided focus on the former. Several papers discuss new scientific approaches to key questions in Neolithic research, while others offer interpretive accounts of aspects of the archaeological record. Thematically, the main foci are on Neolithisation; the archaeology of Neolithic daily life, settlements and subsistence; as well as monuments and aspects of world view. A number of contributions highlight the recent impact of techniques such as isotopic analysis and statistically modeled radiocarbon dates on our understanding of mobility, diet, lifestyles, events and historical processes. The volume is presented to celebrate the enormous impact that Alasdair Whittle has had on the study of prehistory, especially the European and British Neolithic, and his rich career in archaeology.

Historic Landscapes and Mental Well-being

Historic Landscapes and Mental Well-being
Author: Timothy Darvill
Publisher: Archaeopress Publishing Ltd
Total Pages: 310
Release: 2019-09-05
Genre: Social Science
ISBN: 1789692695

Using archaeological sites and historic landscapes to promote mental well-being represents one of the most significant advances in archaeological resource management for many years. Prompted by the Human Henge project (Stonehenge/Avebury World Heritage Site), this volume provides an overview of work going on across Britain and the near Continent.

Signalling and Performance: Ancient Rock Art in Britain and Ireland

Signalling and Performance: Ancient Rock Art in Britain and Ireland
Author: Aron Mazel
Publisher: Archaeopress Publishing Ltd
Total Pages: 344
Release: 2022-08-28
Genre: Art
ISBN: 180327252X

This lavishly illustrated volume presents a state of the art survey of the ancient rock art of Britain and Ireland. Bringing together new discoveries and new interpretations, it enhances our understanding and further establishes ancient British and Irish rock art as a significant archaeological assemblage worthy of attention and additional study.

Seeing the Past with Computers

Seeing the Past with Computers
Author: Kevin Kee
Publisher: University of Michigan Press
Total Pages: 255
Release: 2019-01-24
Genre: Computers
ISBN: 0472124552

Recent developments in computer technology are providing historians with new ways to see—and seek to hear, touch, or smell—traces of the past. Place-based augmented reality applications are an increasingly common feature at heritage sites and museums, allowing historians to create immersive, multifaceted learning experiences. Now that computer vision can be directed at the past, research involving thousands of images can recreate lost or destroyed objects or environments, and discern patterns in vast datasets that could not be perceived by the naked eye. Seeing the Past with Computers is a collection of twelve thought-pieces on the current and potential uses of augmented reality and computer vision in historical research, teaching, and presentation. The experts gathered here reflect upon their experiences working with new technologies, share their ideas for best practices, and assess the implications of—and imagine future possibilities for—new methods of historical study. Among the experimental topics they explore are the use of augmented reality that empowers students to challenge the presentation of historical material in their textbooks; the application of seeing computers to unlock unusual cultural knowledge, such as the secrets of vaudevillian stage magic; hacking facial recognition technology to reveal victims of racism in a century-old Australian archive; and rebuilding the soundscape of an Iron Age village with aural augmented reality. This volume is a valuable resource for scholars and students of history and the digital humanities more broadly. It will inspire them to apply innovative methods to open new paths for conducting and sharing their own research.

Defining Landscape Democracy

Defining Landscape Democracy
Author: Shelley Egoz
Publisher: Edward Elgar Publishing
Total Pages: 277
Release: 2018-06-29
Genre: Architecture
ISBN: 1786438348

This stimulating book explores theories, conceptual frameworks, and cultural approaches with the purpose of uncovering a cross-cultural understanding of landscape democracy, a concept at the intersection of landscape, democracy and spatial justice. The authors of Defining Landscape Democracy address a number of questions that are critical to the contemporary discourse on the right to landscape: Why is democracy relevant to landscape? How do we democratise landscape? How might we achieve landscape and spatial justice?

Reclaiming Archaeology

Reclaiming Archaeology
Author: Alfredo González-Ruibal
Publisher: Routledge
Total Pages: 392
Release: 2013-08-21
Genre: Social Science
ISBN: 1135083533

Archaeology has been an important source of metaphors for some of the key intellectuals of the 20th century: Sigmund Freud, Walter Benjamin, Alois Riegl and Michel Foucault, amongst many others. However, this power has also turned against archaeology, because the discipline has been dealt with perfunctorily as a mere provider of metaphors that other intellectuals have exploited. Scholars from different fields continue to explore areas in which archaeologists have been working for over two centuries, with little or no reference to the discipline. It seems that excavation, stratigraphy or ruins only become important at a trans-disciplinary level when people from outside archaeology pay attention to them and somehow dematerialize them. Meanwhile, archaeologists have been usually more interested in borrowing theories from other fields, rather than in developing the theoretical potential of the same concepts that other thinkers find so useful. The time is ripe for archaeologists to address a wider audience and engage in theoretical debates from a position of equality, not of subalternity. Reclaiming Archaeology explores how archaeology can be useful to rethink modernity’s big issues, and more specifically late modernity (broadly understood as the 20th and 21st centuries). The book contains a series of original essays, not necessarily following the conventional academic rules of archaeological writing or thinking, allowing rhetoric to have its place in disclosing the archaeological. In each of the four sections that constitute this book (method, time, heritage and materiality), the contributors deal with different archaeological tropes, such as excavation, surface/depth, genealogy, ruins, fragments, repressed memories and traces. They criticize their modernist implications and rework them in creative ways, in order to show the power of archaeology not just to understand the past, but also the present. Reclaiming Archaeology includes essays from a diverse array of archaeologists who have dealt in one way or another with modernity, including scholars from non-Anglophone countries who have approached the issue in original ways during recent years, as well as contributors from other fields who engage in a creative dialogue with archaeology and the work of archaeologists.

Art and Archaeology

Art and Archaeology
Author: Ian Alden Russell
Publisher: Springer Science & Business Media
Total Pages: 250
Release: 2013-11-19
Genre: Social Science
ISBN: 1461489903

This volume presents a collection of interdisciplinary collaborations between contemporary art, heritage, anthropological, and archaeological practitioners. Departing from the proceedings of the Sixth World Archaeological Congress’s ‘Archaeologies of Art’ theme and Ábhar agus Meon exhibitions, it includes papers by seminal figures as well as experimental work by those who are exploring the application of artistic methods and theory to the practice of archaeology. Art and archaeology: collaborations, conversations, criticisms encourages the creative interplay of various approaches to ‘art’ and ‘archaeology’ so these new modes of expression can contribute to how we understand the world. Established topics such as cave art, monumental architecture and land art will be discussed alongside contemporary video art, performance art and relational arts practices. Here, the parallel roles of artists as makers of new worlds and archaeologists as makers of pasts worlds are brought together to understand the influences of human creativity.

Making a Mark

Making a Mark
Author: Andrew Meirion Jones
Publisher: Oxbow Books
Total Pages: 511
Release: 2019-03-31
Genre: History
ISBN: 1789251893

The visual imagery of Neolithic Britain and Ireland is spectacular. While the imagery of passage tombs, such as Knowth and Newgrange, are well known the rich imagery on decorated portable artefacts is less well understood. How does the visual imagery found on decorated portable artefacts compare with other Neolithic imagery, such as passage tomb art and rock art? How do decorated portable artefacts relate chronologically to other examples of Neolithic imagery? Using cutting edge digital imaging techniques, the Making a Mark project examined Neolithic decorated portable artefacts of chalk, stone, bone, antler, and wood from three key regions: southern England and East Anglia; the Irish Sea region (Wales, the Isle of Man and eastern Ireland); and Northeast Scotland and Orkney. Digital analysis revealed, for the first time, the prevalence of practices of erasure and reworking amongst a host of decorated portable artefacts, changing our understanding of these enigmatic artefacts. Rather than mark making being a peripheral activity, we can now appreciate the central importance of mark making to the formation of Neolithic communities across Britain and Ireland. The volume visually documents and discusses the contexts of the decorated portable artefacts from each region, discusses the significance and chronology of practices of erasure and reworking, and compares these practices with those found in other Neolithic contexts, such as passage tomb art, rock art and pottery decoration. A contribution from Antonia Thomas also discusses the settlement art and mortuary art of Orkney, while Ian Dawson and Louisa Minkin contribute with a discussion of the collaborative fine art practices established during the project.