Andean Aesthetics and Anticolonial Resistance

Andean Aesthetics and Anticolonial Resistance
Author: Omar Rivera
Publisher: Bloomsbury Publishing
Total Pages: 249
Release: 2021-10-21
Genre: Philosophy
ISBN: 1350173770

Informed by Gloria Anzaldúa's and José Carlos Mariátegui's work, as well as by Andean cosmology, Omar Rivera turns to Inka stonework and architecture as an example of a “Cosmological Aesthetics.” He articulates ways of sensing, feeling and remembering that are attuned to an aesthetic of water, earth and light. On this basis, Rivera brings forth a corporeal orientation that can be inhabited by the oppressed, one that withdraws from predominant modern/Western conceptions of the human. By providing an aesthetic analysis of cosmological sensing, Rivera sets the stage for exploring physical dimensions of anti-colonial resistance, and furthers the Latinx and Latin American tradition of anti-colonial and liberatory philosophy. Seeing aesthetic involvements with the cosmos as a source for embodied modes of resistance, Rivera turns to the work of María Lugones and Enrique Dussel in order to make explicit the aesthetic dimensions of their work. Andean Aesthetics and Anticolonial Resistance creates a new dialogue between art historians, artists, and philosophers working on Latin American thought, phenomenology, and hermeneutics. It weaves together a Latin American philosophy that connects pre-Columbian cosmologies with contemporary thinkers. Rivera's original approach introduces us to the living, evolving and aesthetic alternatives to coloniality of power and of knowledge, overhauling current understandings of decolonial theory and opening the tradition in transformative ways.

Andean Aesthetics

Andean Aesthetics
Author: Blenda Femenias
Publisher: University of Wisconsin-Madison, Elvejhem Museum of Art
Total Pages: 104
Release: 1987
Genre: Art
ISBN:

Visual Culture of the Ancient Americas

Visual Culture of the Ancient Americas
Author: Esther Pasztory
Publisher: University of Oklahoma Press
Total Pages: 313
Release: 2017-01-26
Genre: Art
ISBN: 0806158212

In the past fifty years, the study of indigenous and pre-Columbian art has evolved from a groundbreaking area of inquiry in the mid-1960s to an established field of research. This period also spans the career of art historian Esther Pasztory. Few scholars have made such a broad and lasting impact as Pasztory, both in terms of our understanding of specific facets of ancient American art as well as in our appreciation of the evolving analytical tendencies related to the broader field of study as it developed and matured. The essays collected in this volume reflect scholarly rigor and new perspectives on ancient American art and are contributed by many of Pasztory’s former students and colleagues. A testament to the sheer breadth of Pasztory's accomplishments, Visual Culture of the Ancient Americas covers a wide range of topics, from Aztec picture-writing to nineteenth-century European scientific illustration of Andean sites in Peru. The essays, written by both established and rising scholars from across the field, focus on three areas: the ancient Andes, including its representation by European explorers and scholars of the nineteenth century; Classic period Mesoamerica and its uses within the cultural heritage debate of the twentieth and twenty-first centuries; and Postclassic Mesoamerica, particularly the deeper and heretofore often hidden meanings of its cultural production. Figures, maps, and color plates demonstrate the vibrancy and continued allure of indigenous artworks from the ancient Americas. “Pre-Columbian art can give more,” Pasztory declares, and the scholars featured here make a compelling case for its incorporation into art theory as a whole. The result is a collection of essays that celebrates Pasztory’s central role in the development of the field of Ancient American visual studies, even as it looks toward the future of the discipline.

Andean Art

Andean Art
Author: Penny Dransart
Publisher:
Total Pages: 344
Release: 1995
Genre: Art
ISBN:

The aim of the book is to explore various facets of artistic expression (ranging temporally from four thousand years ago to the present day) in the Andean regions of South America, based on themes: social contexts, cultural expressions, recontextualisation, construction and meaning, and the role of art in the creation and animation of Andean landscapes. The various authors also move towards an archaeology, anthropology, or art history of visual expression that allows for an assessment of self-critical and reflexive developments on the part of the people who produced the artistic works under consideration. These visual worlds they created and continue to create make art in the Andes a fruitful and exciting field of study.

Textile Traditions of Mesoamerica and the Andes

Textile Traditions of Mesoamerica and the Andes
Author: Margot Blum Schevill
Publisher: University of Texas Press
Total Pages: 534
Release: 2010-07-05
Genre: Art
ISBN: 0292787618

In this volume, anthropologists, art historians, fiber artists, and technologists come together to explore the meanings, uses, and fabrication of textiles in Mexico, Guatemala, Ecuador, Peru, and Bolivia from Precolumbian times to the present. Originally published in 1991 by Garland Publishing, the book grew out of a 1987 symposium held in conjunction with the exhibit "Costume as Communication: Ethnographic Costumes and Textiles from Middle America and the Central Andes of South America" at the Haffenreffer Museum of Anthropology, Brown University.

Foxboy

Foxboy
Author: Catherine J. Allen
Publisher: University of Texas Press
Total Pages: 295
Release: 2011-08-01
Genre: Social Science
ISBN: 0292726678

Once there was a Quechua folktale. It begins with a trickster fox's penis with a will of its own and ends with a daughter returning to parents who cannot recognize her until she recounts the uncanny adventures that have befallen her since she ran away from home. Following the strange twists and turnings of this tale, Catherine J. Allen weaves a narrative of Quechua storytelling and story listening that links these arts to others—fabric weaving, in particular—and thereby illuminates enduring Andean strategies for communicating deeply felt cultural values. In this masterful work of literary nonfiction, Allen draws out the connections between two prominent markers of ethnic identity in Andean nations—indigenous language and woven cloth—and makes a convincing case that the connection between language and cloth affects virtually all aspects of expressive culture, including the performing arts. As she explores how a skilled storyteller interweaves traditional tales and stock characters into new stories, just as a skilled weaver combines traditional motifs and colors into new patterns, she demonstrates how Andean storytelling and weaving both embody the same kinds of relationships, the same ideas about how opposites should meet up with each other. By identifying these pervasive patterns, Allen opens up the Quechua cultural world that unites story tellers and listeners, as listeners hear echoes and traces of other stories, layering over each other in a kind of aural palimpsest.

Andean Art at Dumbarton Oaks

Andean Art at Dumbarton Oaks
Author: Dumbarton Oaks
Publisher:
Total Pages: 192
Release: 1996
Genre: Andes Region
ISBN:

"Andean Art at Dumbarton Oaks presents the Andean portion of the Robert Woods Bliss Collection of Pre-Columbian Art. It superbly illustrates all 133 Andean objects in color plates, and includes many complementary and comparative black-and-white illustrations and drawings. The body of Pre-Columbian art that Robert Bliss carefully assembled over a half-century between 1912 and 1963, and which has been amplified slightly since his death, is a remarkably significant collection. These works of art are among the finest examples of the visual arts produced by Andean cultures.... Andean Art is composed of five topical essays, shorter essays on the Andean cultures represented in the collection, and discussions of the individual objects. These were written by specialists in Pre-Columbian art, presenting the latest in scholarly thinking on Andean cultures and the objects. All thirteen authors bring broad perspectives from Andean culture history, archaeology, and art history to their contributions, but they focus their attentions primarily on the objects themselves, in order to provide meaningful contexts for them and to highlight how these objects, as works of art created and used purposefully, reveal special qualities of Andean culture. The reader is provided with a fine sense of how the creators and original owners of the pieces in the Bliss collection used and valued these artworks on many levels. The authors also place individual objets alongside others of their type in so far as possible. An extraordinary feature of this volume is the technical descriptions of the metal objects provided by metals specialist Heather Lechtman."--Dumbarton Oaks Research Library and Collection website.

Peruvian Featherworks

Peruvian Featherworks
Author: Heidi King
Publisher: Metropolitan Museum of Art
Total Pages: 237
Release: 2012-12-04
Genre: Art
ISBN: 0300169795

This title provides an in-depth and authoritative review of feeatherworking traditions in ancient Peru. The book includes a discussion of important recent discoveries, considerations of iconography, and basic technical characteristics of feather works.

The Oxford Handbook of the Incas

The Oxford Handbook of the Incas
Author: Sonia Alconini
Publisher: Oxford University Press
Total Pages: 881
Release: 2018-04-02
Genre: History
ISBN: 0190908033

When Spaniards invaded their realm in 1532, the Incas ruled the largest empire of the pre-Columbian Americas. Just over a century earlier, military campaigns began to extend power across a broad swath of the Andean region, bringing local societies into new relationships with colonists and officials who represented the Inca state. With Cuzco as its capital, the Inca empire encompassed a multitude of peoples of diverse geographic origins and cultural traditions dwelling in the outlying provinces and frontier regions. Bringing together an international group of well-established scholars and emerging researchers, this handbook is dedicated to revealing the origins of this empire, as well as its evolution and aftermath. Chapters break new ground using innovative multidisciplinary research from the areas of archaeology, ethnohistory and art history. The scope of this handbook is comprehensive. It places the century of Inca imperial expansion within a broader historical and archaeological context, and then turns from Inca origins to the imperial political economy and institutions that facilitated expansion. Provincial and frontier case studies explore the negotiation and implementation of state policies and institutions, and their effects on the communities and individuals that made up the bulk of the population. Several chapters describe religious power in the Andes, as well as the special statuses that staffed the state religion, maintained records, served royal households, and produced fine craft goods to support state activities. The Incas did not disappear in 1532, and the volume continues into the Colonial and later periods, exploring not only the effects of the Spanish conquest on the lives of the indigenous populations, but also the cultural continuities and discontinuities. Moving into the present, the volume ends will an overview of the ways in which the image of the Inca and the pre-Columbian past is memorialized and reinterpreted by contemporary Andeans.

Thinking with Things

Thinking with Things
Author: Esther Pasztory
Publisher: University of Texas Press
Total Pages: 268
Release: 2005-08-01
Genre: Art
ISBN: 9780292706910

"At its heart, Pasztory's thesis is simple and yet profound. She asserts that humans create things (some of which modern Western society chooses to call "art") in order to work out our ideas - that is, we literally think with things. Pasztory draws on examples from many societies to argue that the art-making impulse is primarily cognitive and only secondarily aesthetic. She demonstrates that "art" always reflects the specific social context in which it is created, and that as societies become more complex, their art becomes more rarefied."--Jacket.