Ancient Violence In The Modern Imagination
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| Author | : Irene Berti |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2022-04-21 |
| Genre | : Art |
| ISBN | : 1350195030 |
The Thrill of Ancient Violence: an Introduction / Irene Berti -- Part I. Ancient Violence in Modern and Contemporary Painting -- Ancient War and Modern Art: Some Remarks on Historical Painting from the Nineteenth and Twentieth Centuries / Antonio Duplá Ansuategui -- Violence to Valour: Visualising Thais of Athens / Alex McAuley -- Part II. Embodying Ancient and Modern Violence in Cinema and in Theatre -- Screening the Face of Roman Battle: Violence Through the Eyes of Soldiers in Film / Oskar Aguado -- Performing Violence and War Trauma: Ajax on Silver Screen / Anastasia Bakogianni -- External and Internal Violence within the Myth of Iphigenia: Staging Myth Today / Malgorzata Budzowska -- Kseni, the foreigner, a Brazilian Medea in action / Maria Cecilia de Miranda Nogueira Coelho -- Part III. Dancing Violence on the Ballet Stage -- Coreographies of Violence: Spartacus from the Soviet Ballet to the Global Stage / Zoa Alonso Fernández -- Iocaste's Daughters in Modernity: Anita Berber and Valeska Gert / Nicole Haitzinger -- Dark Territories of Soul: Martha Graham's Clytemnestra / Ainize González García -- Part IV. Violent Antiquity in Videogames and Comics -- Si vis ludum para bellum: Violence and War as Predominant Language of Antiquity in Video Games / David Serrano Lozano -- Waging TOTAL WAR playing ATTILA: A Video Game's Take on the Migration Period / Fabian Schulz -- Sexy Gory Rome: Juxtapositions of Sex and Violence in Comic Book Representations of Ancient Rome / Luis Unceta Gómez -- Archimedes and the War in Hitoshi Iwaaki's Eureka / Giuseppe Galeani -- Part V. Making Reception: Ancient Violence and Living History -- From Ancient Violence to Modern celebration: complex receptions of an ancient conquest wars in Las Guerras Cántabras festival / Jonatan Pérez Mostazo -- Drawing Reception / Maria G. Castello, Fabio Ruotolo -- Re-enacting soldiers and dressing Roman Women : An interview with Danielle Fiore / Carla Scilabra, Danielle Fiore.
| Author | : Irene Berti |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 328 |
| Release | : 2020-10-15 |
| Genre | : Performing Arts |
| ISBN | : 1350075396 |
The collected essays in this volume focus on the presentation, representation and interpretation of ancient violence – from war to slavery, rape and murder – in the modern visual and performing arts, with special attention to videogames and dance as well as the more usual media of film, literature and theatre. Violence, fury and the dread that they provoke are factors that appear frequently in the ancient sources. The dark side of antiquity, so distant from the ideal of purity and harmony that the classical heritage until recently usually called forth, has repeatedly struck the imagination of artists, writers and scholars across ages and cultures. A global assembly of contributors, from Europe to Brazil and from the US to New Zealand, consider historical and mythical violence in Stanley Kubrick's Spartacus and the 2010 TV series of the same name, in Ridley Scott's Gladiator, in the work of Lars von Trier, and in Soviet ballet and the choreography of Martha Graham and Anita Berber. Representations of Roman warfare appear in videogames such as Ryse: Son of Rome and Total War, as well as recent comics, and examples from both these media are analysed in the volume. Finally, interviews with two artists offer insight into the ways in which practitioners understand and engage with the complex reception of these themes.
| Author | : Adeline Grand-Clément |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 295 |
| Release | : 2021-12-16 |
| Genre | : History |
| ISBN | : 1350169749 |
This volume tackles the role of smell, under-explored in relation to the other senses, in the modern rejection, reappraisal and idealisation of antiquity. Among the senses olfaction in particular has often been overlooked in classical reception studies due to its evanescent nature, which makes this sense difficult to apprehend in its past instantiations. And yet, the smells associated with a given figure or social group convey a rich imagery which in turn connotes specific values: perfumes, scents and foul odours both reflect and mould the ways in which a society thinks or acts. Smells also help to distinguish between male and female, citizens and strangers, and play an important role during rituals. The Smells and Senses of Antiquity in the Modern Imagination focuses on the representation of ancient smells - both enticing and repugnant - in the visual and performative arts from the late 18th century up to the 21st century. The individual contributions explore painting, sculpture, literature and film, but also theatrical performance, museum exhibitions, advertising, television series, historical reenactment and graphic novels, which have all played a part in reshaping modern audiences' perceptions and experiences of the antique.
| Author | : Anastasia Bakogianni |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 279 |
| Release | : 2024-07-22 |
| Genre | : Literary Criticism |
| ISBN | : 311077383X |
In a time of acute crisis when our societies face a complex series of challenges (race, gender, inclusivity, changing pedagogical needs and a global pandemic) we urgently need to re-access the nature of our engagement with the Classical World. This edited collection argues that we need to discover new ways to draw on our discipline and the material it studies to engage in meaningful ways with these new academic and societal challenges. The chapters included in the collection interrogate the very processes of reception and continue the work of destabilising the concept of a pure source text or point of origin. Our aim is to break through the boundaries that still divide our ancient texts and material culture from their reception, and interpretive communities. Our contributors engage with these questions theoretically and/or through the close examination of cultural artefacts. They problematise the concept of a Western, elitist canon and actively push the geographical boundaries of reception as both a local and a global phenomenon. Individually and cumulatively, they actively engage with the question of how to marshal the classical past in our efforts to respond to the challenges of our mutable contemporary world.
| Author | : Mirella Romero Recio |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 257 |
| Release | : 2023-05-18 |
| Genre | : History |
| ISBN | : 1350277908 |
This volume examines the influence that Pompeii and, to a lesser extent, Herculaneum had on the visual and performing arts in Spain and countries across South America. Covering topics from architecture, painting and decorative arts to theatre, dance and photography, the reader will gain insight into the reception of classical antiquity through the analysis of the close cultural ties between both sides of the Atlantic, in the past and the present. Each contribution has been written by a specialist researcher participating in the project, 'The Reception and Influence of Pompeii and Herculaneum in Spain and Ibero-America', funded by the Spanish Ministry of Science and Innovation (PGC2018-093509-B-I00 Ministry of Science and Innovation/AEI/ERDF/EU). Pompeii in the Visual and Performing Arts begins by examining the influence of Pompeiian architecture in Spain in paintings that depict scenes inspired by Roman scenes and also buildings modelled on those of Pompeii. Next, the influence of Pompeii crosses the Atlantic to Mexico with a study of the archaeological site's influence on the visual and performing arts. An exploration of the elitist use of the ancient past in architecture is seen in Chilean architecture, which leads onto an investigation of the new art styles that emerged in the 19th century. Later chapters look into the influence of the ancient frescoes and the use of modern plaster casts of statues. The final chapters are devoted to comics and photography, which also make a study of the places in Latin America nicknamed 'Pompeii' in the 20th and 21st centuries.
| Author | : Gregory N. Daugherty |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 249 |
| Release | : 2022-10-06 |
| Genre | : History |
| ISBN | : 135034074X |
This study examines the reception of Cleopatra from the beginning of the 20th century to the present day as it has been reflected in popular culture in the United States of America. Daugherty provides a broad overview of the influence of the Egyptian queen by looking at her presence in film, novels, comics, cartoons, TV shows, music, advertising and toys. The aim of the book is to show the different ways in which the figure of Cleopatra was able to reach a large and non-elite audience. Furthermore, Daugherty makes a study of the reception of Cleopatra during her own lifetime. He begins by looking at her portrayal in the vicious propaganda campaign waged by Octavian against his rival Marc Antony. The consequence was that Cleopatra was left with a tarnished reputation after the civil war. Daugherty's examination of both the historical and contemporary reception of Cleopatra shows the enduring legacy of one of history's most remarkable queens.
| Author | : Juliette Harrisson |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 289 |
| Release | : 2024-10-17 |
| Genre | : History |
| ISBN | : 1350418633 |
This is the first book to deal exclusively with ludic interactions with classical antiquity – an understudied research area within classical reception studies – that can shed light on current processes of construction and appropriation of the Greco-Roman world. Classical antiquity has, for many years, been sold as a product and consumed in a wide variety of forms of entertainment. As a result, games, playing and playful experiences are a privileged space for the reception of antiquity. Through the medium of games, players, performers and audiences are put into direct contact with the classical past, and encouraged to experience it in a participative, creative and subjective fashion. The chapters in this volume, written by scholars and practitioners, cover a variety of topics and cultural artefacts including toys, board games and video games, as well as immersive experiences such as museums, theme parks and toga parties. The contributors tackle contemporary ludic practices and several papers establish a dialogue between artists and scholars, contrasting and harmonising their different approaches to the role of playfulness. Other chapters explore the educational potential of these manifestations, or their mediating role in shaping our conceptions of ancient Greece and Rome. Altogether, this edited collection is the first to offer a comprehensive overview of the ways we can play with antiquity.
| Author | : Jane Draycott |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 289 |
| Release | : 2022-08-11 |
| Genre | : History |
| ISBN | : 1350241946 |
Despite the prevalence of video games set in or inspired by classical antiquity, the medium has to date remained markedly understudied in the disciplines of classics and ancient history, with the role of women in these video games especially neglected. Women in Classical Video Games seeks to address this imbalance as the first book-length work of scholarship to examine the depiction of women in video games set in classical antiquity. The volume surveys the history of women in these games and the range of figures presented from the 1980s to the present, alongside discussion of issues such as historical accuracy, authenticity, gender, sexuality, monstrosity, hegemony, race and ethnicity, and the use of tropes. A wide range of games of different types and modes are discussed, including platformers, strategy games , roguelikes, MOBA, action RPGs, and story-driven romance mobile games. The detailed case studies presented here form a compelling case for the indispensability of the medium to both reception studies and gender studies, and offer nuanced answers to such questions as how and why women are portrayed in the ways that they are.
| Author | : Antony Augoustakis |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 280 |
| Release | : 2022-01-13 |
| Genre | : Religion |
| ISBN | : 1350144258 |
This is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering a wide range of engaging topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of modern audiences. The series is commended for the thought-provoking way it handles important issues arising from the Trojan War narrative that continue to impact our society today. With discussions centered on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the innovative ways in which mythological female figures such as Helen, Aphrodite and the Amazons are depicted in the series. An examination is also made into the concept of the hero and how the series challenges conventional representations of masculinity. We encounter a significant investigation of race focusing on the controversial casting of Achilles, Patroclus, Zeus and other series characters with Black actors. Several essays deal with the moral and ethical complexities surrounding warfare, power and politics. The significance of costume and production design are also explored throughout the volume.
| Author | : Ricardo Apostol |
| Publisher | : Springer |
| Total Pages | : 203 |
| Release | : 2018-10-19 |
| Genre | : Literary Criticism |
| ISBN | : 3319964577 |
This volume explores film and television sources in problematic conversation with classical antiquity, to better understand the nature of artistic reception and classical reception in particular. Drawing inspiration from well-theorized fields like adaptation studies, comparative literature, and film, the essays in this collection raise questions fundamental to the future of reception studies. The first section, ‘Beyond Fidelity’, deals with idiosyncratic adaptations of ancient sources; the second section, ‘Beyond Influence’, discusses modern works purporting to adapt ancient figures or themes that are less straightforwardly ancient than they may at first appear; while the last section, ‘Beyond Original’, uses films that lack even these murky connections to antiquity to challenge the notion that studying reception requires establishing historical connections between works. As questions of audience, interpretation, and subjectivity are central to most contemporary fields of study, this is a collection that is of interest to a wide variety of readers in the humanities.
