Archaeological Semiotics
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| Author | : Robert W. Preucel |
| Publisher | : John Wiley & Sons |
| Total Pages | : 353 |
| Release | : 2010-04-26 |
| Genre | : Social Science |
| ISBN | : 140519913X |
This interdisciplinary book examines archaeology’s engagement with semiotics, from its early structuralist beginnings to its more recent Peircian encounters. It represents the first sustained engagement with Peircian semiotics in archaeology, as well as the first discussion of how pragmatic anthropology articulates with anthropological archaeology. Its central thesis is that archaeology is a distinctive kind of semiotic enterprise; one devoted to giving meaning to the past in the present through the study of materiality. It compliments standard studies of linguistics and reformulates contemporary theories of material culture. Providing an introduction to Saussure and a review of his legacy across structural, symbolic, and cognitive anthropology, Preucel goes on to present the Peircian alternative and highlights its influence on pragmatic anthropology. Of special interest are the discussions of the interrelations of structuralism and processual archaeology, poststructuralism and postprocessual archaeologies, and cognitive science and cognitive archaeology. The author offers two original case studies demonstrating how material culture pragmatically mediates social relations- one focusing on the aftermath of the Pueblo Revolt from 1680-1694 and the other on the New England utopian community of Brook Farm from 1842-1846. Throughout his analysis, Preucel emphasizes the close links between archaeology and other social sciences. But he also contends that archaeology, by virtue of the powerful ideological character of the past, can open up new spaces for discourse and dialogue about meaning, and, in the process, make a valuable contribution to contemporary semiotics.
| Author | : Jamin Pelkey |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 313 |
| Release | : 2023-01-12 |
| Genre | : Literary Criticism |
| ISBN | : 1350139386 |
Bloomsbury Semiotics offers a state-of-the-art overview of the entire field of semiotics by revealing its influence on a wide range of disciplinary perspectives. With four volumes spanning theory, method and practice across the disciplines, this definitive reference work emphasizes and strengthens common bonds shared across intellectual cultures, and facilitates the discovery and recovery of meaning across fields. It comprises: Volume 1: History and Semiosis Volume 2: Semiotics in the Natural and Technical Sciences Volume 3: Semiotics in the Arts and Social Sciences Volume 4: Semiotic Movements Written by leading international experts, the chapters provide comprehensive overviews of the history and status of semiotic inquiry across a diverse range of traditions and disciplines. Together, they highlight key contemporary developments and debates along with ongoing research priorities. Providing the most comprehensive and united overview of the field, Bloomsbury Semiotics enables anyone, from students to seasoned practitioners, to better understand and benefit from semiotic insight and how it relates to their own area of study or research. Volume 3: Semiotics in the Arts and Social Sciences presents the state-of-the art in semiotic approaches to disciplines ranging from philosophy and anthropology to history and archaeology, from sociology and religious studies to music, dance, rhetoric, literature, and structural linguistics. Each chapter goes casts a vision for future research priorities, unanswered questions, and fresh openings for semiotic participation in these and related fields.
| Author | : Oliver J. T. Harris |
| Publisher | : Routledge |
| Total Pages | : 238 |
| Release | : 2017-06-26 |
| Genre | : Social Science |
| ISBN | : 1317497449 |
Archaeological Theory in the New Millennium provides an account of the changing world of archaeological theory and a challenge to more traditional narratives of archaeological thought. It charts the emergence of the new emphasis on relations as well as engaging with other current theoretical trends and the thinkers archaeologists regularly employ. Bringing together different strands of global archaeological theory and placing them in dialogue, the book explores the similarities and differences between different contemporary trends in theory while also highlighting potential strengths and weaknesses of different approaches. Written in a way to maximise its accessibility, in direct contrast to many of the sources on which it draws, Archaeological Theory in the New Millennium is an essential guide to cutting-edge theory for students and for professionals wishing to reacquaint themselves with this field.
| Author | : Patricia Urban |
| Publisher | : Routledge |
| Total Pages | : 399 |
| Release | : 2019-03-04 |
| Genre | : Social Science |
| ISBN | : 1000021173 |
Many students view archaeological theory as a subject distinct from field research. This division is reinforced by the way theory is taught, often in stand-alone courses that focus more on logic and reasoning than on the application of ideas to fieldwork. Divorcing thought from action does not convey how archaeologists go about understanding the past. This book bridges the gap between theory and practice by looking in detail at how the authors and their colleagues used theory to interpret what they found while conducting research in northwest Honduras. This is not a linear narrative. Rather, the book highlights the open-ended nature of archaeological investigations in which theories guide research whose findings may challenge these initial interpretations and lead in unexpected directions. Pursuing those novel investigations requires new theories that are themselves subject to refutation by newly gathered data. The central case study is the writers’ work in Honduras. The interrelations of fieldwork, data, theory, and interpretation are also illustrated with two long-running archaeological debates, the emergence of inequality in southern Mesopotamia and inferring the ancient meanings of Stonehenge. The book is of special interest to undergraduate Anthropology/Archaeology majors and first- and second-year graduate students, along with anyone interested in how archaeologists convert the static materials we find into dynamic histories of long-vanished people.
| Author | : Sharon R Steadman |
| Publisher | : Routledge |
| Total Pages | : 469 |
| Release | : 2016-06-16 |
| Genre | : Social Science |
| ISBN | : 1315433958 |
This volume is the first text to focus specifically on the archaeology of domestic architecture. Covering major theoretical and methodological developments over recent decades in areas like social institutions, settlement types, gender, status, and power, this book addresses the developing understanding of where and how people in the past created and used domestic space. It will be a useful synthesis for scholars and an ideal text for advanced undergraduate and graduate courses in archaeology and architecture. The book-covers the relationship of architectural decisions of ancient peoples with our understanding of social and cultural institutions;-includes cases from every continent and all time periods-- from the Paleolithic of Europe to present-day African villages;-is ideal for the growing number of courses on household archaeology, social archaeology, and historical and vernacular architecture.
| Author | : Guido Guarducci |
| Publisher | : Oxbow Books |
| Total Pages | : 306 |
| Release | : 2024-04-30 |
| Genre | : Social Science |
| ISBN | : |
These case studies offer new approaches to the analysis and interpretation of symbols in a variety of media and as expressed on a range of objects at different scales. This third volume in the Material Religion in Antiquity series stems from the First International Congress on the Archaeology of Symbols (ICAS I) that took place in Florence in May 2022. The archaeological process of reconstructing and understanding our past has undergone several reassessments in the last century, producing an equal number of new perspectives and approaches. The recent materiality turn emphasizes the necessity to ground those achievements in order to build fresh avenues of interpretation and reach new boundaries in the study of the human kind and its ecology. Symbols must not be conceived only as allegory but also, and perhaps mainly, as reason (raison d’être) and meaning (culture). They may be considered key elements leading to interpretation, not only in their physical manifestation but by being infused with the gestures, beliefs and intentions of their creators, created in a specific context and with a specific chaîne opératoire. In this volume a variety of case studies is offered, representing disparate ancient cultures in the Mediterranean and central Europe and the Near East. The thread that connects them revolves around the prominence of symbols and allegorical aspects in archaeology, whether they are considered as expressions of iconographic evidence, material culture or ritual ceremonies, seen from a multicultural perspective. This (and subsequent ICAS) volumes, therefore, aims to embrace all the different aspects pertaining to symbols in archaeology in a specific ‘place’, allowing the reader to deepen their knowledge of such a fascinating and multifaceted topic, by looking at it from a multicultural perspective.
| Author | : Johannes Müller |
| Publisher | : Springer Nature |
| Total Pages | : 379 |
| Release | : |
| Genre | : |
| ISBN | : 3031533143 |
| Author | : Carl Knappett |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 268 |
| Release | : 2008-12-15 |
| Genre | : Science |
| ISBN | : 0387747117 |
Thus far an ‘agent’ in the social sciences has always meant someone whose actions bring about change. In this volume, the editors challenge this position and examine the possibility that agency is not a solely human property. Instead, this collection of archaeologists, anthropologists, sociologists and other social scientists explores the symbiotic relationships between humans and material entities (a key opening a door, a speed bump raising a car) as they engage with one another.
| Author | : Ann C. Gunter |
| Publisher | : John Wiley & Sons |
| Total Pages | : 704 |
| Release | : 2018-11-20 |
| Genre | : Literary Criticism |
| ISBN | : 1118301250 |
Provides a broad view of the history and current state of scholarship on the art of the ancient Near East This book covers the aesthetic traditions of Mesopotamia, Iran, Anatolia, and the Levant, from Neolithic times to the end of the Achaemenid Persian Empire around 330 BCE. It describes and examines the field from a variety of critical perspectives: across approaches and interpretive frameworks, key explanatory concepts, materials and selected media and formats, and zones of interaction. This important work also addresses both traditional and emerging categories of material, intellectual perspectives, and research priorities. The book covers geography and chronology, context and setting, medium and scale, while acknowledging the diversity of regional and cultural traditions and the uneven survival of evidence. Part One of the book considers the methodologies and approaches that the field has drawn on and refined. Part Two addresses terms and concepts critical to understanding the subjects and formal characteristics of the Near Eastern material record, including the intellectual frameworks within which monuments have been approached and interpreted. Part Three surveys the field’s most distinctive and characteristic genres, with special reference to Mesopotamian art and architecture. Part Four considers involvement with artistic traditions across a broader reach, examining connections with Egypt, the Aegean, and the Mediterranean. And finally, Part Five addresses intersections with the closely allied discipline of archaeology and the institutional stewardship of cultural heritage in the modern Middle East. Told from multiple perspectives, A Companion to Ancient Near Eastern Art is an enlightening, must-have book for advanced undergraduate and graduate students of ancient Near East art and Near East history as well as those interested in history and art history.
| Author | : Bruno David |
| Publisher | : Oxford University Press |
| Total Pages | : 1185 |
| Release | : 2018-10-17 |
| Genre | : Social Science |
| ISBN | : 0190844957 |
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.
