The Door in the Sky

The Door in the Sky
Author: Ananda K. Coomaraswamy
Publisher: Princeton University Press
Total Pages: 298
Release: 1997
Genre: Art
ISBN: 9780691017471

Ananda K. Coomaraswamy (1877-1947) was a pioneer in Indian art history and in the cultural confrontation of East and West. Finding a universal tradition in past cultures ranging from the Hellenic and Christian to the Indian, Islamic and Chinese, Coomaraswamy collated his ideas and symbols of ancient wisdom into essays. THE DOOR IN THE SKY is a collection of his writings on myth drawn from his METAPHYSICS and TRADITIONAL ART AND SYMBOLISM.

What Is Civilization?

What Is Civilization?
Author: Ananda Kentish Coomaraswamy
Publisher: SteinerBooks
Total Pages: 200
Release: 1989-12
Genre: History
ISBN: 1584202009

In his foreword, Seyyed Hossein Nasr writes: "Over forty years have passed since the death of Ananda Coomaraswamy; yet his writings remain as pertinent today as when he wrote them, and his voice echoes in the ears of present-day seekers of truth and lovers of traditional art as it did a generation ago. In contrast to most scholarly works which become outdated and current philosophical opuses which become stale, Coomaraswamy's works possess a timeliness that flows from their being rooted in the eternal present. It is therefore with joy that one can welcome a new collection of essays of this formidable metaphysician and scholar."

Yakṣas

Yakṣas
Author: Ananda Kentish Coomaraswamy
Publisher:
Total Pages: 0
Release: 2001
Genre: Mythology, Indic
ISBN: 9788121502306

Illustrations: 73 B/w Illustrations Description: Particular significance attaches to Yaksas in Indian mythology, religion and art. Their almost universal presence in the earlier Indian religions, Hindu, Buddhist and Jaina, wherein they are invested with peculiar traits and powers, indicates their importance. Ananda Coomaraswamy's Yaksas is an attempt at bringing together the mass of information from literary and monumental sources about Yaksas and Yaksis, their origin, and development from the conceptual, mythological and iconographical points of view. Coomaraswamy has shown how this non- and pre-Aryan animistic concept originated and, in the historical times, dovetailed with the Hindu, Buddhist and Jaina religious systems to the extent that the concept of Yaksattva got closely bound up with the idea of reincarnation. In the preparation of this monograph, Coomaraswamy has extensively drawn upon the sectarian and semi-secular literature and has shown unmistakable evidences of the Yaksas' once honourable status, their benevolence toward men and the affection felt by men toward them. Coomaraswamy begins by tracing the origin of the word yaksa which is first found in Jaiminiya Brahmana, where it means nothing more than 'a wondrous thing.' In course of time Yaksas and Yaksis are often mentioned and their names are found in the Epics, Buddhist and Jaina works and even in sculpture. In Jaina books Yakkhas are often called Devas, where, as Sasana Devatas they are usually guardian angels. In Buddhist works they are sometimes represented as teachers of good morals and as guardian spirits. Of equal importance are the Yaksas and Yaksis in early Indian art and in the early examples (Bharhut, Sanci, Gandhara, etc.) they are frequently represented as Atlantes, supporters of buildings and superstructures. The early iconography of Yaksas, again, seems to have formed the foundation of later Hindu and Buddhist iconography. Coomaraswamy has traced a kind of Bhakti cult centering round the worship of Yaksas on the basis of the Yaksa caityas, the offerings to the Yaksas and has tried to show that the facts of Yaksa worship correspond almost exactly with those of the other Bhakti religions. Coming as it does from the pen of Ananda Coomaraswamy, this brilliant monograph is the acme of scholarship and brilliance and provides a mass of well-documented information. The work is divided into two parts, an Appendix giving Tale of a Yaksa found in the Divyavadana, alongwith 73 plates.

Hinduism and Buddhism

Hinduism and Buddhism
Author: Ananda K. Coomaraswamy
Publisher: Open Road Media
Total Pages: 95
Release: 2014-12-02
Genre: Religion
ISBN: 1497675847

The renowned Sri Lankan metaphysician presents his enlightening insight into the essential kinship between Hinduism and Buddhism. In this probing work, Ananda K. Coomaraswamy examines the foundational myths and spiritual underpinnings of Hinduism and Buddhism. Discarding the Western narrative of philosophical divergence, Coomaraswamy instead explores the essential unity between these two major religions. In his perspective, one is merely an outgrowth of the other. Dividing the book into two parts, Coomaraswamy begins each section with an overview of each religion’s foundational myths. The section on Hinduism then covers concepts such as karma, maya, reincarnation, sacrifice, and caste. In the section on Buddhism, he demonstrates that Buddha never intended to start a new religion, but to deepen the spiritual understanding of the existing one.

Art and Swadeshi

Art and Swadeshi
Author: Ananda Kentish Coomaraswamy
Publisher:
Total Pages: 156
Release: 1994
Genre: Art
ISBN:

The Present Volume Is A Rich Collection Of Thirteen Important Articles Embodied In A Single Thread. They Are Diverse In Contents, But They All Convey A Single Message-The Churned Outcome Of A Master Mind Visualizing Things And Events In Their True Perspective.

Guardians of the Sundoor

Guardians of the Sundoor
Author: Ananda Kentish Coomaraswamy
Publisher: Quinta Essentia
Total Pages: 0
Release: 2004
Genre: Philosophy
ISBN: 9781887752596

Coomaraswamy's final un-published essays, including: The Iconography of Sagittarius, Philo's Doctrine of the Cherubim, Concerning Sphinxes, and The Concept of Ether in Greek and Indian Cosmology, are complemented by the author's own illustrations from his personal archives.

The Eight Nāyikās

The Eight Nāyikās
Author: Ananda Kentish Coomaraswamy
Publisher:
Total Pages: 96
Release: 2000
Genre: Love poetry, Braj
ISBN:

Illustrations: 16 B/w Illustrations Description: Indian writers have long been interested in the classification of Heroes and Heroines in well-defined types. Such classifications are typically developed in Sanskrit treatises such as Natyasastra, the Sahitya-Darpana, and Kama Sutra and in other works and later in vernacular literature of Hindustan, chiefly in Rasikapriya, Satsaiya, and the Bhasa-bhusana.