Approaching Postmodernism
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| Author | : Douwe Wessel Fokkema |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 313 |
| Release | : 1986 |
| Genre | : Literary Criticism |
| ISBN | : 9027222061 |
Most of the essays collected in this volume deal with theoretical issues that dominate the international debate on Postmodernism, issues such as the shifting nature of the concept, the problem of periodization and the problem of historicity. Other essays offer readings of Postmodernist texts and relate practical criticism to a theoretical framework. Hans Bertens (Utrecht) sketches the historical development of the concept Postmodernism in American criticism, distinguishing between the various definitions that have been proposed over the last twenty-five years, in an attempt to bring some order to the field and to facilitate future discussion. Brian McHale (Tel Aviv) and Douwe Fokkema (Utrecht) offer models for the description of Postmodernist texts. Richard Todd (Amsterdam) argues convincingly that Postmodernism is much more of a presence in contemporary British fiction than has so far been assumed, and Herta Schmid (Munich) presents a similar argument with respect to Russian avant-garde theater. Elrud Ibsch (Amsterdam) presents a contrastive analysis of Thomas Bernhard and Robert Musil; Ulla Musarra (Nijmegen) writes on Italo Calvino. The relation between Existentialism and Postmodernism is examined by Gerhard Hoffman (Würzburg); Theo D'haen (Utrecht) finds important parallels between Postmodernism in literature and in the visual arts; Matei Calinescu (Bloomington, Ind.) relates literary Postmodernism to a far more general cultural shift, rejecting, however, Foucault's notion of an epistemic break and arguing for both continuity and discontinuity. Finally, Helmut Lethen (Utrecht) and Susan Suleiman (Harvard) sharply question the concept of Postmodernism. Suleiman argues that the supposed Postmodernist reaction against Modernism may well be a critical myth or, if it isn't, a reaction limited to the American literary situation.
| Author | : Douwe Wessel Fokkema |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 313 |
| Release | : 1986 |
| Genre | : Literary Criticism |
| ISBN | : 9027221960 |
Most of the essays collected in this volume deal with theoretical issues that dominate the international debate on Postmodernism, issues such as the shifting nature of the concept, the problem of periodization and the problem of historicity. Other essays offer readings of Postmodernist texts and relate practical criticism to a theoretical framework. Hans Bertens (Utrecht) sketches the historical development of the concept Postmodernism in American criticism, distinguishing between the various definitions that have been proposed over the last twenty-five years, in an attempt to bring some order to the field and to facilitate future discussion. Brian McHale (Tel Aviv) and Douwe Fokkema (Utrecht) offer models for the description of Postmodernist texts. Richard Todd (Amsterdam) argues convincingly that Postmodernism is much more of a presence in contemporary British fiction than has so far been assumed, and Herta Schmid (Munich) presents a similar argument with respect to Russian avant-garde theater. Elrud Ibsch (Amsterdam) presents a contrastive analysis of Thomas Bernhard and Robert Musil; Ulla Musarra (Nijmegen) writes on Italo Calvino. The relation between Existentialism and Postmodernism is examined by Gerhard Hoffman (Wurzburg); Theo D'haen (Utrecht) finds important parallels between Postmodernism in literature and in the visual arts; Matei Calinescu (Bloomington, Ind.) relates literary Postmodernism to a far more general cultural shift, rejecting, however, Foucault's notion of an epistemic break and arguing for both continuity and discontinuity. Finally, Helmut Lethen (Utrecht) and Susan Suleiman (Harvard) sharply question the concept of Postmodernism. Suleiman argues that the supposed Postmodernist reaction against Modernism may well be a critical myth or, if it isn't, a reaction limited to the American literary situation.
| Author | : Farhat Iftekharrudin |
| Publisher | : Praeger |
| Total Pages | : 184 |
| Release | : 2003-03-30 |
| Genre | : Literary Criticism |
| ISBN | : |
Postmodernism, as a mode of the contemporary short story, has been clearly established and recognized by short story theorists. But postmodern theory, as pervasive as it has become among academics in the last half century, has scarcely been applied to the short story genre in particular. Many contemporary scholars, nonetheless, are currently making use of certain postmodern thematic approaches to help them determine meanings of particular short stories. T Short story theory began with Edgar Allan Poe's review of Twice-Told Tales, a collection of stories by his contemporary, Nathaniel Hawthorne. But theoretical discussions of the short story languished until modernism and the new criticism provided impetus for further development. Surprisingly, though, the next large critical movement, postmodernism, failed to address the short story as a genre. But while there is little postmodern theory concerning the short story, contemporary scholars have used certain postmodern critical approaches to help determine meaning. This book demonstrates the effect of postmodern theory on the study of the short story genre. The expert contributors to this volume examine such topics as genre and form, the role of the reader, cultural and ethnic diversity, and feminist perspectives on the short story. In doing so, they apply postmodern theoretical approaches to international short stories, be they in the traditional mode, the modern mode, or the postmodern mode. The volume looks at fiction by Edith Wharton, Henry James, Katherine Mansfield, and other authors, and at Iranian short fiction, the postcolonial short story, the fantastic in short fiction, and other subjects.
| Author | : Robert Hollinger |
| Publisher | : SAGE Publications, Incorporated |
| Total Pages | : 216 |
| Release | : 1994-08-04 |
| Genre | : Philosophy |
| ISBN | : |
The major themes of postmodernist writing are demystified in this introductory text. Robert Hollinger reviews key postmodern discussions on critical topics such as values, identity, and the self and society. He compares postmodern thinking with that of the enlightenment project, modernism, modernity, Marxism and Critical Theory. This, together with his treatment of Foucault, Lyotard, Baudrillard, Derrida, Deleuze, Guattari and other leading postmodern theorists, provides an excellent introduction to modern social theory.
| Author | : Colin C. Ward |
| Publisher | : SAGE |
| Total Pages | : 217 |
| Release | : 2010-06-25 |
| Genre | : Psychology |
| ISBN | : 1412973295 |
Integrates key techniques into current teaching and practice This text provides a framework for the synthesis of postmodern theories of counseling. The cutting-edge Strength Centered Counseling model can be incorporated effectively with the more traditional models of counseling, resolving the ambiguity about how postmodernism fits into every day practice and results in more direct application of knowledge and skill sets for training in counselor education. Authors Colin Ward and Teri Reuter offer a practical and straightforward resource that presents clients with opportunities to look at life not only from a context of problems and adversity; but also of solutions, strengths, and hope. Key Features Interactive learning experiences including Learning Activities (within chapters) and Professional Growth Activities (at the end of chapters) present throughout the text Clear direction for application of principles, techniques and interventions Counselor Interview and Reflection guides serve as both valuable as a learning tool and a structural guide for future sessions with clients This text is appropriate for counseling theories and counseling skills related courses in counseling, psychology, and related fields.
| Author | : Lois Parkinson Zamora |
| Publisher | : Duke University Press |
| Total Pages | : 598 |
| Release | : 1995 |
| Genre | : Literary Criticism |
| ISBN | : 9780822316404 |
On magical realism in literature
| Author | : Hugh J. Silverman |
| Publisher | : Routledge |
| Total Pages | : 350 |
| Release | : 2017-08-07 |
| Genre | : Philosophy |
| ISBN | : 1351621599 |
This book, first published in 1990, addresses the broad cultural phenomenon that is postmodernism. The first part of the book raises some general theoretical questions about postmodernism – its language and its politics, for example. The second section attends to particular ‘sites’, namely the various arts themselves and the philosophical understanding of them. Here one finds specific readings of architecture, painting, literature, theatre, photography, film, television, dance and fashion.
| Author | : Paul A. Bové |
| Publisher | : Boundary 2 Book |
| Total Pages | : 320 |
| Release | : 1995 |
| Genre | : Literary Criticism |
| ISBN | : |
In the decade that followed 1972, the journal boundary 2 consistently published many of the most distinguished and most influential statements of an emerging literary postmodernism. Recognizing postmodernism as a dominant force in culture, particularly in the literary and narrative imagination, the journal appeared when literary critical study in the United States was in a period of theory-induced ferment. The fundamental relations between postmodernism and poststructuralism were being initially examined and the effort to formulate a critical sense of the postmodern was underway. In this volume, Paul A. Bové, the current editor of boundary 2, has gathered many of those foundational essays and, as such, has assembled a basic text in the history of postmodernism. Essays by noted cultural and literary theorists join with Bové's contemporary preface to represent the important and unique moment in recent intellectual history when postmodernism was no longer seen primarily as an architectural term, had not yet come to describe the wide range of culture it does now, but was finding power and place in the literary realm. These essays show that the history of postmodernism and its attendant critical theories are both more complex and more deeply bound with literary criticism than often is acknowledged today. Early Postmodernism demonstrates not only the significance of these literary studies, but also the role played by literary critical postmodernism in making possible newer forms of critical and cultural studies. Contributors. Barry Alpert, Charles Altieri, David Antin, Harold Bloom, Paul A. Bové, Hélène Cixous, Gerald Gillespie, Ihab Hassan, Joseph N. Riddel, William, V. Spanos, Catharine R. Stimpson, Cornel West
| Author | : Thomas Docherty |
| Publisher | : Routledge |
| Total Pages | : 674 |
| Release | : 2016-07-01 |
| Genre | : Literary Criticism |
| ISBN | : 1315504596 |
This reader provides a selection of articles and essays by leading figures in the postmodernism debate.
| Author | : Matei Calinescu |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 277 |
| Release | : 1988-01-01 |
| Genre | : Philosophy |
| ISBN | : 902727858X |
The great diversity of contexts in which the term Postmodernism is currently encountered reflects the remarkable success of a coinage that has been in circulation for only about forty years. It has been used by philosophers, sociologists, art critics and literary historians to become, finally, a household word in the language of advertising and politics. Before letting it fade to a derelict cliché, an attempt is made in this volume of essays to use its potential as a cultural concept for the analysis and understanding of contemporary literature and thought.
