An Utterly Dark Spot
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| Author | : Miran Bozovic |
| Publisher | : University of Michigan Press |
| Total Pages | : 152 |
| Release | : 2010-05-25 |
| Genre | : Philosophy |
| ISBN | : 0472023195 |
Slovenian philosopher Miran Bozovic's An Utterly Dark Spot examines the elusive status of the body in early modern European philosophy by examining its various encounters with the gaze. Its range is impressive, moving from the Greek philosophers and theorists of the body (Aristotle, Plato, Hippocratic medical writers) to early modern thinkers (Spinoza, Leibniz, Malebranche, Descartes, Bentham) to modern figures including Jon Elster, Lacan, Althusser, Alfred Hitchcock, Stephen J. Gould, and others. Bozovic provides startling glimpses into various foreign mentalities haunted by problems of divinity, immortality, creation, nature, and desire, provoking insights that invert familiar assumptions about the relationship between mind and body. The perspective is Lacanian, but Bozovic explores the idiosyncrasies of his material (e.g., the bodies of the Scythians, the transvestites transformed and disguised for the gaze of God; or Adam's body, which remained unseen as long as it was the only one in existence) with an attention to detail that is exceptional among Lacanian theorists. The approach makes for engaging reading, as Bozovic stages imagined encounters between leading thinkers, allowing them to converse about subjects that each explored, but in a different time and place. While its focus is on a particular problem in the history of philosophy, An Utterly Dark Spot will appeal to those interested in cultural studies, semiotics, theology, the history of religion, and political philosophy as well. Miran Bozovic is Associate Professor of Philosophy at the University of Ljubljana, Slovenia. He is the author of Der grosse Andere: Gotteskonzepte in der Philosophie der Neuzeit (Vienna: Verlag Turia & Kant, 1993) and editor of The Panopticon Writings by Jeremy Bentham (London: Verso, 1995).
| Author | : Slavoj Žižek |
| Publisher | : Psychology Press |
| Total Pages | : 428 |
| Release | : 2003 |
| Genre | : Culture |
| ISBN | : 9780415278621 |
Jacques Lacan (1901-1980) is undoubtedly the central figure of psychoanalysis in the second half of the 20th century. The texts selected here present the entire scope of the Lacan debate.
| Author | : Nadir Lahiji |
| Publisher | : Routledge |
| Total Pages | : 137 |
| Release | : 2021-09-30 |
| Genre | : Architecture |
| ISBN | : 1000440915 |
Architecture, and its pedagogy in the academy, is dominated by the technology of image production that veils the ‘naked power’ behind its operation. It conforms to the principles of cultural logic of the society of the spectacle, consistent with neoliberal capitalism. The problem with this dominant pedagogy is that it violates the fundamental ethical imperative, putting architecture in direct contradiction with the ‘common good’. In addition, it has let architecture enter the brothel of pornographic capitalism which turns every object into an object of obscene gratification of the senses. In this book, Nadir Lahiji adopts Alain Badiou’s thesis from The Pornographic Age to demonstrate that contemporary architecture is in absolute complicity with the pornographic present. The traits that Badiou identifies in this age are manifestly visible in architectural surfaces which are subordinated to the same ‘regime of images’. Similarly to Badiou’s political indictments of the society which has given rise to the pornographic present, the book condemns the architecture that has lent its service to the same society with a license to consummate its transgression to better cater to the imperative of the ‘regime of images’. Transposing the conceptual categories in Badiou’s analysis to the critique of architecture’s pornographic turn in contemporary society, the book constructs a conceptual framework by which to demonstrate the specific manifestations of pornography in building. The book is aimed at architecture students at higher graduate and post-graduate levels.
| Author | : Jeremy Bentham |
| Publisher | : Verso Books |
| Total Pages | : 200 |
| Release | : 2020-05-05 |
| Genre | : Political Science |
| ISBN | : 1789600138 |
The Panopticon project for a model prison obsessed the English philosopher Jeremy Bentham for almost 20 years. In the end, the project came to nothing; the Panopticon was never built. But it is precisely this that makes the Panopticon project the best exemplification of Bentham's own theory of fictions, according to which non-existent fictitious entities can have all too real effects. There is probably no building that has stirred more philosophical controversy than Bentham's Panopticon. The Panopticon is not merely, as Foucault thought, "a cruel, ingenious cage", in which subjects collaborate in their own subjection, but much more-constructing the Panopticon produces not only a prison, but also a god within it. The Panopticon is a machine which on assembly is already inhabited by a ghost. It is through the Panopticon and the closely related theory of fictions that Bentham has made his greatest impact on modern thought; above all, on the theory of power. The Panopticon writings are frequently cited, rarely read. This edition contains the complete "Panopticon Letters", together with selections from "Panopticon Postscript I" and "Fragment on Ontology", Bentham's fullest account of fictions. A comprehensive introduction by Miran Bozovic explores the place of Panopticon in contemporary theoretical debate.
| Author | : Kieran Flanagan |
| Publisher | : Taylor & Francis |
| Total Pages | : 363 |
| Release | : 2016-10-04 |
| Genre | : Social Science |
| ISBN | : 1315463644 |
Contrary to secular claims regarding the expulsion of religion, modernity does in fact produce unprecedented forms whose understanding re-casts the relationships between sociology and theology. This book explores ‘irruptions’ which disturb modernity from without: fragments or deposits of history that have spectral – or ‘noir’ – properties, whether ruins, collective memories, or the dark Gothic or the Satanic as manifested in culture. The study investigates what irrupts from these depths to unsettle our understanding of modernity so as to reveal its theological roots. A ground-breaking and extensive work, Sociological Noir explores literature, history and theology to re-cast the sociological imagination in ways that inspire reflection on new configurations in modernity. As such, it will have wide-spread appeal to sociologists and social theorists with interests in religion, theology and debates on postsecularism and culture.
| Author | : Andrea Ebarb |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 276 |
| Release | : 2023-04-26 |
| Genre | : History |
| ISBN | : 3111058174 |
Die 1992 gegründete Buchreihe ist interdisziplinär ausgerichtet; sie umfasst wissenschaftliche Monographien, Aufsatzsammlungen und kommentierte Quelleneditionen vom 18. Jahrhundert bis zur Gegenwart. Der Begriff deutsch-jüdische Literatur bzw. Kultur verweist auf Werke jüdischer Autoren in deutscher Sprache, insoweit jüdische Aspekte erkennbar sind. Aber auch das häufig vom Antisemitismus geprägte Judenbild nichtjüdischer Autoren wird zu einem Faktor der literarisch vermittelten deutsch-jüdischen Beziehungsgeschichte. Der Erforschung des gesamten Problemfelds bietet die Reihe ein angemessenes Forum.
| Author | : Sarah Marusek |
| Publisher | : Routledge |
| Total Pages | : 427 |
| Release | : 2016-12-01 |
| Genre | : Law |
| ISBN | : 1317047257 |
Synesthesia is the phenomenon where sensual perceptions are joined together as a combined experience – that is, the ability to feel color, hear the visual, or even smell emotion. These types of unions expand the normativity of our legal thinking, as the abilities to represent the tethering of emotion, place, and concept to law are magnified. In this way, interpretations of law and legal phenomena that are enriched with embodied meaning contribute to our understanding of how law works – namely through sensory input, sensory output, and the attachment that happens within these sensory unions. This edited volume explores the richly complex manifestations of synesthesia and law drawing from a plurality of approaches, including legal studies, philosophy, social science, linguistics, history, cultural studies, and the humanities. Contributions in the volume discuss how we feel/taste/smell/see/hear law within the synesthetic scope of legal interpretation, legal consciousness, and legal culture. The collection examines aspects of embodiment, place, and presence that constitutively frame law amidst social, cultural, and historical contexts.
| Author | : James M. Harding |
| Publisher | : University of Michigan Press |
| Total Pages | : 327 |
| Release | : 2018-01-23 |
| Genre | : Art |
| ISBN | : 0472123637 |
Placing the disciplines of performance studies and surveillance studies in a timely critical dialogue, Performance, Transparency, and the Cultures of Surveillance not only theorizes how surveillance performs but also how the technologies and corresponding cultures of surveillance alter the performance of everyday life. This exploration draws upon a rich array of examples from theatre, performance, and the arts, all of which provide vivid illustration of the book’s central argument: that the rise of the surveillance society coincides with a profound collapse of democratic oversight and transparency—a collapse that, in turn, demands a radical rethinking of how performance practitioners conceptualize art and its political efficacy. The book thus makes the case that artists and critics must reexamine—indeed, must radically redefine—their notions of performance if they are to mount any meaningful counter to the increasingly invasive surveillance society.
| Author | : François Debrix |
| Publisher | : U of Minnesota Press |
| Total Pages | : 310 |
| Release | : 1999 |
| Genre | : Political Science |
| ISBN | : 9780816632367 |
Time and again the United Nations has deployed peacekeeping missions in trouble spots around the globe: Iraq, Somalia, Bosnia, Rwanda. Has peace ensured? Have these missions, in fact, made any difference in the disorder and destruction they are purported to forestall? Or are they, as Francois Debrix contends, an illusion -- more virtual peacekeeping than actual interventions in international affairs? Re-Envisioning Peacekeeping is a critical revisiting of UN interventions. Addressing the question, "How do UN peacekeeping missions shape the contemporary vision of international affairs?" the book applies the notions of simulation and ideology to the practice and theory of international organization. Debrix focuses on the media strategies that give UN missions the appearance of effectiveness and that promote liberal ideologies of governance. Debrix shows how the UN missions in Iraq, Somalia, and Bosnia attempted to simulate a landscape of ordered international politics -- a New World Order -- by disseminating visual renditions of peaceful intervention and humanitarian assistance. As a result of these sometimes elaborate efforts, Debrix finds, the UN peacekeeping missions of the past decade represent a study in visual simulation, which has nothing to do with actual matters of international life in the 1990s.
| Author | : Mark Poster |
| Publisher | : U of Minnesota Press |
| Total Pages | : 230 |
| Release | : 2001 |
| Genre | : Computers |
| ISBN | : 9780816638352 |
In What's the Matter with the Internet?, leading cultural theorist Mark Poster offers a sophisticated and astute assessment of the potential the new medium has to redefine culture and politics. Avoiding the mindless hype and meaningless jargon that has characterized much of the debate about the future of the Web, he details what truly distinguishes the Internet from other media and the implications these novel properties have for such vital issues as authorship, national identity and global citizenship, the fate of ethnicity and race, and democracy. Arguing that the Internet demands a social and cultural theory appropriate to the specific qualities of cyberspace, Poster reformulates the ideas of thinkers associated with our understanding of post-modern culture and the media (including Foucault, Deleuze, Heidegger, Baudrillard, and Derrida) to account for and illuminate the virtual world, paying particular attention to its political dimensions and the nature of identity. In this innovative analysis, Poster acknowledges that although the colonization of the Internet by corporations and governments does threaten to retard its capacity to bring about genuine change, the new medium is still capable of transforming both contemporary social practices and the way we see the world and ourselves.
