Anthology Of German Expressionist Drama
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German Expressionist Theatre
Author | : David F. Kuhns |
Publisher | : Cambridge University Press |
Total Pages | : 325 |
Release | : 1997-08-28 |
Genre | : Drama |
ISBN | : 0521583403 |
German Expressionist Theatre: The Actor and the Stage considers the powerfully stylized, anti-realistic styles of acting on the German Expressionist stage from 1916 to 1921. It relates this striking departure from the dominant European acting tradition of realism to the specific cultural crises that enveloped the German nation during the course of its involvement in World War I. This book describes three distinct Expressionist acting styles, all of which in their own ways attempted to show how symbolic stage performance could be a powerful rhetorical resource for a culture struggling to come to terms with the crises of historical change. The examination of Expressionist script and actor memoirs allows for an unprecedented focus on description and analysis of acting itself.
A Companion to the Literature of German Expressionism
Author | : Neil H. Donahue |
Publisher | : Camden House |
Total Pages | : 392 |
Release | : 2005 |
Genre | : Literary Criticism |
ISBN | : 1571131752 |
New essays examining the complex period of rich artistic ferment that was German literary Expressionism.
German Expressionist Drama
Author | : James MacPherson Ritchie |
Publisher | : Macmillan Reference USA |
Total Pages | : 210 |
Release | : 1976 |
Genre | : Drama |
ISBN | : |
German Expressionist Plays: Gottfried Benn, Georg Kaiser, Ernst Toller, and Others
Author | : Ernst Schurer |
Publisher | : A&C Black |
Total Pages | : 348 |
Release | : 1997-07-01 |
Genre | : History |
ISBN | : 9780826409508 |
This volume in The German Library includes the following authors and plays, which best represent the Expressionist movement of the early 20th century: -- Georg Kaiser: Gas I and Gas II -- Ernst Toller: Masses and Man -- Gottfried Benn: Ithaka -- Oskar Kokoschka: Murderer the Women's Hope -- Carl Sternheim: The Bloomers -- Walter Hasenclever: The Son>
Modern Drama in Theory and Practice: Volume 3, Expressionism and Epic Theatre
Author | : J. L. Styan |
Publisher | : Cambridge University Press |
Total Pages | : 244 |
Release | : 1983-06-09 |
Genre | : Drama |
ISBN | : 9780521296304 |
Modern drama in theory and ... /J.L. Styan.-v.3.
A History of Modern Drama, Volume I
Author | : David Krasner |
Publisher | : John Wiley & Sons |
Total Pages | : 420 |
Release | : 2011-08-31 |
Genre | : Literary Criticism |
ISBN | : 1444343742 |
Covering the period 1879 to 1959, and taking in everything from Ibsen to Beckett, this book is volume one of a two-part comprehensive examination of the plays, dramatists, and movements that comprise modern world drama. Contains detailed analysis of plays and playwrights, connecting themes and offering original interpretations Includes coverage of non-English works and traditions to create a global view of modern drama Considers the influence of modernism in art, music, literature, architecture, society, and politics on the formation of modern dramatic literature Takes an interpretative and analytical approach to modern dramatic texts rather than focusing on production history Includes coverage of the ways in which staging practices, design concepts, and acting styles informed the construction of the dramas
Essays on Twentieth-century German Drama and Theater
Author | : Hellmut H. Rennert |
Publisher | : Peter Lang |
Total Pages | : 340 |
Release | : 2004 |
Genre | : Drama |
ISBN | : 9780820444031 |
This collection of articles by both German literature specialists and German theater experts grew out of the Comparative Drama Conference held annually between February and March from 1977 to 1999 in Gainesville, Florida. At the center of the contributors' work is the productive tension between the literary and the performance aspects of German drama and theater. At the same time, the reception is truly American, since the German playwrights, directors, theorists, and dramatists discussed have gone through creative filters in the researching, performing, and teaching of German drama and theater on various campuses across the United States during the last third of the twentieth century.
The Revolution in German Theatre 1900-1933 (Routledge Revivals)
Author | : Michael Patterson |
Publisher | : Routledge |
Total Pages | : 264 |
Release | : 2016-04-06 |
Genre | : Drama |
ISBN | : 1317217926 |
First published in 1981, this book represents the first work in English to give a comprehensive account of the revolutionary developments in German theatre from the decline of Naturalism through the Expressionist upheaval to the political theatre of Piscator and Brecht. Early productions of Kaiser’s From Morning till Midnight and Toller’s Transfiguration are presented as examples of Expressionism. A thorough analysis of Piscator’s Hoppla, Such is Life! And Brecht’s Man show the similarities and differences in political theatre. In addition, elements of stage-craft are examined — illustrated with tabulated information, an extensive chronology, and photographs and designs of productions.
Physical Theatres: A Critical Reader
Author | : John Keefe |
Publisher | : Routledge |
Total Pages | : 376 |
Release | : 2007-11-13 |
Genre | : Performing Arts |
ISBN | : 1134230966 |
Physical Theatres: A Critical Reader is an invaluable resource for students of physically orientated theatre and performance. This book aims to trace the roots and development of physicality in theatre by combining practical experience of the field with a strong historical and theoretical underpinning. In exploring the histories, cross-overs and intersections of physical theatres, this critical Reader provides: six new, specially commissioned essays, covering each of the book’s main themes, from technical traditions to contemporary practises discussion of issues such as the foregrounding of the body, training and performance processes, and the origins of theatre in both play and human cognition a focus on the relationship and tensions between the verbal and the physical in theatre contributions from Augusto Boal, Stephen Berkoff, Étienne Decroux, Bertolt Brecht, David George, J-J. Rousseau, Ana Sanchez Colberg, Michael Chekhov, Jeff Nuttall, Jacques Lecoq, Yoshi Oida, Mike Pearson, and Aristotle.