The Husband's Message & the Accompanying Riddles of the Exeter Book
| Author | : Francis Adelbert Blackburn |
| Publisher | : |
| Total Pages | : 34 |
| Release | : 1900 |
| Genre | : Exeter book |
| ISBN | : |
Anglo Saxon Riddles
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The Exeter Book
| Author | : Israel Gollancz |
| Publisher | : |
| Total Pages | : 322 |
| Release | : 2018-10-09 |
| Genre | : |
| ISBN | : 9780341945420 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Anglo-Saxon Riddles
| Author | : John Porter |
| Publisher | : |
| Total Pages | : 120 |
| Release | : 1995 |
| Genre | : Humor |
| ISBN | : |
A book full of ingenious characters who speak their names in riddles-a bookworm, an iceberg, an oyster, the sun and moon and a one-eyed garlic seller are just a few that bear witness to the every-day life and imagination of the Anglo-Saxons. Their sense of the awesome power of creation goes hand in hand with a frank delight in obscenity, a fascination with disguise and with the mysterious processes by which the natural world is yurned to human use. Contains all 95 Exeter Book riddles.
Say what I Am Called
| Author | : Dieter Bitterli |
| Publisher | : University of Toronto Press |
| Total Pages | : 233 |
| Release | : 2009-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 0802093523 |
Perhaps the most enigmatic cultural artifacts that survive from the Anglo-Saxon period are the Old English riddle poems that were preserved in the tenth century Exeter Book manuscript. Clever, challenging, and notoriously obscure, the riddles have fascinated readers for centuries and provided crucial insight into the period. In Say What I Am Called, Dieter Bitterli takes a fresh look at the riddles by examining them in the context of earlier Anglo-Latin riddles. Bitterli argues that there is a vigorous common tradition between Anglo-Latin and Old English riddles and details how the contents of the Exeter Book emulate and reassess their Latin predecessors while also expanding their literary and formal conventions. The book also considers the ways in which convention and content relate to writing in a vernacular language. A rich and illuminating work that is as intriguing as the riddles themselves, Say What I Am Called is a rewarding study of some of the most interesting works from the Anglo-Saxon period.
Unriddling the Exeter Riddles
| Author | : Patrick J. Murphy |
| Publisher | : Penn State Press |
| Total Pages | : 274 |
| Release | : 2011-03-28 |
| Genre | : Literary Criticism |
| ISBN | : 0271078170 |
The vibrant and enigmatic Exeter Riddles (ca. 960–980) are among the most compelling texts in the field of medieval studies, in part because they lack textually supplied solutions. Indeed, these ninety-five Old English riddles have become so popular that they have even been featured on posters for the London Underground and have inspired a sculpture in downtown Exeter. Modern scholars have responded enthusiastically to the challenge of solving the Riddles, but have generally examined them individually. Few have considered the collection as a whole or in a broader context. In this book, Patrick Murphy takes an innovative approach, arguing that in order to understand the Riddles more fully, we must step back from the individual puzzles and consider the group in light of the textual and oral traditions from which they emerged. He offers fresh insights into the nature of the Exeter Riddles’ complexity, their intellectual foundations, and their lively use of metaphor.
The Exeter Book Riddles
| Author | : |
| Publisher | : |
| Total Pages | : 140 |
| Release | : 2008 |
| Genre | : Humor |
| ISBN | : |
"The ninety-six Anglo-Saxon riddles in the eleventh-century Exeter Book are poems of great charm, zest, and subtlety. Ranging from natural phenomena (such as icebergs and storms at sea) to animal and bird life, from the Christian concept of the creation to prosaic domestic objects (such as a rake and a pair of bellows), and from weaponry to the peaceful pursuits of music and writing, they are full of sharp observation, earthly humour and, above all, a sense of wonder. The main text of this volume contains Kevin Crossley-Holland's newly-revised translations of seventy-five fascinating and discursive riddles - all those not very badly damaged or impenetrably obscure - while a further sixteen are translated in the notes. These translations are very widely anthologised in Britain and the USA. Sir Arthur Bliss and William Mathias set some of them to music, Ralph Steadman has illustrated them and Michael Fairfax has incorporated them in his Riddle Sculpture."--BOOK JACKET.
Through a Gloss Darkly
| Author | : Nancy Porter Stork |
| Publisher | : PIMS |
| Total Pages | : 290 |
| Release | : 1990 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780888440983 |
A Feast of Creatures
| Author | : Craig Williamson |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 242 |
| Release | : 2011-11-29 |
| Genre | : Literary Collections |
| ISBN | : 081220445X |
In A Feast of Creatures, Craig Williamson recasts nearly one hundred Old English riddles of the Exeter Book into a modern verse mode that yokes the cadences of Aelfric with the sprung rhythm of Gerard Manley Hopkins. Like the early English riddlers before him, Williamson gives voice to the nightingale, plow, ox, phallic onion, and storm-wind. In lean and taut language he offers us mead disguised as a mighty wrestler, the sword as a celibate thane, the silver wine-cup as a seductress, the horn transformed from head-warrior to ink-belly or battle-singer. In his notes and commentary he gives us possible and probable solutions, sources, and analogues, a shrewd sense of literary play, and traces the literary and cultural contexts in which each riddle may be viewed. In his introduction, Williamson traces for us the history of riddles and riddle scholarship.
The Natural World in the Exeter Book Riddles
| Author | : Corinne Dale |
| Publisher | : Boydell & Brewer |
| Total Pages | : 229 |
| Release | : 2017 |
| Genre | : Humor |
| ISBN | : 1843844648 |
An investigation of the non-human world in the Exeter Book riddles, drawing on the exciting new approaches of eco-criticism and eco-theology.
The Old English Riddles and the Riddlic Elements of Old English Poetry
| Author | : Rafat Boryslawski |
| Publisher | : Peter Lang Publishing |
| Total Pages | : 228 |
| Release | : 2004 |
| Genre | : Fiction |
| ISBN | : |
"The art of posing riddles is possibly as old as mankind and spans two apparent extremes which, nevertheless, converge in the riddlic form: that of wisdom and that of play. With this perspective in mind, the author examines the poetic enigmas present in the culture of Anglo-Saxon England, exploring both the Anglo-Latin riddles of Aldhelm and those recorded in the Exeter Book. His study investigates the Old English riddlic texts from a variety of angles, arguing for the possibility of establishing patterns of Anglo-Saxon riddlic composition as such. The author intends to prove that both the Exeter collection and the Aenigmata of Aldhelm are constructed on the grounds of an identifiable structure of interrelations and interdependencies. Additionally, he argues that the riddlic mode of literary representation is also visible in other Anglo-Saxon poetic compositions. The analysis of such an assumption leads to the conclusion that the predilection for the riddle form in Anglo-Latin and Anglo-Saxon poetry results from an Old English vision of the Christian world".--BOOKJACKET.
