Announcing The Publication Of John Fante Prologue To Ask The Dust
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Author | : Stephen Cooper |
Publisher | : Fordham University Press |
Total Pages | : 353 |
Release | : 2020-04-07 |
Genre | : Literary Criticism |
ISBN | : 0823287882 |
This volume assembles for the first time a staggering multiplicity of reflections and readings of John Fante’s 1939 classic, Ask the Dust, a true testament to the work’s present and future impact. The contributors to this work—writers, critics, fans, scholars, screenwriters, directors, and others—analyze the provocative set of diaspora tensions informing Fante’s masterpiece that distinguish it from those accounts of earlier East Coast migrations and minglings. A must-read for aficionados of L.A. fiction and new migration literature, John Fante’s “Ask the Dust”: A Joining of Voices and Views is destined for landmark status as the first volume of Fante studies to reveal the novel’s evolving intertextualities and intersectionalities. Contributors: Miriam Amico, Charles Bukowski, Stephen Cooper, Giovanna DiLello, John Fante, Valerio Ferme, Teresa Fiore, Daniel Gardner, Philippe Garnier, Robert Guffey, Ryan Holiday, Jan Louter, Chiara Mazzucchelli, Meagan Meylor, J’aime Morrison, Nathan Rabin, Alan Rifkin, Suzanne Manizza Roszak, Danny Shain, Robert Towne, Joel Williams
Author | : John Fante |
Publisher | : Harper Collins |
Total Pages | : 194 |
Release | : 2010-05-18 |
Genre | : Fiction |
ISBN | : 0062013009 |
Ask the Dust is a virtuoso performance by an influential master of the twentieth-century American novel. It is the story of Arturo Bandini, a young writer in 1930s Los Angeles who falls hard for the elusive, mocking, unstable Camilla Lopez, a Mexican waitress. Struggling to survive, he perseveres until, at last, his first novel is published. But the bright light of success is extinguished when Camilla has a nervous breakdown and disappears . . . and Bandini forever rejects the writer's life he fought so hard to attain.
Author | : The J. Paul Getty Museum |
Publisher | : Getty Publications |
Total Pages | : 214 |
Release | : 1993-02-11 |
Genre | : Art |
ISBN | : 0892362286 |
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the precious year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 20 of the J. Paul Getty Museum Journal contains an index to volumes 1 to 20 and includes articles by John Walsh, Carl Brandon Strehlke, Barbara Bohen, Kelly Pask, Suzanne Lewis, Elizabeth Pilliod, Anne Ratzki-Kraatz, Sharon K. Shore, Linda A. Strauss, Brian Considine, Arie Wallert, Richard Rand, And Jacky De Veer-Langezaal.
Author | : John Fante |
Publisher | : Harper Collins |
Total Pages | : 179 |
Release | : 2010-05-25 |
Genre | : Fiction |
ISBN | : 0062013173 |
He came along, kicking the snow. Here was a disgusted man. His name was Svevo Bandini, and he lived three blocks down that street. He was cold and there were holes in his shoes. That morning he had patched the holes on the inside with pieces of cardboard from a macaroni box. The macaroni in that box was not paid for. He had thought of that as he placed the cardboard inside his shoes.
Author | : Nick Dawson |
Publisher | : University Press of Kentucky |
Total Pages | : 665 |
Release | : 2009-04-17 |
Genre | : Performing Arts |
ISBN | : 0813139198 |
The story of the director behind Harold and Maude, Being There, and other quirky classics: “A superb biography of this troubled, talented man.” —Tucson Citizen Hal Ashby set the standard for subsequent independent filmmakers by crafting unique, thoughtful, and challenging films that continue to influence new generations of directors. Initially finding success as an editor, Ashby won an Academy Award for editing 1967’s In the Heat of the Night, and translated his skills into a career as one of the quintessential directors of 1970s. Perhaps best remembered for the enduring cult classic Harold and Maude, Ashby quickly became known for melding quirky comedy and intense drama with performances from A-list actors such as Jack Nicholson in The Last Detail, Warren Beatty and Goldie Hawn in Shampoo, Jon Voight and Jane Fonda in Coming Home, and Peter Sellers and Shirley MacLaine in Being There. But Ashby’s personal life was difficult. After enduring his parents’ divorce, his father’s suicide, and his own failed marriage all before the age of nineteen, he became notorious for his drug abuse, which contributed to the decline of his career near the end of his life. Ashby always operated outside Hollywood’s conventions, and though his output was tragically limited, the quality of his films continues to inspire modern directors as varied and talented as Judd Apatow and Wes Anderson, both of whom acknowledge Ashby as a primary influence. In Being Hal Ashby: Life of a Hollywood Rebel, the first full-length biography of the maverick filmmaker, Nick Dawson masterfully tells the turbulent story of Ashby’s life and career.
Author | : Geoffroy Tory |
Publisher | : New York : Kraus Reprint Corporation |
Total Pages | : 254 |
Release | : 1967 |
Genre | : Alphabet |
ISBN | : |
Author | : C. Michel |
Publisher | : Springer |
Total Pages | : 248 |
Release | : 2006-11-27 |
Genre | : Religion |
ISBN | : 0312376200 |
This collection introduces readers to the history and practice of the Vodou religion, and corrects many misconceptions. The book focuses specifically on the role Vodou plays in Haiti, where it has its strongest following, examining its influence on spiritual beliefs, cultural practices, national identity, popular culture, writing and art.
Author | : Guy Stair Sainty |
Publisher | : Boletín Oficial del Estado |
Total Pages | : 578 |
Release | : 2018-12-01 |
Genre | : History |
ISBN | : 843402506X |
According to legend the Constantinian Order is the oldest chivalric institution, founded by Emperor Constantine the Great and governed by successive Byzantine Emperors and their descendants. While this chronology was supported by multiple writers even into the twentieth century, it has little historical basis. Nonetheless, the Angeli, Farnese and Bourbon families which held the Grand Mastership could legitimately claim Byzantine imperial descent, albeit in the female line, and the Order’s cross replicates that seen by Constantine in the vision recorded by both Lactantius and Eusebius, writing very soon after Maximian’s defeat at the battle of the Milvian Bridge. The Order’s emergence in the middle of the sixteenth century, when Christian Europe was under assault from a militant Ottoman empire, gained Papal support almost immediately and by the end of the seventeenth century the Order had mem-bers across the Italian peninsular, in Spain, Bavaria, Austria and Bohemia, Croatia and Poland. Today the majority of the Order’s members are found in Italy and Spain but there are also members in Portugal, France, Belgium, Great Britain and Luxembourg, with smaller groups in the Netherlands, Germany and Sweden as well as an expanding membership in the United States. This work examines the conversion of Constantine and the histories of the Angeli, Farnese and Bourbon Grand Masterships, with extensive reference to hitherto unpub-lished documents in the Vatican archives and in the Farnese and Bourbon archives in Naples. These serve to confirm the close relationship the Order had with the Church and the high regard in which it was held by successive Popes, as well as its autonomy as a subject of canon law independent from any crown or temporal sovereignty. This unique status has enabled its hereditary Grand Masters to maintain this dignity after the absorption of the former Kingdom of the Two Sicilies into a united Italy. The Order’s autonomy, coupled with the Grand Master’s close links to the Spanish Crown, has meant that Spanish and Italian citizens (as well as the citizens of several other states which have accorded the Order recognition) may obtain official permission to wear the Order’s decorations. 2018 is the three hundredth anniversary of the Papal Bull Militantis Ecclesiae which confirmed and approved the previous Papal acts concerning the Order and laid out the rights and privileges of the Order, its Grand Masters and members. In the early 20th century Pope Saint Pius X and Benedict XV conferred further privileges on the Order, ap-proving the statutes, while the then future Pope Pius XII had been admitted to the Order in 1913. Today the Order is engaged in works of charity, in conformity with the Church’s teachings, and includes among its members some thirteen Cardinals as well as some thirty members of reign-ing or former reigning families.
Author | : Isidore Singer |
Publisher | : |
Total Pages | : 726 |
Release | : 1901 |
Genre | : Jews |
ISBN | : |
V.I:Aach-Apocalyptic lit.--V.2: Apocrypha-Benash--V.3:Bencemero-Chazanuth--V.4:Chazars-Dreyfus--V.5: Dreyfus-Brisac-Goat--V.6: God-Istria--V.7:Italy-Leon--V.8:Leon-Moravia--V.9:Morawczyk-Philippson--V.10:Philippson-Samoscz--V.11:Samson-Talmid--V.12: Talmud-Zweifel.
Author | : Christopher D. Johnson |
Publisher | : Cornell University Press |
Total Pages | : 305 |
Release | : 2012-09-15 |
Genre | : Art |
ISBN | : 0801464536 |
The work of German cultural theorist and art historian Aby Warburg (1866–1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg’s death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity’s afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought. While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg’s published and unpublished writings and by attending to Warburg’s cardinal idea that "pathos formulas" structure the West’s cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg’s lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture.